Regarding The Miracle of Time

I am feeling good about Moonlight Mistress. It’s as if, now that the revision letter is addressed and the manuscript is out of my hands, it’s slowly begun to gather to itself a sort of halo, a glow of being done that automatically makes it “better” than any novel that’s not done.

This happens almost every time I finish a manuscript. Not just at the final, take-no-prisoners, no more changes allowed stage, but at the previous stages of doneness as well. Well, maybe not the zero draft. Post-revisions is when the halo is brightest. But even in the intermediate stages, it’s comforting to remind myself that finishing has its own rewards.

There are a couple of possible reasons for this to happen. One, distance makes me forget the tiny details over which I sweated weeks ago, and I only remember the high points. Two, the novel never was that bad, I was just being hypercritical, and distance lets me see the novel as it truly is.

Regardless, after a little time has passed, I find myself wanting to read my own work. It’s best not to give in to the temptation, because soon enough I’ll be slogging through page proofs, and I’ll need every scrap of enthusiasm to do so. Until then, it’s best to just bask in the feeling of a job well done.

Sometimes I think more than half of writing is convincing yourself that you’re a writer and you can write.

About Victoria Janssen

Victoria Janssen’s first erotic novel, The Duchess, Her Maid, The Groom and Their Lover (Harlequin Spice, December 2008), was translated into French and German. Her second Spice novel, The Moonlight Mistress (December 2009), was translated into Italian and nominated for a RT Reviews Reviewers’ Choice Award. Her third novel is The Duke & The Pirate Queen (December 2010). She has also published erotic short stories as Elspeth Potter. Her blog features professional writing and marketing tips, genre discussion, book reviews, and occasional author interviews.
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