Food in Fiction

I like to put food in my fiction.

First of all, people eat. What they eat can say a lot about their character, and about the world in which they live, and about their interactions with other characters. Does Oscar make breakfast for Max? If so, does he make Max’s favorite (chocolate-frosted sugar bombs dipped in Nutella) or Max’s least favorite (kippers with catsup)? Does Oscar even know what Max likes? What does that say about them and their relationship?

Second, eating makes wonderful stage business. Several pages of straight dialogue can be broken up with the small actions of choosing an apple, washing it, peeling it. The food eaten and how it’s eaten can give clues about the character: someone nervous might fiddle with the apple, polishing and polishing, but not eating. Someone else, feeling friendly, might offer a bite of the apple to his companion. The speaker might be angry and focus on peeling her apple while not looking at her companion at all.

I once got into trouble with this. Every time the characters needed to talk, they were eating something, and they talked frequently. Mostly, they were eating and drinking the same thing, over and over. I ended up making a joke of it–the repetition became characterization–but it could easily have become tiresome, and probably was to some readers. Unless it’s a novel about eating, like Kit Reed’s Thinner Than Thou, the characters shouldn’t be eating all the time.

When revising Moonlight Mistress, I discovered that characters ate omelettes three times. Even though omelettes made sense on all three occasions, and the characters in the scenes varied, I changed one scene to crepes instead.

For putting realism into a scene, though, sometimes there’s nothing like food.

However, note that if the written food sounds really delicious, the reader might stop reading to go and eat.

Related Post: Moonlight Mistress excerpt, involving food..

Published by Victoria Janssen

Victoria Janssen’s writing showcases her voracious lifelong love of books. She reads over 120 new books each year, especially historical romance, fantasy, and space opera, and incorporates these genres into her erotic fiction. Her first erotic novel, The Duchess, Her Maid, The Groom and Their Lover (Harlequin Spice, December 2008), was translated into French and German. Her second Spice novel, The Moonlight Mistress (December 2009), was translated into Italian and nominated for a RT Reviews Reviewers’ Choice Award. Her third novel is The Duke & The Pirate Queen (December 2010). She has also published erotic short stories as Elspeth Potter. When not writing, Victoria conducts research in libraries and graveyards, lectures about writing and selling erotica, and speaks at literary conventions on topics such as paranormal romance, urban fantasy, erotic science fiction/fantasy, and the empowerment of women through unconventional means. Her daily writing blog features professional writing and marketing tips, genre discussion, book reviews, and author interviews. She also guest blogs for Heroes & Heartbreakers and The Criminal Element. She lives in Philadelphia.