This post originated as a guest post for Lust in Time in December, 2008.
The inspiration for The Duchess, Her Maid, The Groom and Their Lover was in a contest; I think it was in 2001. I am often inspired to write something by a call for submissions, even today. There was a five dollar fee, and you had to submit the story on a diskette, so it was rather a pain, but the prize was $1000. I believe the theme was “danger,” though I might be remembering wrong; it doesn’t matter now, because the story didn’t make the final cut, and then the contest folded before final judging ever began, and I was left with a story on my hands, about an Empress and a stableboy named Jirin.
In 2004, I finally sold the story to Jim Brown at LL-Publications for an e-anthology titled Eternally Erotic. Jim worked with me on the story, and it’s thanks to him that the setting became less fantastical and more like eighteenth-century France. The Empress became a duchess and the stableboy’s name changed to Henri. Perhaps most importantly, I added the possibility of a happy ending, when the original story had ended on a cliffhanger.
First, I named the duchess Camille, so she wouldn’t have to spend an entire novel being addressed by her title. And though the original story was from Henri’s point of view, for the novel I would need to get inside the Duchess’ head.
When writing an outline for the novel, I knew immediately that the two characters from the original story wouldn’t be enough. I was working on the assumption that there should be a sex scene, or a partial one, in every chapter, and I knew I’d find that easier if I could vary the partners and the goals of the scenes. For example, the first chapter has a “first time” scenario with the duchess and Henri. If I had more characters, I could also have a “first time” scenario with Henri and someone else, which could serve a different purpose in both Henri’s relationship to the duchess and in the plot.
The original short story referred to other characters who weren’t seen: the duke, the duchess’ maid, and her eunuch guards. The duke was of course the villain of the piece, the reason the story began. As soon as I tried to picture the maid, I realized she would need to be a much sharper, more sarcastic character to contrast with the seriousness of the duchess and her plight, and the innocence of the stableboy. As part of that idea, I decided the maid would dress as a boy while on the road, an homage to all those Georgette Heyer novels I’ve read. Because her personality was in many ways at odds with the other characters, she became a third point of view character as well.
I decided on a pair of eunuchs. It easily followed that they would be extremely loyal to the duchess, and could be involved with her sexually as well, in the classic fantasy of “woman pleasured by two men.” I liked the idea very much, eventually giving them their own subplot: They’re in love! But their love is forbidden! Which doesn’t stop them from consummating it anyway!
Finally, I thought more on the stableboy. The duchess was clearly the leader in this relationship, tired and embittered from years of an unhappy relationship. Therefore, Henri was the ingénue. Almost everything about his character snapped into place with that realization. I particularly enjoyed playing with the tropes of the innocent as applied to a young male character, when in romance that role is usually assigned to a female.
Finally, there needed to be The Other Man. I never seriously considered Maxime as a rival to Henri, but for my own amusement I did feel an erotic novel needed a character who was, shall we say, well-endowed. The rest of Maxime’s character and role developed later in the writing process.
Once I had the characters, the outline took shape. I already knew the plot. The duke is going to kill the duchess. She flees. Eventually, she defeats the duke. The tricky part was creating sex scenes that showed changes in the relationships between the characters, all while moving the plot towards the final goal of the duchess’ victory. However, as I tend to figure things out as I write, my outline didn’t necessarily show that movement. For instance, one chapter’s summary read simply: “Camille ponders how to find out if Henri trusts her, and how to make him her lover.” Or “The Duchess, while riding the next day, remembers an encounter with Maxime in her youth, before she married the Duke.” Some of the chapter summaries were more detailed, but all of them left plenty of room for invention. In the process of writing, I changed not only minor plot details, but also some major ones, including changing an off-camera coup d’etat into the final action scene.
I’ll sum up the various pairings in The Duchess, Her Maid, The Groom and Their Lover. I had a lot of fun with choosing these scenes and playing with erotica tropes to see how far I could push the envelope of genre expectations.
There are, of course, several sex scenes between the Duchess Camille and her loyal stableboy, Henri; but Henri also has an unexpected encounter with a bathmaid and several encounters with Sylvie, the duchess’ maid, including once as a performance for the duchess’ benefit. Sylvie enjoys herself with the duchess and, later, with a brothel owner, Master Fouet, who also obtains a valuable service from Kaspar, one of the eunuch guards. Both of the eunuchs, Kaspar and Arno, pleasure the duchess, and later in the story have their own love scene. The duchess remembers her first affair, in her youth, and later consummates it with Maxime. Alas, I didn’t have room for Maxime’s projected scene with Sylvie, and his scene with Henri was cut for pacing reasons.
As one review stated “something for everyone.”
The Duchess, Her Maid, The Groom & Their Lover at Amazon.com.