Category romances, contrary to many peoples’ beliefs, are not at all the same. Sometimes, they push boundaries.
I have not yet read Mallory Rush’s Kiss of the Beast, a Harlequin Temptation that features an alien hero (the only alien hero I’ve heard of in a category), but it looks very interesting, and was recommended to me twice.
In Judith Arnold’s Barefoot in the Grass (1996), the heroine is a survivor of breast cancer who has had a mastectomy. It’s surprising to me how rare that is in contemporary romance. Arnold is also the author of Sweet Light (1992), whose heroine is Jewish, surprisingly uncommon in category romance, even today.
The ultimate example of stretching boundaries, to me, is Cinderman by Anne Stuart. It was published as a Harlequin American Romance, a line currently described as “lively stories about homes, families and communities like the one you know.” Cinderman is like that. Assuming, that is, that your community includes people who get doused in weird slime and subsequently develop amazing super-powers.
It is so awesome. Anne Stuart’s books often take risks and bend genre, so this book is only surprising because it was published as a category, in a line that didn’t include paranormal elements at all; also, it was published in 1994, long before the current boom in paranormal and urban fantasy novels. So far as I’ve been able to determine, it was the first “superhero” romance. And I mustn’t omit mentioning that as well as being ground-breaking, it’s a really funny book. There’s a lot of witty dialogue between hero and heroine, and the heroine’s t-shirts become a running gag that just gets funnier and funnier.
Here’s a detailed review at All About Romance.
What’s the most unusual category romance you’ve ever read?