Be vewy quiet; I’m adding geeky detail!

There are various schools of thought about adding historical detail to fiction. Sometimes you want more detail, sometimes less; partly, that depends on the book’s genre. For example, in a Tom Clancy novel such as The Hunt for Red October, there is a lot–a lot–of detail about nuclear submarines. But if you’re reading that book, it’s likely that one of the reasons is because of all that lovely, crunchy technical detail.

Historical novels need historical detail. But how about historical erotica? How much historical detail does there need to be?


There should be as much historical detail as I want. And the geekier, the better.

If the details I choose to include are not what the reader expects, that’s all to the good. Those details will stick better for being unusual. (cf. the picture of a horse wearing a gas mask.) And because they stick in the reader’s mind, they’re more useful for building up a picture of the time period, and also a picture that feels deeper and richer than whatever generalized ideas the reader might have had. (What does World War One mean to you? Trenches? There was fighting in the mountains of Italy, as well. And in Africa.) I feel anything that brings the reader more completely into the story is a good thing.

The more geeky the detail, the more that detail feels specific. Specificity is important; the more specific, the more vivid and immediate the image becomes in the reader’s mind. You can say, there were birds. Or you can say, she remembered the poignant cries of bitterns and the song of reed-warblers, and the occasional slow dignified silent soaring of a heron towards the far horizon.

The more specific the detail, the less often you have to use detail, and the more subtly you can use it.

Related Posts:

Historical Detail in Fiction.

Research: When to Stop.

Published by Victoria Janssen

Victoria Janssen’s writing showcases her voracious lifelong love of books. She reads over 120 new books each year, especially historical romance, fantasy, and space opera, and incorporates these genres into her erotic fiction. Her first erotic novel, The Duchess, Her Maid, The Groom and Their Lover (Harlequin Spice, December 2008), was translated into French and German. Her second Spice novel, The Moonlight Mistress (December 2009), was translated into Italian and nominated for a RT Reviews Reviewers’ Choice Award. Her third novel is The Duke & The Pirate Queen (December 2010). She has also published erotic short stories as Elspeth Potter. When not writing, Victoria conducts research in libraries and graveyards, lectures about writing and selling erotica, and speaks at literary conventions on topics such as paranormal romance, urban fantasy, erotic science fiction/fantasy, and the empowerment of women through unconventional means. Her daily writing blog features professional writing and marketing tips, genre discussion, book reviews, and author interviews. She also guest blogs for Heroes & Heartbreakers and The Criminal Element. She lives in Philadelphia.

4 replies on “Be vewy quiet; I’m adding geeky detail!”

  1. >>The more geeky the detail, the more that detail feels specific.

    Love this point. I really love your take in this post and others on how to deal with weaving in setting details.

  2. So true about specificity. Result, of course, is hours spent (dare I say lost?) on research to find those stinkin' details!

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