Siegfried Sassoon, “At Daybreak”

At Daybreak

I listen for him through the rain,
And in the dusk of starless hours
I know that he will come again;
Loth was he ever to forsake me:
He comes with glimmering of flowers
And stir of music to awake me.

Spirit of purity, he stands
As once he lived in charm and grace:
I may not hold him with my hands,
Nor bid him stay to heal my sorrow;
Only his fair, unshadowed face
Abides with me until to-morrow.

–Siegfried Sassoon, The Old Huntsman and Other Poems, 1918

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Siegfried Sassoon, “To-Day”

To-day

This is To-day, a child in white and blue
Running to meet me out of Night who stilled
The ghost of Yester-eve; this is fair Morn
The mother of To-morrow. And these clouds
That chase the sunshine over gleaming hills
Are thoughts, delighting in the golden change
And the ceremony of their drifting state.

This is To-day. To-morrow might bring death,—
And Life, the gleeful madrigal of birds,
Be drowned in glimmer of sleep. To-day I know
How sweet it is to spend these eyes, and boast
This bubble of vistaed memory and sense
Blown by my joy aloft the glittering airs
Of heavenly peace. Oh take me to yourselves,
Earth, sky, and spirit! Let me stand within
The circle of your transience, that my voice
May thrill the lonely silences with song.

–Siegfried Sassoon, The Old Huntsman and Other Poems, 1918

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Carl Brandon Society Awards, Arisia 2011

The event I most enjoyed at Arisia this year was the awards ceremony for The Carl Brandon Society, mostly because of the awesome readings from the awesome winning books. You can check out their blog here.

Arisia convention chair Crystal Huff arranged for an official certificate from the city of Boston to be presented to the Society, here represented by Nisi Shawl and Victor Raymond.

Winner of the 2008 Parallax Aware, Vandana Singh. You can buy her novella Distances from Aqueduct Press.

Winner of the 2008 Kindred Award, Tananarive Due. Her winning short story “Ghost Summer” is from a compilation titled The Ancestors that also features stories by L.A. Banks and Brandon Massey. Excerpt here.

The winners of the 2009 awards were not able to attend, but here’s some information about them and their books:

Half-World by Hiromi Goto, a middle-grade novel, won the Parallax Award. You might also remember her amazing Tiptree Award winning novel, The Kappa Child.

Liar by Justine Larbalestier, a YA novel, won the Kindred Award. It also won the the Davitt Award for best Young Adult Crime Novel 2010, The WA Premier’s Literary Award, Young Adult Prize 2009, and The Fellowship of Australian Writers (FAW) Christina Stead Award 2009 (best novel of the year regardless of genre).

You can nominate books published in 2010 here.

More pics at the Aqueduct blog.

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Arisia 2011 Costume Photos!

There were so many amazing costumes at Arisia! I could have spent all my free hours there photographing. But since I was often hurrying from one panel to another, I only managed to stop and ask a few of my absolute favorites to pose.

For instance, this one. I love her pose! To me, it’s a goth-dieselpunk version of The Thinker.

I’m a huge fan of Dr. Who, so these Dalek dresses made me literally squeal with delight. If I ever get married, these would be the perfect bridesmaid dresses.

I have several friends who knit and/or crochet, and they are always talking about the size of their yarn stashes. Here’s an alternate solution to using up some of that stash!

Finally, this isn’t really a costume, but is linked in to costuming; it’s a steampunky puppet theater. So cool.

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Arisia 2011 Social Business Report

I’ll post some photos a little later on, but first, my report! Sort of. It’s more a rambling sort of commentary on the experience.

For me, the business is social and, I guess, the social is business. This conference, however social it might be, is for me much more about business, at least in the long run. I make contacts, connections, re-connections; I speak on panels not only for the fun of it but so I introduce myself to more people, some of whom might be interested in my books, or have a friend to whom they’ll recommend one of my books. That said, if it wasn’t lots of fun, I wouldn’t do it.

I enjoy the constant stimulation of a convention, but it’s also pretty exhausting, more mentally than physically. I was really glad my friend and I traveled on Thursday. It meant that we could be leisurely on Friday morning, before the convention officially began. We had breakfast, lolled around in the hotel’s whirlpool, and I went and worked out. I’d intended to work out on Sunday as well, but in the end my schedule didn’t allow it because I attended a couple of special events.

This downtime was invaluable because I was heavily scheduled with panels Friday evening. I had forgotten that this year, the convention was experimenting with 75 minute panels instead of 60 minutes, so having back-to-back panels was consequently more exhausting. My third panel of the evening was at 11:00 pm, which for me is pretty late. That said, they all went well, and as usual, I was able to coast on adrenaline, as I often do at cons (the trick is winding down!). And somehow, in among all the panels, I managed to wander around enough to encounter a number of friends.

For instance, Friday afternoon, I was pleased to have a chat with Nisi Shawl, whom I will miss seeing at WisCon this year, since I won’t be able to attend. She had come to Arisia for the first time to take part in the Carl Brandon Awards presentation, which I attended on Sunday afternoon. I got to talk to Margaret Ronald a couple of times, too, which was lovely, since we’d barely exchanged two sentences at the last convention we both attended. I saw my friend Jen Pelland for the first of several very short encounters; though we never got a chance to talk for long, two of her short stories were recommended in the “Sexuality in SF” panel, one of them “Captive Girl” and the other a newer story published in Apex Online, so it felt like I’d seen her more than I had. So much of a convention, for me, happens in brief, passing encounters. Often, nothing significant is said, but it still feels social, like I’m renewing a social tie.

I am not a huge party person, since the big ones are usually late at night, but I stopped by two different parties hosted by erotica publishers, Circlet Press and Lethe Press. Though I’ve known Circlet Press publisher Cecilia Tan for many years, I’ve never actually sold anything to her press, though I have sold things to anthologies she’s edited for other publishers. The publisher of Lethe, Steve Berman, is in my writers’ workshop, which hasn’t met very much lately due to outside factors, so it was lovely to see him, as well as editor Connie Wilkins, whom I hadn’t seen since BEA. Melissa Scott was at the Lethe Party, and contributed my favorite statement of the convention, “Tycho Brahe did have a silver nose, but he lost it in a duel.”

And if you’re wondering, yes I did talk about The Duke & The Pirate Queen. Quite a lot. I even talked about The Moonlight Mistress a little, and carried it to some of my panels (appropriate ones) along with The Duke. I would mention the title and sometimes give a very, very abbreviated description of the book when I was introduced. Early on Friday, I put a selection of postcards and bookmarks in the freebie area, and if I chatted with someone after a panel or in the hallway, after a couple of people requested my business card, I began to remember to offer them.

For the most part, though, talking about my books was on an individual basis. I talked to one person at a time, and answered their questions about it. I gave free copies to a few people, not reviewers but a couple of friends, and the others to people I’d met and liked over the course of the con, usually through serving on a panel with them. I hope I’ll get to see some of them again, and will be seeking out their books. For me, that’s important, too. It’s about selling books, sure, but it’s also about meeting new people with really great things to say.

So check out these folks whom I met for the first time at Arisia! And check out their books!

Kelley Armstrong, who gave some great tips on writing and revising when you’re on a very tight schedule, which I think will be extremely useful to me in future.

Nancy Holzner – four panels together is a real bonding experience! I bought one of her books, Deadtown.

Seanan McGuire, who’s a fun person all around. I learned a lot just from listening to her in the one panel we had together, and was glad we got to chat more later on.

Finally, Mark L. Van Name, who writes for Baen Books, had invaluable information to impart about the hows and whys of a hardcover to mass market paperback publishing schedule, which has been a part of his career for quite a while. I knew a little about that, but not in such depth. I think it was very useful for that panel’s audience, as well.

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How to Moderate a Panel: Procedures

In my last post on this topic, I talked about preparing to moderate a panel. Here are some tips on the actual process.

1. Be on time. In fact, be early. It may or may not be your job, but you should make sure there are enough chairs for the panelists, the table (if there is one) is cleaned off, etc..

2. Give a little extra time at the beginning for latecomers, say five minutes or so. Otherwise, you risk being repeatedly interrupted during introductions. I usually let the audience know I’m doing this, so they don’t think we’re slacking!

3. Announce the title of the panel and read the description. Have the panelists briefly introduce themselves. Sometimes, I ask them to answer a general question about the panel topic as part of their introduction.

4. Give a brief description of how you want the panel to work. This can include comments on how the topic will be focused, and procedural notes such as “we’ll take questions at the end” or “please raise your hand if you have a question or a comment.” If you say this, make sure to leave some time for audience questions!

5. This is the part that takes practice. Let each panelist say what she has to say, but if you sense audience attention is lagging or one person seems to be taking over the discussion, it’s okay to ask another panelist to follow up on something they just said. One strategy is to say something like, “That’s really fascinating. Harriet, could you give us your opinion on that?” It’s also okay to ask a panelist another question to help them change direction, or to note that “we seem to be heading off-topic, so even though this is interesting, I’d like to get back to how the monkeys are going to handle NASA.”

6. You might get many audience comments. In some situations, it’s okay to ask them to hold their comments until the end. In others, you want audience discussion to take place. If so, try to keep things organized by calling on people in the order they raised their hand, and don’t let any one person dominate the discussion.

7. Keep an eye on the time. Let the audience know when there are about ten minutes left. You might want to leave time for each panelist to give a final comment.

My final comment is, if you aren’t sure you can do it, give it a try and find out!

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Retail Pirates

I’m on the road again today, coming back from Boston, so I thought I would share with you the fruits of recent internet searches for Pirate Booty. (You may take that as you will.)

Black patent pirate dress flats. “Walk the plank with style in these mighty fine flats that be includin’ a spider-web stlye buckle made of brass and a pirate emblem lining for a lovely lass.” And are these toddler shoes adorable, or what? How about these baby shoes?

Awwwwwwww. Mini Pirate Rubber Duckies.

Pirate Soap Molds, anyone? Skull-and-crossbones shaped soaps. Filty Pirate Spiced Rum Booty, handmade in Hawaii. Villainess Soap.

Pin the Eye Patch on the Pirate Game.

I have some Papo “mutant pirate” figurines already, so am tempted by the Papo Pirate Set which includes Wooden Leg Captain, Pirate Horse, Barbarossa Pirate, Conquistador Pirate, Cannon Pirate, Pirate w/ Grapnel, and Pirate Treasure Chest. The Old Gift Shop sells a range of highly crafted figurines, as well.

I am somewhat boggled by the Zippo Pirate Pocket Lighter.

A toy pirate ship and accessories, crafted from wood. The Barbarossa Pirate Ship is a less expensive wooden ship.

Playmobil has a Ghost Pirate Ship including figures that glow in the dark and working cannons.

The Fisher-Price Pirate Ship is pretty elaborate, but I think I like the Serpent Pirate Ship much better–that is one cool-looking toy.

The Matchbox Pirate Ship has a GIANT SQUID.

Finally, Lego has a whole range of Pirate Toys, ranging from the small to the OMGWTFBBQ.

I’m most tempted by Kraken Attackin …or by Brickbeard’s Bounty because it has A SHARK.

Cannon Battle has a working cannon!

Loot Island has a crocodile, a cannon, and a catapult. Also a pirate and castaway who can be eaten by the crocodile.

Imperial Flagship: this is the OMGBBQ!!! set if you were wondering, with 1,664 pieces.

I take no responsibility for profligacy that follows upon this post.

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Arisia 2011

I’m in Boston this weekend, having fun at Arisia. Scroll down for my schedule.

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Guesting at the NINC Blog

I’m over at the Novelists, Inc. Blog today with an expanded version of my post on David Attenborough, Antarctica, & Writing.

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Arisia 2011 Schedule

I’m on the road today, on the way to a science fiction convention in Boston, Arisia. (Yes, we are going towards where the snow is worse.) My friend is driving, and I’ll be keeping track of her two dogs, one of whom is a rambunctious puppy who’s never made a long car journey before. Wish us luck!

I’ll be at the convention through Sunday.

Here’s my schedule (details are subject to change):

Re-Reading Childhood Classics
Douglas, Fri 6:30 PM
Vikki Ciaffone [mod], Greer Gilman, Victoria Janssen
We all have favorites from our childhood, but some of them, when we read them as adults, sour us on our original warm memories. Others surprise us with depths that we never caught the first time. And still others have the lyricism which we first fell in love with. Let’s all look again.

Flirting with the Mainstream: Paranormal Romance
Carlton, Fri 8:00 PM
Vikki Ciaffone, Victoria Janssen [mod.], Nancy Holzner, Gail Z. Martin, Kelley Armstrong, Seanan McGuire
Paranormal romance has staying power on store bookshelves and has taken plenty of heat for diluting SF/F. However, it also has a crossover appeal to women who may not ordinarily be the audience for SF/F. Let’s chat about overlapping genres, mixing stories, and the best paranormal romances for the new reader.

Making Room: Your Day Job and Your Passion
Lewis, Fri 11:00 PM
Victoria Janssen [mod], Steve Sawicki, Mark L Van Name, William Freedman
So many of us have uninspiring day jobs to pay the bills, while we do our real work after we go “home” for the day, whether it be writing, social action, theatre, or something else. How do you juggle work, a vocation, and friends/family/rest?

Character Dynamics
Hancock, Sat 11:00 AM
Nancy Holzner [mod], Gordon Linzner, Jeanne Cavelos, Ellen Kushner, Victoria Janssen
You have your cast of characters, now how do you get them to interact the way you want? How can you make you them fight, love, and laugh at each other convincingly? How do you make changes in a relationship between characters come about naturally, rather than seeming forced? Our panelists will elucidate the finer points of getting your characters to behave with each other on the page the way you imagine them in your head.

From First Draft to Second Draft
Carlton, Sat 5:00 PM
Ellen Kushner [mod], Victoria Janssen, Nancy Holzner, Kelley Armstrong, Rita Oakes
What’s your writing process? Is the first draft a private letter to yourself while the second draft is more accessible? How does the fiction change through the writing and revision process? Our panelists discuss their methods for rewriting.

My Friend Wrote a Book, Do I Have to Buy It? Griffin, Sun 9:30 AM
Elaine Isaak [mod], Genevieve Iseult Eldredge, Felicitas Ivey, Victoria Janssen, Nancy Holzner
Etiquette for friends of authors and other creators. How to support their endeavors without going broke or feeling you have to attend every signing; what to do when you don’t like their creations and are asked (or feel it’s expected) to give a reaction.

Sexuality in SF/F
Hancock, Sun 12:30 PM
Steve Berman [mod], Meredith Schwartz, Genevieve Iseult Eldredge, Victoria Janssen, Trisha Wooldridge
Sexual situations in SF/F books, movies, and television are just as common as in every other genre. Does SF/F do it differently, better, or worse? What discussions of sexuality in SF are significant to read or see, and why? How is a sex scene in a SF/F story different from porn? Where is the line between good and poor taste?

Reading
Hale, Sun 6:30 PM
Authors Laura Anne Gilman, Victoria Janssen, and Stephen R. Wilk will read selections from their works.

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