Telepathy and Romance

Telepathy and romance are two great tastes that ought to taste great together. So why is it that, so often, a telepathic heroine or hero–finds true love with the one person whose mind can’t be read?

It’s part of a romance novel’s plot, of course, for a couple to get to know each other better. There need to be obstacles in the way. If one person can read the other’s mind, a lot of the tension is gone from the story. If one of the partners is immune to the other’s ability, that creates tension and can also serve as a signal to the telepath that here is someone special.

But what if the telepathy did work? Usually, in those cases the plot tension arises from the non-telepathic character having secrets which the telepath might accidentally–or purposely–uncover. The telepath might learn things that complicate the relationship further.

But there’s another way to use telepathy in romance, I think, a way that I’ve seen more often in science fiction or fantasy novels that happen to have a romance. Telepathy can be used as a kind of leveller, a new way of looking at how two people interact. “Normal” humans are isolated from each other in many ways. Their intimacies are negotiated and can never be total as we can’t see another person from the inside. What if they weren’t isolated from each other? What happens then?

If one or both characters can read the mind of the other, most of the simple romantic conflicts can be eliminated. The writer has to delve deeper for plot conflict, perhaps specifically engaging with gender roles in a relationship, or other power differentials. The writer could explore how their characters would interact on another level entirely.

Published by Victoria Janssen

Victoria Janssen’s writing showcases her voracious lifelong love of books. She reads over 120 new books each year, especially historical romance, fantasy, and space opera, and incorporates these genres into her erotic fiction. Her first erotic novel, The Duchess, Her Maid, The Groom and Their Lover (Harlequin Spice, December 2008), was translated into French and German. Her second Spice novel, The Moonlight Mistress (December 2009), was translated into Italian and nominated for a RT Reviews Reviewers’ Choice Award. Her third novel is The Duke & The Pirate Queen (December 2010). She has also published erotic short stories as Elspeth Potter. When not writing, Victoria conducts research in libraries and graveyards, lectures about writing and selling erotica, and speaks at literary conventions on topics such as paranormal romance, urban fantasy, erotic science fiction/fantasy, and the empowerment of women through unconventional means. Her daily writing blog features professional writing and marketing tips, genre discussion, book reviews, and author interviews. She also guest blogs for Heroes & Heartbreakers and The Criminal Element. She lives in Philadelphia.

6 replies on “Telepathy and Romance”

  1. It would be more of a challenge to write conflict if the hero/heroine could read minds. In the Undead vampire series by MaryJanice Davidson, the hero & heroine can read each others minds. In fiction, telepathy eliminates "natural" conflict. In real life, it would cause conflict. ("Who are you calling an asshole!").

  2. It would make a fun novel to have them NEVER get together because of reading each others' minds too much.

  3. omgosh those images are priceless. i agree that mind reading is more difficult to write. however, i think a lot of people keep coming back to it because it is such a fantasy: to have someone know you that deeply and intimately and still love you. perfect communication and acceptance–that's an intense scenario.

  4. Robert Silverberg wrote 'Dying Inside' which is a great sci-fi and philosophical period piece (1960s) on telepathy. Yes your post is right, telepathy is underused

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