Caroline Stevermer Guest Post – Digging for the Metaphor

Please welcome my guest, Caroline Stevermer!

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I’m Caroline Stevermer. In addition to A College of Magics and A Scholar of Magics, both available from Tor’s Starscape imprint, I’ve collaborated with Patricia C. Wrede on Sorcery and Cecilia, The Grand Tour, and The Mislaid Magician, all from Houghton Mifflin Harcourt. (Their mass-market paperback line is Graphia.) Readers of the Kate and Cecy books may be interested to note that next summer, 2010, Dial Books will publish my middle-grade book Magic Below Stairs, which features Kate and Thomas as subsidiary characters in a story set at their country house Skeynes at the time of the birth of their first child.

Digging for the Metaphor


For the 19 years I’ve owned this house, I’ve used a shovel that must have been here since long before I moved in.

It’s a good shovel. The handle has an ominous sense of frailty when one leans on it to lever out a root. The blade is cracked, a horizontal tear in the steel just where the handle ends. Think of the digging that shovel must have done to get that crack. For 19 years I’ve thought I should replace it, but I was not about to pay full price for a new one. I got by, mainly by using the shovel as seldom and as gently as possible.

Last summer I found a shovel at my neighbors’ garage sale. Same blade shape, new handle. I paid two dollars for it. Only once I got it home did I notice they’d put the new handle on with the wrong sized screws, so half an inch of extra screw sticks out on either side, ready to scratch the unwary worker. I got by, mainly by using it as seldom and as warily as possible.

Yesterday I found a shovel in my cellar. It’s perfect.

I remember now. It was a housewarming gift. I put it away carefully, but by the time the frost departed and the possibility of shoveling returned for the season, I’d forgotten it. I’ve been storing it for 19 years. I found the shovel because I’ve been emptying the cellar, using up some of the stuff I’d kept just in case, the odds and ends I’d put away for a rainy day. Because it’s been a rainy year or so, I’m getting down to the corners. High time, obviously.

We’re all having rainy days. We’re all using the things we put away for a rainy day, literally and metaphorically.

Hang on, because I’m going to leave the shovels behind and talk about writing. I’m going to presume that anyone reading this blog is interested not just in reading but in writing too. I consider us all to be engaged in the struggle to get words out of our heads and into the world, in whatever form suits us best.

“Write what you know,” we are told. (I’ve never had much luck with that advice.) But what do we know? How do we know what we know?

No question, our writing benefits from the details we notice as we move through the world. Who doesn’t think, “I could use that,” at least once a day? But there are more things around us than just the moments we gather going through the day, more than the hard-won bits of research mined from the vast seam of background reading that comes naturally. There are the things we take for granted. The things we forget we know. Or the things we think everyone knows. Those things that feel so easy and clear to us can be the crucial things that tell the reader what she needs to know about the characters in the story. I know how a farmer picks up a piglet (by a hind leg). If my protagonist knows that, it tells the reader something about pigs and something about the protagonist, too.

Ideally, I could finish up with some small fact about shovels, but alas, I don’t have any. I only hope this newly rediscovered shovel of mine is a symbol for some inner strength I’ve taken for granted or set aside because I haven’t needed them until now. To find a brand new tool right here beside me lifts my heart. May there be more tools around here somewhere, inside me and all around me, and may I discover them soon.

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Extract from the diary of Edward Thomas, 23 February 1917

Extract from the diary of Edward Thomas:

23 February 1917

Chaffinch sang once. Another dull cold day. Inspected stables, checked inventory of new billet for men in Rue Jeanne d’Arc, went with Colonel round 244, 141 and 234 positions and O.P. in Achicourt. Afternoon maps. Partridges twanging in fields. Flooded fields by stream between the 2 sides of Achicourt. ruined churches, churchyard and railway. Sordid ruin of Estaminet with carpenter’s shop over it in Rue Jeanne d’Arc–wet, mortar, litter, almanacs, bottles, broken glass, damp beds, dirty paper, knife, crucifix, statuette, old chairs. Our cat moves with the Group wherever it goes, but inspects new house inside and out, windows, fireplace etc. Paid the Pool gunners (scrapings from several batteries doing odd jobs here). 2 owls in garden at 6. The shelling must have slaughtered many jackdaws but has made home for many more. Finished Frost’s ‘Mountain Interval’. Wrote to Frost. A quiet still evening. Rubin brought over letters from Helen and Oscar.

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Stop by tomorrow for a guest post from Caroline Stevermer, “Digging for the Metaphor.”

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Moonlight Mistress excerpt – Setting

My offering is from Moonlight Mistress, out December 2009 from Harlequin Spice.

Today’s excerpt is all about the setting. It’s the beginning of World War One, and Lucilla has joined a new hospital as a nurse. Ths hospital is being housed in a building that used to be a casino.

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The first days were all hard work, such hard work that Lucilla fell into her bed each night already nearly asleep from exhaustion. Bedsteads had arrived, mattresses had accidentally gone to Rouen and had to be retrieved by lorry. Twenty roulette wheels had to be carried up to the attics and stacked atop card tables covered in green baize. Tanks of nitrous oxide were procured, but some of the tanks of oxygen needed to mix with it had leaked and arrived empty, and had to be replaced. Only boys and men over fifty years of age were available to work as orderlies, so Lucilla and even some of the doctors pitched in to carry immense piles of bedding and cases of bandages up the casino’s grand staircases and into the wards. The official inspectors arrived, and declared one of the rooms they’d chosen for surgeries to be unacceptable, so another had to be prepared, all its carpeting ripped out and every surface scrubbed and painted.

At last, however, Lucilla gazed around a makeshift ward in satisfaction. The variously colored brocaded coverlets and lap rugs, all donations, made the room look cheerful. She’d successfully directed her cadre of six French volunteers in making the beds and laying out the requisite kit in the lockers beside: pajamas, flannel, towel and soap, and a bag to hold the patient’s uniform once it had been labeled and laundered out in the paved courtyard. She doubted this perfection would last beyond the first influx of wounded, but she let her volunteers enjoy their success while they could, and for a break requested they stock the entertainment cabinet at the far end of the ward. Lucilla set the mademoiselles free to roam the casino’s every room and closet to obtain sufficient decks of cards and cups of dice, secretly gleeful that such a male bastion was now the domain of women.

She looked out the glass doors at a crew of local workers struggling with electrical wiring, for the temporary buildings that would house the X-Ray department and laboratories. The white-haired man who directed them looked ready to strangle his helpers. Several more aged Frenchmen, aided by a crew of youngsters, were building paths out of boards, so trolleys could be wheeled directly from the hospital. One of those small buildings would be Lucilla’s own kingdom, where she would perform double duty compounding disinfectant and irrigation solutions. The extra work would be worth it for the attendant privacy.

Matron swept through the elaborately carved doorway, studying the watch she wore clipped to her uniform cape. “Daglish, I’m afraid I’ll have to move you over to the east wing. It’s not quite ready, and I’ve heard we might be receiving casualties sooner than we’d expected.”

So it begins, Lucilla thought. “Yes, Matron. Someone will look after the mademoiselles?”

“I’ll send Sister Inkson.”

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c. Victoria Janssen 2009

Pre-order on Amazon.com.

More excerpts from me.

More Snippet Saturday:

Beth Kery
Eliza Gayle
Jody Wallace
Lauren Dane
McKenna Jeffries
Michelle Pillow
Moira Rogers
Shelley Munro
Taige Crenshaw
Vivian Arend
Leah Braemel
TJ Michaels
Beth Williamson

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Excerpt: The Duke and the Pirate Queen

I don’t normally post excerpts from works in progress, but I decided it wasn’t fair that only the male protagonist appeared in my previous sample from The Duke and the Pirate Queen.

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A few minutes later, Imena hailed a pony-cab and gave Sanji’s address. She leaned back in the padded seat and closed her eyes, forcing herself to replace Maxime’s image in her mind with Sanji’s. It was more difficult than she’d thought. She’d seen Sanji’s body dozens of times, Maxime’s rarely, but she had recent sense memory of Maxime’s heavy muscularity and the scent and texture of his hair and skin. Remembering how his hands had felt on her body made her belly melt. If only he was not the duke. If only.

Sanji’s home adjoined his chandler’s shop. For once, his two young sons were not playing in the grassy back garden where Sanji kept a milch-goat; with a twinge, she remembered this was their week to visit with their aunt who lived inland. She had been looking forward to playing with the boys. Imena went into the shop, saw Sanji’s assistant minding the counter, and ducked outside again.

She found Sanji in his workshop, mounting a compass into a new casing crafted from slender strips of varicolored woods. She leaned against the open doorway for a time, watching him work. He was a tallish man, as dark a brown as Chetri, with narrow stooped shoulders and lush black hair he wore in a messy tail down his back. Wide, thick black eyebrows gave his eyes a severe look at odds with his mild personality. Imena found him soothing. His hands at work were as gentle as his hands would be on her skin.

She waited until he’d set aside the compass before clearing her throat. Sanji looked up and smiled. “Imena. I heard Seaflower was in.”

“Yes.” She swallowed. She opened her mouth to ask if he could spare an evening for her, but instead said, “Sanji, I’m not sure I can see you any more.”

His welcoming expression changed to mild dismay. “That’s unfortunate for me, but…have you met someone else?”

“Yes,” she said. She might as well admit the truth. Just because she couldn’t have Maxime didn’t mean he wasn’t there, in her thoughts, seemingly inside her very skin. “I’m very fond of you, Sanji,” she admitted. “You and the boys, too. But–“

“I understand,” he said. He rose from his stool and took her hand, kissing her fingers. “I must confess, I’ve been wanting to, well, marry. Give my sons a new mother. And I wasn’t sure what you would say.”

A few weeks ago, she might have said yes. “They need someone who will be here with them,” she said. “You and I, we’re good together, but….” She took his hand in hers and drew it to her mouth, placing a kiss in his palm. “You need someone who will be here always. Don’t you? You just haven’t said so.”

“Yes, that was my thought as well,” Sanji said, his cheeks flushing. He caressed her face. “Will you stay for the evening meal, at least?”

“I can’t,” she said. “I need to find Chetri. A business matter.” She paused, and slipped her hand into her jacket pocket, withdrawing a small canvas bag. “I brought shark’s teeth, for the boys. Remind them the teeth are sharp.”

“I will,” he said. When he took the bag from her, their fingers did not touch.

Throat tight, she nodded. She said, “There is a pearl in there, for you. The purple-black such as you liked so well in Roxanne’s earrings.”

“Thank you,” Sanji said. “I’ll think of you when I wear it.” He slipped the bag into his trouser pocket. He added, “You’re always welcome in my home, you know. For whatever reason.”

“And you are always welcome on Seaflower,” she said. She took a deep breath. “Goodbye, Sanji.”

“Fair sailing, Imena,” he said, and kissed her gently. They share a long, close embrace of farewell.

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More excerpts from my novels.

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Book Collection Blues

I’m determined to cull my books. The problem is, many of the books I would likely cull are in boxes, stored away to make room for newer books on the shelves and in the, er, more accessible boxes. And the little piles here and there, of books for which I haven’t yet found spaces. (I almost typed “for whom.” Which tells you something about me and books.)

Notice I said nothing about not buying any more books, or refusing books that are given to me. That, I fear, is as far beyond me as flying among the stars on gossamer wings.

Shelves and accessible boxes are separate from my “to be read” pile, which actually consists of six boxes at the foot of my bed and does not include the entire box of short story collections over in the corner. The TBR includes a lot of brand new books as well as an enormous selection of older ones: a stash of category Regency romances by various authors, some contemporary category romances, several large fantasy novels I never got around to reading, books in favorite series I’ve been reading bit by bit, single books by favorite authors who haven’t put out another book so I’m saving the last one, etc.

If I know I’m not going to read a book for years–for instance, Octavia Butler’s Fledgling, because there will never be another book by her, and I want to save it for a special occasion–usually I put it on the shelf instead of in the TBR. Sometimes authors I love beyond reason end up on the shelves, too, unread and waiting for a special day: Sean Stewart’s Perfect Circle is on the shelf, as is Molly Gloss’ The Hearts of Horses, and the newest Karen Joy Fowler, Wit’s End. Some Henry James novels have been waiting their turn for nearly a decade. I don’t really count any of those as part of the TBR, but they’re on the shelf where I can admire them, and gloat that they are waiting to be read.

One of these days, I’m going to take a month’s vacation and spend most of it reading.

Related Post: Reading for the Writer.

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My Favorite Westerns – Books, Movies, Television

Wendy the Super Librarian and Kristie of Ramblings on Romance are posting about Westerns this week, so I thought I’d list a few of my favorites.

Song:

Cowboys Are Frequently Secretly Fond Of Each Other, covered here by Willie Nelson. It doesn’t get much better than that.

Novel:

The Jump-Off Creek, Molly Gloss. Unrelentingly realistic and beautifully written, to boot.

Honorable Mention to Ledoyt by Carol Emshwiller.

Television:

Deadwood, no contest.

Al Swearengen: Sometimes I wish we could just hit ’em over the head, rob ’em, and throw their bodies in the creek.
Cy Tolliver: But that would be wrong.

Romance:

Fall from Grace by Megan Chance.

Erotic Romance:

Roping the Wind by Kate Pearce is notable because it’s about a modern cowboy, a rodeo star whose career has been ended by injury.

Caine’s Reckoning by Sarah McCarty is more traditional. (It’s from the line that publishes my books, Harlequin Spice.)

Movie:

The Magnificent Seven (yes, I know it’s really The Seven Samurai).

Chris: There’s a job for six men, watching over a village, south of the border.
O’Reilly: How big’s the opposition?
Chris: Thirty guns.
O’Reilly: I admire your notion of fair odds, mister.

It’s tied with High Noon.

Helen: What kind of woman are you? How can you leave him like this? Does the sound of guns frighten you that much?
Amy: I’ve heard guns. My father and my brother were killed by guns. They were on the right side but that didn’t help them any when the shooting started. My brother was nineteen. I watched him die. That’s when I became a Quaker. I don’t care who’s right or who’s wrong. There’s got to be some better way for people to live.

Dead Man gets a mention for being a very weird Johnny Depp movie.

TV Cowboy and Horse:

Roy Rogers and Trigger.

Related Posts:
Reading for the Writer.

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Lucienne Diver Guest Post – Agent And Author

Please welcome my guest, Lucienne Diver!

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The 500 Hats of Bartholomew Cubbins
by Lucienne Diver

Do you remember growing up reading the Seuss story The 500 Hats of Bartholomew Cubbins? Well, young master Cubbins has me beat, but only by about 497 hats. I wear at least three: agent, author, mom. Wife fits in there somewhere. And sun-worshipper. Beader, scrapbooker, house-cleaner, travel-enthusiast… Okay, so maybe he doesn’t have me beat by that much. Not that it’s a competition. Really. Type A personality with time urgency issues doesn’t mean I can’t relax and go with the flow, does it?

Well, okay, so it does. I carve into sleep to come up with a writing schedule and a lot of my hobbies, like the beading, scrapbooking and, er, housecleaning, have mostly fallen by the wayside to make room for my all-consuming passions: my authors, my writing and my family (the order ever-changing depending on the time of day and level of enthusiasm/grief). So, how do I reconcile these three?

People seem constantly surprised that I have an agent who isn’t me or even closely related to represent my work. This is because I need distance from the day to day part of my career. I don’t want to obsess about when my work goes out and when it comes back, though my agent does keep me in the loop. I find that as a writer, I’m insecure. Neurotic, even. I want a filter, someone who can view and translate things dispassionately and who will push me when I put something out there and hope no one will notice the wing and a prayer portions of our program. It’s funny that even when I know things as they relate to my authors’ careers, I need to hear them in relation to my own. In other words, my author-self doesn’t necessarily internalize what my agent-self knows.

Now, as an agent I have over sixteen years in the business. I’m pretty confident and comfortable in what I’m doing. I’m constantly talking to editors and authors and getting in data via Publishers Lunch, Shelf Awareness, Media Bistro, Twitter, Locus, SF Scope, Romantic Times, Publishers Weekly. A whole bunch of info that I process along with my day to day experience and put together into a big picture, along with mental projections about the state and future of the industry. I adore my authors. During the bulk of the day, I’m focused on the business and on them. (I.e., I don’t have time to obsess about my own work, and that’s just the way I like it.)

At night, “my time,” well, that’s ever changing as well. Part of it I give over to my family, of course. Wrestling with the puppy, playing games with my son, actually sneaking glances at my husband to remind myself that his eyes are blue and rather stunning in the sunlight. Part of it I spend reading. I write early in the mornings, around 6 a.m. so that I wake up before my inner editor, but if I’m in the home stretch on a novel or in the plotting stage, I may do a bit of that in the evening as well. Very occasionally, I’ll actually (gasp) take a break and watch something like Castle or So You Think You Can Dance (my only reality-esque show addiction).

But I find that my brain never stops working. I might have an “Ah ha!” moment as I’m brushing my teeth about just the right way to word a letter to an editor or a plot point that’s been eluding me. I’ll wake up knowing something about my work I had no idea of when I laid me down to sleep. The good thing is that no matter how many hats you wear or how you divide yourself, your other personas are always in the background, fully aware, working things out in your “absence.” It’s the ultimate multi-tasking. And yes, it’s a challenge, but it’s also a thrill. Remember that whole Type A thing? A day without a good challenge is like ice without the cream.

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Lucienne Diver is an agent for over forty authors of commercial fiction, particularly in the areas of fantasy, romance, mystery, suspense and YA. Her young adult vampire series began in 2009 with Vamped and continues in 2010 with Revamped, following the humorous adventures of Gina Covello, fashionista of the damned.

Links:
Agency website
Author site
Author blog
Publisher

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About Business Cards

I’ve only been involved in romance author forums for about a year and a half, but during that time, the topic of business cards seems to come up every month or so.

I’m of two minds about them. First, they’re an expense, so getting them free is a good thing. Vistaprint is a popular source for these; so long as you don’t add extras (all of which are presented to you), you’re only paying for postage. The cards are nice on the front, and on the back have a calendar and information about Vistaprint. And there are a LOT of other vendors offering free options, as well. If it’s the information on the cards that’s important, how fancy do the cards themselves need to be?

I went the free card route, the first time, and got cards from two different companies. I was going to RWA National in San Francisco, my first RWA event, and I knew that cards were a necessity if I didn’t want to spend all my time writing down my email address for everyone. I handed out many, many cards and collected many from other people, as well.

I wasn’t entirely satisfied with the cards, though, nice as they were. I’d gone with free cards because, well, I’m cheap sometimes, but later it bothered me that the calendar on the back was out of date. Also, I changed my blog address, and I had a new book coming out, and none of that was on these cards.

When I got a second contract, I allowed to myself that I might be a “real” writer now and could get “real” business cards. And that’s the second mind; business cards are representative of you. It isn’t just the information on them, but the card itself that matters, similar to a person having a tidy appearance when they go for a job interview. People will look at the business cards long after their chance meeting with you is over. Business cards leave an impression.

So I went to MOO.com, from whom I’d once gotten some gorgeous free photo minicards. I got a set of cards with the cover of my upcoming novel, and a set with the cover of my first novel. On the reverse, I put my website address and my email address, as I don’t plan to change either of those two things any time soon. I’m not worried about the covers being out of date because, well, I wrote both of the books, and the covers are gorgeous (you can see them in the sidebar). I don’t see myself growing tired of them.

I’m very satisfied with the quality of the printing, and the thicker paper just feels good to me. I’m getting a lot more satisfaction from these cards, and several compliments on them as well. I think in future, unless I really can’t afford it, I’ll stick with paying for them.

Tune in tomorrow for a guest post from Lucienne Diver!

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Montreal’s Botanical Gardens

My friend and I spent five and a half hours at the Botanical Gardens on Montreal. Hopefully, these pictures will help explain why.

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Character Sketch, The Duchess, Her Maid, The Groom and Their Lover

Back in 2000 or 2001, when I wrote the original short story that, many years later, becamse The Duchess, Her Maid, The Groom and Their Lover, I had a different idea of the main characters than I later developed.

I quote myself, from an email to a friend: Henri–He never stops objectifying the Duchess. First she’s an icon, then she is generic flesh, indistinguishable from someone disguised as a Duchess; she never becomes an individual to him. Of course, I don’t think he’s an individual to her, either.

When I thought that, the story consisted solely of the duchess summoning her stableboy because she needed to get pregnant. The story ended in a cliffhanger just after their sexual encounter. For that story and its tone, my darker presentation of the characters worked. Years later, when I began work on turning the story into a novel, that interpretation was no longer viable.

I didn’t want to write an entire novel about two people who saw each other as objects. I edited the chapter that originated as the short story over and over again, gradually making both characters more sympathetic, and giving them a wider range of emotions and conflicts. Rather than leaving the reader hanging at the end of their encounter, I added a conversation, in which Henri expresses worry over the duchess’ fate, and offers his assistance to her if she should need to escape.

In the new first chapter, I laid in some background; they’d known each other since he was a young boy, and she chose him to be given advanced equestrain training; she trusts him because he cares for her beloved horses. In a chapter following their first sexual encounter, I emphasized Henri’s dedication to the duchess and his longtime crush on her, feelings he never thought would be reciprocated.

Though the duchess never mentions it, throughout the novel she thinks of Henri as someone whom she trusts and with whom she wants to be together. Rather than objectifying Henri, by the novel’s end she thinks of him as someone in whom she can confide, and shows her feelings for him by giving him the gift he most desires. And Henri has begun to break through to the duchess emotionally.

It’s not a standard Happily-Ever-After, but I feel it suits the story and characters.

Buy The Duchess, Her Maid, The Groom & Their Lover.

Excerpts from my fiction.

I’m a guest today at The Naughty Girls Next Door, on “Sneaking in Historical Detail.”

Read more Snipper Saturday by these authors:

Eliza Gayle
Jody Wallace
Lauren Dane
McKenna Jeffries
Michelle Pillow
Moira Rogers
Shelley Munro
Taige Crenshaw
Vivian Arend
Mark Henry
Leah Braemel

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