Guest Post Roundup for July and August

My most recent novel, The Duke & the Pirate Queen, gets a brief mention over at RT Book Reviews.

I’ve been doing a lot of guest blogging this summer for a couple of different sites.

I compared Arthur Morrison’s fictional detective Martin Hewitt, Investigator to his contemporary Sherlock Holmes, and gave my thoughts on the Top 5 Sex Scenes in SF/F.

Also, I wrote previews for quite a few upcoming releases.

Hidden Paradise by Janet Mullany, erotica set at a weekend “living in the Georgian period” retreat.

Blackwood by Gwenda Bond, a young adult fantasy novel whose plot involves mass disappearances on Roanoke Island.

Stranger in the Room by Amanda Kyle Williams, a mystery set in Atlanta, and featuring a female Chinese-American private detective.

Z-Rated, the newest erotica anthology edited by Zane.

Syndrome E by Franck Thilliez, translated from the French. Keep an eye out for the upcoming movie.

The Girl in Trouble by Kathryn Miller Haines – a YA mystery set during WWII.

Long Lankin by Lindsey Barraclough – a 20th-century Gothic mystery.

That Thing Called Love by Susan Anderson, one of the first few contemporary romance authors I ever read.

Sammy Keyes and the Power of Justice Jack by Wendelin Van Draanen, a Middle Grade mystery novel.

Dangerously Close by Dee J. Adams, a romance about a Rock Star in Hiding.

Close Your Eyes by Iris and Roy Johansen, a thriller in the Kendra Michaels series. Michaels is a sort-of-Holmesian detective.

The Formula for Murder by Carol McCleary – a mystery with several historical figures as characters, including the protagonist, reporter Nellie Bly.

I also spent some time recently updating and adding links to my For Writers page. Feel free to comment if you have any suggestions. Thanks!

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“There Will Come Soft Rains,” Sara Teasdale

There Will Come Soft Rains

There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;

And frogs in the pools singing at night,
And wild plum trees in tremulous white;

Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;

And not one will know of the war, not one
Will care at last when it is done.

Not one would mind, neither bird nor tree,
If mankind perished utterly;

And Spring herself, when she woke at dawn
Would scarcely know that we were gone.

–Sara Teasdale
Flame and Shadow, 1920

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My Summer Publications – 2012

I have a few erotic short stories out in anthologies this summer, and one that’s upcoming for the fall.

“The Airplane Story” was out in June 2012 in Girl Fever: 69 Stories of Sudden Sex for Lesbians from Cleis Press. The anthology was edited by my friend Sacchi Green. It’s a very short story – all of them in the anthology are – but fun, I think. You can sort of guess what it’s about from the title. I, umm, couldn’t think of a better title, so I just called it “The Airplane Story” while I was working on it, and, well. As I said. It’s descriptive! And suits the story!

I self-published “The Magnificent Threesome” early in August; it’s been in print a couple of times in anthologies, but not in e-format. It’s available for Kindle and Nook so far. It’s a fun 6000-word short story, a Western historical, but the historicity is more American Western tv-movie world than real world (that was on purpose). Again, the title gives you an important clue abuot the content. Ahem.

“In the Cold With You” was out August 1, 2012 in an Alison Tyler anthology from Spice titled 69: An Erotic Collection. I think it’s only going to be in electronic format. Here’s the Mills and Boon Kindle edition. It’s also available in German: Erotische Erzählungen, translated by Ulrich Georg. Here’s the full table of contents. This story is interesting because I wrote it a really, really long time ago. I reworked it a couple of times over the years, most recently right before I submitted it to Alison. This is the first time anyone out in the world has been able to read it. It’s much more sentimental and romantic than my usual.

Finally, “8:00 PM: Appointment Tee Vee” will be out in November in Morning, Noon and Night: Erotica for Couples from Cleis Press. This one is also edited by Alison Tyler, and features one story for each hour of the day. My story has some elements that fanfiction readers and writers might find amusing, by the way.

And pre-summer, “Under Her Uniform (Hailey’s Story)” was out in May 2012. It’s a Spice Brief, available only in electronic format. It includes characters who appeared in The Moonlight Mistress. You can get it for Kindle; Nook; Harlequin e-book (Adobe editions).

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A Soldier’s Secret by Marissa Moss, out 9/1/12

I don’t normally post reviews in this blog, but this isn’t really a review. I acquired a galley of A Soldier’s Secret by Marissa Moss because I have a longtime fascination with crossdressing characters in fiction, particularly women who dressed as men – I’ve created more than one crossdressing character. But I also love to read about the real women who could, and did, do the same throughout history, risking a lot more than their reputations if their real sex was discovered.

Here’s the blurb on the book:
Historical fiction at its best, this novel by bestselling author Marissa Moss tells the story of Sarah Emma Edmonds, who masqueraded as a man named Frank Thompson during the Civil War. Among her many adventures, she was a nurse on the battlefield and a spy for the Union Army, and was captured by (and escaped from) the Confederates. The novel is narrated by Sarah, offering readers an in-depth look not only at the Civil War but also at her journey to self-discovery as she grapples with living a lie and falling in love with one of her fellow soldiers.

The story is fictionalized somewhat, but seems to be based as much as possible on what historical information is available about Edmonds. Edmonds is the first-person narrator, and her story begins with herself as a child, essentially being treated as a son by her abusive father, at least until he sees potential profit in selling her into marriage. She then flees her home in Canada and, after holding a few different jobs, enlists in the Union Army during the early stages of the American Civil War.

What I particularly enjoyed was how Moss addressed the various difficulties that Edmonds would have faced, and how she might have felt about them. Many romantic adventure stories with crossdressing heroines skim over those aspects; it was good to see the emotional power that such exploration can have in the course of a story.

I know it’s illegal to masquerade as a man. The law condemns it as “an infringement on the Rights and Privileges of the lords of creation.” In plain English, men hold a natural position of superiority and women should stay in their place. I may have been breaking the law, but I’ve never felt more right about anything. I’m as capable as any man and deserve the same respect and liberty. Since they aren’t granted to me as a woman, then I’ll take them as a man. I’ve tasted freedom and I’m not giving it up. Why should I? Isn’t this what Pa had said I could do all my life–fish and hunt and ride as hard as any man?

…living in close quarters with thousands of men, I’ve put myself in a position where I can easily be found out. What if I get shot in a battle and a doctor tears open my shirt? What if I slip one day, talking to Jerome, and say something that gives me away? It’s odd for me, this comfort and closeness, this kind of sharing. I’ve never had a friend like Jerome, and it scares me that I’m not as vigilant with him as I should be. I worry that he can tell I’m hiding something. The more time we spend together, the more troubled each of us grows, for our own different reasons.

Jerome doesn’t know what it is, he can’t put his finger on it, but I can tell he thinks there’s something odd about me. We’ll be thick in a conversation when suddenly he’ll hesitate, stare at me strangely, then continue in a faltering way until he relaxes into our friendship again. It makes me newly wary and I put on my best manly show, spitting and grunting, scratching at my crotch the way Damon constantly does. He can’t possibly suspect a woman of such behavior. The cruder I am, the safer I feel.

I really liked the way Moss thought through a lot of the potential issues, and I think this book would be a good resource for romance writers who are thinking of creating a classic crossdressing heroine.

My Favorite Girls Dressed as Boys – Romance Edition

My Favorite Girls Dressed as Boys – Fantasy Edition.

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Vacation!

I am in the middle of a week’s vacation! See you on the other side!

…I found this cover to be somewhat terrifying. You?

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The Research/Writing Interface

I’m going back and forth between researching and writing, on my new novel draft. I don’t follow any sort of organized plan so far as historical research reading goes. I don’t finish all my research reading before I start to write, or even after I’ve finished writing. I don’t read everything there is to read; sometimes I skim for what’s relevant or might be relevant. Sometimes I decide I don’t need a particular source, and return it to the library, mostly unread.

Even a writer who attempts to research everything they’re writing about won’t be able accomplish it, because some of what they want to know simply won’t be available; even if, like me, your interest is in the early twentieth century rather than, say, 1300s Europe. I’ve long since accepted that even if “everything” exists for me to find, I don’t want to commit the time to find it. At some point, I have to write the story.

For example, I could go hunt up the insurance maps for a particular city, for a particular span of years. I could find the exact house where it would be possible for my characters to live. I could then get the phone book and find out who really lived there. But do I need to do that? Will it add to the realistic feel of the story if #317 housed a bookseller in both real life and in my novel? I suspect that sort of resonance would have meaning for absolutely no-one besides the person who did the research. And aside from that, if you go that far, when do you stop? A real person lived there! Do you have to copy their furniture for your character? Their ultimate fate? That path leads to mimesis rather than storytelling. At that point, you might as well be writing a biography.

That isn’t to say I wouldn’t like to know everything about my chosen time period. I would! I began writing stories set in and around World War One because I was interested in the time period, and was already reading about it. I still read about it, all sorts of books that may or may not be relevant to what I am writing. I also fantasize about the invention of some sort of time travel camera where I could spy on real events of the past without the risk of being smushed by a runaway wagon or something.

Facts are important. Significant details are very, very important to worldbuilding; they can give a level of reality to fiction because they are, well, real. The trick is finding those significant details in the first place, the ones that will stand out, and using them in ways that will resonate for the reader. You won’t always recognize the facts when you see them, and sometimes you’ll have no idea that one of those facts will show up in your research reading. Accepting serendipity is sometimes much more important that slavish attempts at historical accuracy that serve no story purpose.

And then there are the facts you cannot find, or do not have the time or resources to find, even with the internet. That’s when it’s time to MSU – Make Sh*t Up. The trick there is to MSU thoughtfully, using what you already know and and trying as hard as you can to make your S feel real. Sometimes, this will fail horribly. Sometimes, no one will ever notice except you.

I guess what I’m saying is that I don’t make an idol out of Historical Accuracy. It just isn’t possible, and though I do try, I know that I will always fail, no matter what. So I try not to freak out if I can’t find out the price of persimmons in 1911 in Manchester, England, or even if you could buy persimmons at all.

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Not Going to the 2012 RWA Conference?

Visit Romance Divas instead.

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Readercon 23 Link Roundup (Panels) – 2012

All about the programming in one place.

Many photos by Jonathan Crowe.

Many photos by Ellen Datlow.

Readercon 2012- Some of the Best Science Fiction and Fantasy of the Year and What I Bought by The Boston Bibliophile. Includes a writeup of “The Year in Novels” panel.

Writeup of the World SF Panel by darkcargo.

Writeups of “Why Am I Telling You This (in the First Person)?” and Guess Who’s Coming to Fairland?” by Kate Nepveu.

Athena Andreadis on The Other Half of the Sky.

Jeff Vandermeer gives some details of the various panels he participated in – you have to scroll down a bit for them.

Michelle of the Green Hand Bookshop did a brief writeup of the Peter Straub Guest of Honor panel.

Janicu succinctly summarized several panels.

Amperzen on some Friday panels.

Hat tip to KAte Nepveu for finding this one: .

Also, there were some issues with gender relations both on panels and with harassment:

Genevieve Valentine wrote up her bad/ugly experiences with two different male attendees of the con, one on a panel and one not. Many people commented, some with similar experiences.

L. Timmel Duchamp comments on G.L. Valentine’s experience and on sexism at cons in general.

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“HOT time, summer in the city” – Vintage Erotica Covers





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My Readercon 2012 Schedule

Here’s my schedule for Readercon.

“Subversion Through Friendliness”
Friday July 13, 11:00 AM G

Glenn Grant, Victoria Janssen (leader), Toni L.P. Kelner, Alison Sinclair, Ruth Sternglantz.
In a 2011 review of Vonda N. McIntyre’s classic Dreamsnake, Ursula K. Le Guin quotes Moe Bowstern’s slogan “Subversion Through Friendliness” and adds, “Subversion through terror, shock, pain is easy—instant gratification, as it were. Subversion through friendliness is paradoxical, slow-acting, and durable. And sneaky.” Is subversion through friendliness a viable strategy for writers who desire to challenge norms? What are its defining characteristics? When do readers love it, and when does it backfire?

Kaffeeklatsch
Friday July 13, 1:00 PM, CL
Victoria Janssen, Paula Guran.

“Sherlock Holmes, Now and Forever”
Friday July 13, 4:00 PM, Room G

Ellen Asher, Michael Dirda (leader), Victoria Janssen, Fred Lerner, Veronica Schanoes
Sherlock Holmes is everywhere right now: in TV series like House, BBC’s Sherlock, and the upcoming Elementary; in the Robert Downey Jr. movies; and in books and stories being written about Holmes and his creator, Sir Arthur Conan Doyle. What accounts for the endless appeal of this character? Are we ever going to get tired of brilliant and slightly mad detectives? Or is it all really about Watson, as suggested by our collective urge to keep telling and retelling Holmes’s stories?

“Guess Who’s Coming to Fairyland”
Friday July 13, 7:00 PM, Room F

Gwendolyn Clare, C.S.E. Cooney (leader), Victoria Janssen, Kate Nepveu, Joan Slonczewski
Many fantasy and SF novels struggle with an issue that, at first glance, looks downright old-fashioned: interracial marriage. The races are non-human, and some of their problems are unique; for example, in Cheryl Brooks’s Cat Star Chronicles, the near-extinct Zetithians must breed with other species or die out. Others face very familiar concerns such as being rejected by their families or peers. Their risk-taking is often rewarded with the birth of children who display enhanced or unusual abilities–though those children have their own concerns about not fitting in. How do these themes reflect and interact with real-world tensions around race, marriage, and culture?

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