“Conscientious Objector,” Edna St. Vincent Millay

Conscientious Objector

I shall die, but
that is all that I shall do for Death.
I hear him leading his horse out of the stall;
I hear the clatter on the barn-floor.
He is in haste; he has business in Cuba,
business in the Balkans, many calls to make this morning.
But I will not hold the bridle
while he clinches the girth.
And he may mount by himself:
I will not give him a leg up.

Though he flick my shoulders with his whip,
I will not tell him which way the fox ran.
With his hoof on my breast, I will not tell him where
the black boy hides in the swamp.
I shall die, but that is all that I shall do for Death;
I am not on his pay-roll.

I will not tell him the whereabout of my friends
nor of my enemies either.
Though he promise me much,
I will not map him the route to any man’s door.
Am I a spy in the land of the living,
that I should deliver men to Death?
Brother, the password and the plans of our city
are safe with me; never through me Shall you be overcome.

–Edna St. Vincent Millay

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“When I’m among a Blaze of Lights,” Siegfried Sassoon

When I’m among a Blaze of Lights

When I’m among a blaze of lights,
With tawdry music and cigars
And women dawdling through delights,
And officers in cocktail bars,
Sometimes I think of garden nights
And elm trees nodding at the stars.

I dream of a small firelit room
With yellow candles burning straight,
And glowing pictures in the gloom,
And kindly books that hold me late.
Of things like these I choose to think
When I can never be alone:
Then someone says ‘Another drink?’
And turns my living heart to stone.

–Siegfried Sassoon
The Old Huntsman and Other Poems, 1918

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Periphery anthology re-release

I’m at WisCon this weekend – which also means I can visit two of my favorite stores ever, A Room of One’s Own and The Soap Opera.

Also, the Periphery anthology – lesbian science fiction edited by Lynne Jamneck – has been re-released in a wide variety of e-formats. My story “Silver Skin,” which is really three very short stories tied together with additional material, is in the anthology.

Full Table of Contents:
Origins | Marianne de Pierres
The Voyage Out | Gwyneth Jones
They Came From Next Door | Kristyn Dunnion
Ishtartu | Lyda Morehouse
Mind Games | Tracey Shellito
The Rocky Side of the Sky | Melissa Scott
Angels Alone | Carolyn Ives Gilman
Devulban Dreams | Jean Stewart
Diplomacy | Catherine Lundoff
Silver Skin | Elspeth Potter/Victoria Janssen
The Spark | Cecilia Tan
Sideways | Sharon Wachsler

I am still very impressed to be among such company. You can buy Periphery direct from Untreed Reads, as well as for Kindle and Nook, at Apple iBookstore, at Scribd, at All Romance Books and at DriveThru Fiction.

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My WisCon 2012 schedule

If you’re attending WisCon this weekend, you can find me at the following panels:

Anti-Heroism Defined
Fri, 4:00–5:15 pm, Room 629
Moderator: Victoria Janssen; Rosemary / Sophy; Kelly Sue DeConnick; Lesley Hall; Chris Hill
What is an anti-hero, and what makes a character an anti-hero? How do you know an anti-hero when you see one? Can an anti-hero become a regular garden-variety hero, and if so, how? What is the appeal of an anti-hero? Are anti-heroes more realistic than heroes, and how does this impact the audience?

Short Stories Versus Novels
Sat, 4:00–5:15 pm, Senate B
Moderator: David D. Levine; Benjamin Billman; Richard Chwedyk; Gwynne Garfinkle; Carolyn Ives Gilman; Victoria Janssen
Some writers claim they can only write short, others insist they can only go with longer works. What are the advantages and disadvantages of each form? Should you force yourself to try the length that doesn’t seem natural for you? What benefits are there to those who can successfully write both types of story? At one time, authors were told they needed three short story sales (of the pro variety) before they should try to sell a novel. Is this true? If short isn’t your form of choice, are you just screwed?

Gender-Variant Characters in Science Fiction
Sun, 8:30–9:45 am, Assembly
Moderator: Molly Aplet; Kerey Luis; Victoria Janssen
Let’s explore how gender variance and/or variant/trans* characters are represented in Science Fiction. How often are gender-variant characters used for the purpose of examining the experiences of cisgender individuals? How often is the variance of these characters integrated into a character/individual level experience? The example of the former, a planet-of-hats scenario (such as was done on Star Trek) in which a whole society is genderless/gender-variant, comes to mind. Mass Effect is an example of the use of a “mono-gendered” (yet hyper-sexualized) race, the Asari. How about a story where a whole species is genderless or gender-variant? Dragon Age 2 has one of the most prominent examples of a trans* character, Serendipity.

Addiction in Fiction
Sun, 10:00–11:15 am, room 634
Moderator: Cassie Alexander; Naomi Kritzer; Victoria Janssen; Derek Silver; Gregory G. H. Rihn
Real drugs, imaginary drugs, and magical addictions to other people’s dreams – how are addictions handled in science fiction and fantasy? Can imaginary addictions be treated with real-world methods? How about fictional worlds in which addiction is not seen as a problem? Or in which addiction has become adaptive (are vampires addicted to blood?)? Possible works to consider: Stacia Kane’s Downside series (beginning with Unholy Ghosts) in which Chess Putnam is addicted to a magical drug, Jacqueline Lichtenberg and Jean Lorrah’s Sime~Gen series in which Simes can become addicted to killing Gens, Yarrow by Charles De Lint for feeding on dreams.

Fen to Pro and Pro to Fen
Sun, 2:30–3:45 pm, conference 4
Moderator: Victoria Janssen; Wendy Bradley; Michael J. “Orange Mike” Lowrey; Neil Rest; Amy Thomson
In many sectors of fandom, those who make money from writing, editing or publishing speculative fiction are set apart from those who are primarily readers. This separation isn’t present everywhere, though. Some “pros” maintain fannish activity and some who primarily act as “fans” might have, for example, sold a novel or two. With the growing popularity of fanfiction and self-publishing, how is the division between fan and pro changing? How do these divisions affect online interactions, live interactions, and how fandom is viewed from outside? Is there truly a “geek hierarchy”?

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Guest Post Roundup – Heroes & Heartbreakers, The Criminal Element

I haven’t done this in a while; here are my recent posts over at Heroes & Heartbreakers and The Criminal Element.

A bit of commentary on Jo Goodman’s A Place Called Home (romance).

Alyssa Everett’s Ruined by Rumor (romance).

Edge of Light by Cynthia Justin (romance).

Historical Mysteries in the Aftermath of World War One.

Boys of Summer, edited by Steve Berman (romance).

Fatal Induction by Bernadette Pajer (mystery).

Hunting the Shadows by Alexia Reed (romance).

Lynn Shepherd’s The Solitary House (mystery).

Kayla Perrin’s Always In My Heart (romance).

The Very Definition of a Rake, in which I chat about Susan Johnson’s Outlaw (romance).

My Dearest Holmes by Rohase Piercy (mystery, with romance!).

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“A Mystic as Soldier,” Siegfried Sassoon

A Mystic as Soldier

I lived my days apart,
Dreaming fair songs for God;
By the glory in my heart
Covered and crowned and shod.

Now God is in the strife,
And I must seek Him there,
Where death outnumbers life,
And fury smites the air.

I walk the secret way
With anger in my brain.
O music through my clay,
When will you sound again?

–Siegfried Sassoon
The Old Huntsman and Other Poems, 1918

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Blonde Ambition – Vintage Erotica Covers

Impressions of a Reader reviewed Under Her Uniform! The hero of that story happens to be blond, so he fits right in here….





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Letters From the Front – WWI Challenge


My latest read for the WWI challenge is Letters from the Front: J. Gresham Machen’s Correspondence from World War 1. I chose this book because the author of the letters was an American involved in the war work of the YMCA, though the introduction to the collection focuses more on the fact that Machen later became a well-known theologian. I had read a little about the YMCA’s role in World War One, but mostly about women canteen workers, and it’s been a while since I’ve looked at American perspectives. This collection gave me a different view.

As usual, I was hoping for quotidian minutiae, and I was rewarded. At times Machen’s personal experiences feel so personal that they are almost out of time, for instance in the early letters, as he searches for native speakers in Paris to help him with his French. For a few moments here and there, at least at the very beginning of the collection, you can forget the actual reason he’s in France because you’re submerged in the difficulties of daily living. For example, he talks about the various bureaucratic hurdles to be overcome just to travel in France at the time, difficulties that I think are often forgotten in generalized books on the war. But then, bam! There’s the war! Which must have been a bit what it was really like, to be in Paris at that time. Here’s a particularly dramatic example.

I was just returning from the theatre on Wednesday evening. When I got out of the métro I noticed a good deal of confusion on the avenue, but paid little attention to the matter till a little later, when I discovered that the confusion was due to the running of fire apparatus through the principal streets with their sirens that act as a danger signal. For an hour or so I stayed out in the streets and “rubbered.” There were the moving lights of French airplanes here and there, also little flashes which I suppose indicated aerial battles with German airplanes. One brilliantly lighted plane passed directly over our heads, and very near. This was about all that we saw. As to what we heard, that might have seemed to untrained ears to be anything. I thought it probably came for the most part from anti-aircraft guns. Finally there were two explosions louder than the others, after which most of the people near me, including myself, went indoors.

…After a time I went to bed, before the signal was given announcing the conclusion of the raid. Somehow, I did not feel enormously excited most of the time. But really I had no idea of the seriousness of it. When I heard after wards that nearly fifty people had been killed and many others wounded I was quite astonished. The whole thing, though it lasted with intervals perhaps nearly two hours, passed off so very quietly. The next day I observed the damage here and there in the city.

As soon as Machen leaves Paris for his assignment, however, the ravages of war become visible all around him. At one point he is taken to within two miles of the German lines, and the first village he mentions is at most seven miles from the Front. He describes visiting abandoned trenches and, over and over again, mentions houses that have no roofs. Mixed in with all that are, again, more quotidian details, such as trying to work out who is responsible for what duties with his French YMCA colleague.

Reading collections of letters, I’ve learned, is a bit like putting together a puzzle. It helps a lot if you have a picture for reference, in this case a general knowledge of the YMCA’s wartime activities, and of the American involvement in the later stages of World War One. However, if you don’t have the background information, in this case the editor of the collection provided quite a number of footnotes that can help out. And once Machen is closer to the front, I think most readers would find his letters interesting.

The WWI Challenge

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Food Conservation – World War One Posters





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“The Kiss,” Siegfried Sassoon

The Kiss

To these I turn, in these I trust–
Brother Lead and Sister Steel.
To his blind power I make appeal,
I guard her beauty clean from rust.

He spins and burns and loves the air,
And splits a skull to win my praise;
But up the nobly marching days
She glitters naked, cold and fair.

Sweet Sister, grant your soldier this:
That in good fury he may feel
The body where he sets his heel
Quail from your downward darting kiss.

–Siegfried Sassoon
The Old Huntsman and Other Poems, 1918

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