Hooks and Anchors

I recently heard about an article which talked about paragraphing in terms of anchoring and hooking. I didn’t find the article, but this is how I would use those terms.

At the beginning of a scene, even if you haven’t shifted locations or times, you have to set that scene in the first sentence or paragraph. Think of it like an establishing shot in a movie. The camera shows the place, lighting which indicates whether it’s day or night, who’s in the room. Clutching his greatcoat around him against the November chill, Weston weaved his way among wagons with chocked wheels, tents, campfires, pitiful attempts at vegetable gardens, coppers of boiling water.

Or Three weeks later, Imena straightened her embroidered turquoise dress coat and brushed off the matching silk trousers as she emerged onto the deck of her ship, Seaflower. It’s okay to just say “Three weeks later” and tell the reader Imena is on her ship.

You can also anchor a paragraph with an opening sentence that’s a little hook if that works: Imena wasn’t able to enjoy her soak in the baths. Well, why not?

Hooking is, basically, ending a sentence or paragraph or scene with a mystery. The “mystery” can be something that’s a tiny bit confusing to the reader, but just enough so to make them want to know more. A contradiction of some kind also works. I don’t go out of my way to do this for every paragraph; sometimes it’s best to just end the paragraph in an organized way, so you can go on with the scene:

She stormed into her cabin and swiftly divested herself of her turquoise finery, tossing it onto her wide bunk.

“No, sir! You’ll crush it!”

A more traditional hook to end a paragraph and make the reader want to keep reading might be: The gentle sway beneath his feet was not a ship docked, or even a ship at anchor, but one in motion, fleeing before the wind and propelled by a good tide.

Finally, you have to consider prose rhythm. Sometimes you need a paragraph or scene to end with finality, to emphasize or to make the reader stop and think: She wasn’t his, much as he wished she could be.

Published by Victoria Janssen

Victoria Janssen’s writing showcases her voracious lifelong love of books. She reads over 120 new books each year, especially historical romance, fantasy, and space opera, and incorporates these genres into her erotic fiction. Her first erotic novel, The Duchess, Her Maid, The Groom and Their Lover (Harlequin Spice, December 2008), was translated into French and German. Her second Spice novel, The Moonlight Mistress (December 2009), was translated into Italian and nominated for a RT Reviews Reviewers’ Choice Award. Her third novel is The Duke & The Pirate Queen (December 2010). She has also published erotic short stories as Elspeth Potter. When not writing, Victoria conducts research in libraries and graveyards, lectures about writing and selling erotica, and speaks at literary conventions on topics such as paranormal romance, urban fantasy, erotic science fiction/fantasy, and the empowerment of women through unconventional means. Her daily writing blog features professional writing and marketing tips, genre discussion, book reviews, and author interviews. She also guest blogs for Heroes & Heartbreakers and The Criminal Element. She lives in Philadelphia.

2 replies on “Hooks and Anchors”

Comments are closed.