The Obligatory Writing-Music Post

Writers often have a close relationship with music. Some write in silence, but those who write while music is playing are often very opinionated on what sort of music they choose, even to constructing playlists for particular novels.

I’m a musician myself, both an instrumentalist and a choral singer, but the way I use music when writing is very different from how I approach it as a musician.

When I listen to music while writing, often it’s merely to mask other noises, whether outside my head or inside it. Frequently, I write in a coffee shop which sometimes plays music that I find distracting, plus there are sometimes loud conversations going on. In that case, I have a special playlist to use. Its title is “Loud.” Everything on it is loud enough to drown out other noises (I have good headphones). The German band Rammstein is a big part of that playlist, as are Rob Zombie and Disturbed and Godsmack and Depeche Mode and Metallica.

When I don’t need the masking effect, I tend to favor music that enhances my concentration, which for me is usually something featuring long melodic lines or a steady underlying pulse. If volume isn’t an issue–for instance if I’m in a quiet place but just having trouble focusing–I usually go for vocal music, mostly early polyphonic counterpoint. (For example, the Renaissance composer Giovanni Pierluigi da Palestrina, or the medieval composer Guillaume de Machaut.) If I already know the piece well, I can “turn off” my musician brain and let the music play along at a subconscious level. I’m not sure exactly how this works to help me write, but it does. I also use electronica and trip-hop for this purpose (for example, Tricky–his albums are staple listening for me while writing).

Finally, there’s the music that doesn’t serve quite the same purpose for me as the counterpoint or trip-hop, but is close to it in effect, with its usually minor key and driving beats. I use Goth bands such as Sisters of Mercy, This Mortal Coil, London After Midnight, Joy Division, and Inkubus Sukkubus on my standard writing playlist.

And when I don’t know what I want, I revert to Evanescence on repeat. I’ve used their albums as writing music for long enough that the words sink into the music and don’t distract me; again, it’s a band whose music is usually minor key (my favorite, if you haven’t already guessed) and features long melodic lines.

How about you?

About Victoria Janssen

Victoria Janssen [she, her] currently writes cozy space opera for Kalikoi. The novella series A Place of Refuge begins with Finding Refuge: Telepathic warrior Talia Avi, genius engineer Miki Boudreaux, and augmented soldier Faigin Balfour fought the fascist Federated Colonies for ten years, following the charismatic dissenter Jon Churchill. Then Jon disappeared, Talia was thought dead, and Miki and Faigin struggled to take Jon’s place and stay alive. When the FC is unexpectedly upended, Talia is reunited with her friends and they are given sanctuary on the enigmatic planet Refuge. The trio of former guerillas strive to recover from lifetimes of trauma, build new lives on a planet with endless horizons, and forge tender new connections with each other.
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5 Responses to The Obligatory Writing-Music Post

  1. Louisa Edwards says:

    Those sound good! Have you ever listened to Henryk Gorecki’s Symphony No. 3? Would be right up your alley. I can’t listen to opera (too involving) or really any music with lyrics, because the words tend to invade my brain and sometimes I type them. Occasionally, though, all I want is Patti Smith.

  2. Victoria Janssen says:

    I have listened to some Gorecki, but not that one in particular. Will have to check it out!

  3. Jenna Reynolds says:

    I usually like to listen to movie soundtracks when I write. I pick romantic ones for, yep, romantic scenes, hard-driving action ones for action scenes, or I choose soundtracks from genres I’m writing in. So I might listen to the soundtrack to a fantasy movie if I’m writing fantasy or sci-fi if I’m writing a space opera (which is my new project), etc.

  4. Leigh Royals says:

    I love music, both as an ardent member of an audience and as a performer. My music preference varies, and I have no set way of saying I want to listen to x when I y.
    One of my favorites is Bolero or anything by Edvard Grieg. (Morning, ahh.)

  5. Victoria Janssen says:

    I know a lot of people swear by movie sountracks, which makes total sense, because the music is meant to be background to storytelling.

    “Bolero” always makes me think of Torville and Dean!

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