What Happens in the Reader’s Mind

“A writer’s talking about what he or she is capable of, like a writer’s talking about the worth of his or her own work, is a pretty good way for that writer to start sounding like a pompous poseur.

Above all things, the story, the poem, the text is — and is only — what its words make happen in the reader’s mind. And all readers are not the same.

Any reader has the right to say of any text: “But I didn’t think it was that good.”

Samuel R. Delany, SF Site interview with Jayme Lynn Blaschke, April 2001

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Origin Stories – Katrina Williams

Please welcome my guest, Katrina Williams!

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I began to write seriously in the tenth grade, but like all teenagers, would have benefited from looking up “seriously” in the dictionary, despite using the word on a frequent basis. I was convinced I would be a writer one day and majored in English Lit to prepare, but life soon beat me down to the point where I put writing away. Forever. Too impractical. Too hard. Not good enough.

Then I married someone who looks to the future. We started having conversations about where we wanted to be in five years, ten years, and it wasn’t at the corporate middle management job where I collected a paycheck. We read articles about following your passion, talked about what kind of business we would open if we came into some money. I didn’t think about writing again until my husband called me at work and told me his mother couldn’t provide daycare for our kids any longer and what did I want to do?

In a flash, I realized writing was my passion and if I wanted to make my passion a career, I had to quit the day job and take it seriously. So I did.

I jokingly told a writer friend that I write to discover my identity. I guess I wasn’t kidding. There are so many people inside me writhing to get out, people who have more courage than I do, people who make more mistakes because they aren’t afraid to take risks. People who are at the cusp of discovering themselves and still have the optimism to be successful at whatever they try. I can be a skydiver, a surgeon, a thief, a fairy, a man – anything I want – when I’m putting fingers to the keys.

I love to read and the capacity of a book to transport you into another world is unparalleled in anything I’ve experienced thus far in life. I want to create that for others. My dream is to have a reader tell me they were moved by my writing and they couldn’t put it down; this motivates me in a way nothing else could.

I’ve had great successes and strides in the last year since I became a serious writer. Last year, I completed the book I started in college, and then wrote another one. I placed fifth in the first writing contest I entered, which was quite surprising. I’ve learned more in the last year than the prior years combined. My biggest failure is not pouring effort into every last available second, because that’s writing time I can’t get back.

Connections in life, and writing, are paramount and often serendipitous. One of my professors encouraged me to attend a writer’s conference. I knew no one there, but started talking to the girl seated next to me and we’ve been critique partners on and off for over fifteen years now. I have more recently enjoyed the great people at Romance Divas and found support, friendship and accountability, which I find to be critical in this business.

I’ve learned I need time to process comments on my writing. My first reaction, upon learning the comments are not “It’s perfect! I loved it!,” is to give up, like I did many years ago, but if I allow myself time to be mad, cry, and get out all the negative self-doubt, I can then start editing. I have an image in my head of writing something perfectly the first time I touch it and that’s just not reality, at least not for me. I have to remind myself even the published writers I adore are not universally accepted as being great, and fiction is subjective.

My journey has brought me to tears. To a place where I feel consumed by the things inside me bursting to be free. To indescribable frustration because I’ve worked so hard for so long and I’m still not published. To great heights when I’m really “on.”

I take pride in my accomplishments of the last year. I’ve finished two books and I have a plan to write two more in 2010. I’ve started thinking of myself as a writer and telling people I write. This is a huge piece of identity I am thrilled to have embraced and is the key for new writers. So the best advice I can give someone else is print this out and hang it up: I am a writer.

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Thanks, Katrina!

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Origin Stories – Cate Hart

Please welcome my guest, Cate Hart!

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So I’ll start at the beginning. My mom read to me every night. As a teacher, reading has always been a very important part of her life. When I could read to myself, I devoured everything I could get my hands on – Carolyn Keene, Beverly Clearly, Judy Blume, Laura Ingalls Wilder, everything. But it was in the 3rd grade that I discovered what it was to write my own story.

My teacher, Mrs. Little, let students who’d made a 100 on their spelling test try something different with the vocabulary words the week of Halloween – we got to write a story using all the words. Ironically, I think that little assignment also set my path toward paranormal. Of course, in that list were Vampire, Ghost, and Haunted House. After the assignment, I found I liked writing stories and continued to write a few more.

I’ll just briefly say that when I was in high school, I spent a large part of my time writing. But it was primarily fan fiction, though at the time I had no idea what that was. I wrote to entertain my friends, and they’d read my stuff while we sat out in gym class. I hated gym class. Then I focused on graduating and getting into college – writing took a backseat. Until I picked up a book my mom was reading over summer vacation. When I read Diana Gabaldon’s Outlander, the story resonated and I realized two things: I wanted something else to read with as good as a love story; I could write it myself. Hahaha. For me that was the first turning point. I knew that people made a career out of writing and I wanted to do that. This was also the naïve part where I had lofty hopes and absolutely no idea what writing entailed beyond getting to the end. I believed if I could just type the last word of the story I’d made it.

I spent another ten years sporadically working on that first manuscript, an historical romance. By that point, I wanted to become published, and I thought that was the story that would get me there.

A year and half ago, the spark of a new story reignited my passion to write. And I never imagined I’d write Young Adult. I found that my writing voice was a sarcastic, seventeen year-old girl still trapped in my body. So I set a goal, met it, and ended with one fabulous first draft novel – okay maybe not fabulous. But I was excited that I had it completed.

On January 1, 2009, I started the real journey to publication, stepping from a naïve writer to diligent learner of the craft. Over this past year, I have found how valuable critiques partners are to show you the imperfections in your writing. I have learned so much about the industry from published writers, agents, and editors who willingly reveal their processes to aspiring writers so that they can achieve success. I have submitted to several agents and faced the rejections as another learning experience. And I have successfully been asked for my full manuscript from an agent and I am in the process of seconds edits for her. I hope I’m ready for the next step, moving from aspiring writer to agented author in search of publication.

Every day I wonder if I am crazy to pursue this dream, but I realize how passionate I am for the written word. I dream and want to put those dreams on paper and to share them.

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Thanks, Cate!

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Origin Stories – Nell Dixon

Please welcome my guest, Nell Dixon!

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Victoria’s kind invitation to write a piece for her blog about my writing journey sounded really simple. Then I realised it was going to be difficult to choose which aspect of my road to publication might be useful or interesting to someone. I started writing when I was in my early teens; that’s when I joined my first local writers group and sent off some of my poems to a local paper. It was when I got a postal order as payment for one of those poems that it dawned on me that maybe I could do this.

I’m a slow learner – I finished my first book when I was seventeen, a sci-fi romance that will never see the light of day. Then when I was aged thirty and pregnant with my eldest daughter I sent of my first submission to a publisher – Harlequin Mills and Boon. It was rejected with a detailed letter of everything that was wrong and trust me, there was a lot wrong. But, it also had lots of encouragement and a please send us anything else you have request. I thought ‘how lovely of them to spend that time writing back,’ put the letter in a drawer, had three children in four years and didn’t start to write again until just before my fortieth birthday.

I told you I was a slow learner! I then learned editors mean it when they ask for more work and lovely people though they all are, they don’t have time to write big long letters of helpful advice unless they see something in your work. Lesson one for me – when an editor gives you advice it’s like gold dust – treasure it.

So, I started writing and submitting again to Mills and Boon. I got lots of requests and almost-but-not-quites after revisions. The manuscripts began to mount up so I started to look elsewhere. One of the places I looked was at The Peoples Friend Pocket novels – published in the UK and in UK territories twice monthly and very similar guidelines to the Romance Lines I’d been targeting.

They bought Marrying Max, a book I’d written especially for one of the Mills and Boon editors at her request. It was light, bright and bouncy but then the line at that point in time decided to go darker and angsty. Marrying Max sold out for People’s Friend and went on to win The Romance Prize – now styled Love Story of the year. This is the only prize given in the UK for category length fiction. It beat the other finalists, all wonderful Mills and Boon titles and got me the attention of my agent, Darley Anderson who is also agent to Lee Childs and Martina Cole amongst others. It also got me attention to my current publisher, Little Black Dress, who remembered my name when I pitched to them later that year.

Lesson two for me – just because one door closes it doesn’t mean every door is closed.

I always thought I’d been incredibly lucky but then a writer friend pointed out that it wasn’t luck – it was perseverance, hard work and being prepared to adapt.

Lesson three for me – if you want to succeed then keep going.

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Thanks, Nell!

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Origin Stories – Mima

Please welcome my guest, Mima!

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Out of the Black
by Mima

In the fall of 2005, my husband dared me to stop writing scenes and openings in my pretty journals. He dared me to stop bitching about the books I’d paid good money for and throwing them across the room and moaning to him about how I could have written better. And he reminded me how I glowed when I finished a wonderful story and sighed about wanting more just like it. “So do it,” he said.

I have a book I wrote very young, bound with yarn, about my family vacation. I began keeping a diary in second grade. I also have my first script for a humorous puppet show my friends agreed to put on in third grade. It was a scifi. My first romance was in the fourth grade, and my first rejection came in the seventh grade, for a fantasy poem about a unicorn *wince*. I won an award for my creative writing in undergrad, but mostly I’ve written all my life, for me.

My first book, then called Out of the Black, clocked in at 250k words. I cut out three major subplots (for interested fans: there were 2 other friends besides Freezha, Rylan’s parents and his reunion with them, and also a third, more serious suitor for KarRa besides Merk). I added more sex, and cut out a massive amount of specious geek-a-licious history of Vladaya and the Clans. It became Wild Within at 85k words. It became the base for a series that will be 10 books when finished (plus some anthologies for all the people who keep writing me about my secondary characters), has generated awards, fan mail (!!!), and given me hours of pleasure exploring.

I am 40, and I’m here to tell anyone who reads this and quietly writes stories in secret, you can do this. I submitted my first story to a major epublisher and they rejected it. I submitted it to Liquid Silver in winter of 2007 and they accepted it. We now have a long and successful partnership. I have 10 fantasy erotic romance titles with four publishers. No agent was needed, just a lot of honest, clear-eyed self-editing, and courage.

Passionate readers who are secret writers can be assured there are other readers out there who want quirky stories that don’t quite fit in any one box. We like ‘em weird. We’ll read raw talent that still needs polishing, and we’ll follow you as you get better and better. Like people have done for me.

Bio:
Mima lives in western NY with a heroic guy and a black cat. Visit her at www.mimawithin.com.

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Thanks, Mima!

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Origin Stories Week

This week, four different guests will be posting on my blog about their origin stories, Tuesday through Friday.

(Not their origins in the comic book sense, though!)

They’ll be talking about when they began to write seriously, and why, and where that journey’s brought them, and what they’ve learned about themselves in the process.

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And the winners of the Friday book drawing, thanks to random.org, are: #1, Lyoness, The Moonlight Mistress; #2 and #3, LVLM and Armenia, who will both receive The Duchess, Her Maid, The Groom and Their Lover; and #4, Ilona, Cowboy Lover. I’ll email you this week for mailing addresses.

Now, back to origins.

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I’ll start.

Though I always told myself stories in my head, as far back as I can remember, I didn’t begin to write seriously, actually putting words on paper, until I was in college. I think what changed is that in college, I had a built-in audience of friends to read and appreciate my stories. It was both motivation and reward to share stories, talk about them, and help each other write them. Until then, I hadn’t really realized how much fun writing could be.

That’s the most important lesson I ever learned: publication can never be my sole motive for writing. Even being paid for writing isn’t enough. I need to enjoy what I’m doing, and I need to be able to share it. If it hadn’t been for that college community, and the fan community of which I became a part, I might never have finished a single story, might never have gone on to seek publication.

How about you?

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Rupert Brooke, "The Soldier"


The Soldier

If I should die, think only this of me:
That there’s some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,
A body of England’s, breathing English air,
Washed by the rivers, blest by suns of home.

And think, this heart, all evil shed away,
A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.

–Rupert Brooke (1887-1915)

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Rupert Brooke, "Safety"


Safety

Dear! of all happy in the hour, most blest
He who has found our hid security,
Assured in the dark tides of the world that rest,
And heard our word, ‘Who is so safe as we?’
We have found safety with all things undying,
The winds, and morning, tears of men and mirth,
The deep night, and birds singing, and clouds flying,
And sleep, and freedom, and the autumnal earth.
We have built a house that is not for Time’s throwing.
We have gained a peace unshaken by pain for ever.
War knows no power. Safe shall be my going,
Secretly armed against all death’s endeavour;
Safe though all safety’s lost; safe where men fall;
And if these poor limbs die, safest of all.

–Rupert Brooke (1887–1915)

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Happy Birthday, Blog! And Giveaways.


Today’s the first birthday of this blog.

It’s been lots of fun so far. Here’s to another year!

If you’d like to be entered in a random drawing for a signed book, please comment below with your preference (or you can say “no preference,” and I’ll choose). The three books are: The Moonlight Mistress; The Duchess, Her Maid, The Groom and Their Lover; and the erotica anthology Cowboy Lover (which includes my story “The Magnificent Threesome”). I’ll announce the three winners on Monday.

Visit the first post.

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Proposing and Disposing

“I shall now defuse this highly explosive bomb while simultaneously, and at the same time, reciting from the works of Percy Bysshe Shelley.” –Gonzo the Great

While I’m writing my Crimean War time travel story, I’m also thinking about the second book on my current contract.

I am planning to propose another World War One paranormal, this one heavier on the paranormal elements. It would be a sequel to The Moonlight Mistress.

I haven’t fully developed a plot arc in my mind, but I have the character conflicts in my mind, which for me usually come first. The main couple will have internal conflicts that will generate external conflicts, complicating how they negotiate the big external conflict of the war. Their conflicts were set up in The Moonlight Mistress, and can proceed logically from there. I have a tentative plan for introducing a third major character, a new one, who will be a foil and sometimes a mirror. I also have a subplot in mind, involving other characters from The Moonlight Mistress, but that one is already getting complicated in my mind, possibly too complicated for a single subplot, even though it would work in beautifully in many ways. I’m not sure yet. So I’m letting my backbrain work on it.

That almost always works well for me. Think hard, then let it go. Later, think again. Probably once I’m done with the short story, and can devote all of my attention to it. Switching back and forth, I should get the best of both methods.

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