#TBRChallenge – Author with More Than One Book in TBR: The Green Glass Sea by Ellen Klages

Coincidentally, like last month’s TBR Challenge book, The Green Glass Sea by Ellen Klages is set during World War Two and revolves around a friendship forged between two girls. However, these girls are ten years old, and the story is set almost entirely at Los Alamos in New Mexico, where a cadre of scientists created the first nuclear bomb.

The Green Glass Sea by Ellen Klages, and its sequel, White Sands, Red Menace, have been patiently waiting on the TBR shelf for quite some time. As Klages now has a third novel out, I decided it was time to move forward.

It’s 1943, and eleven-year-old Dewey Kerrigan is en route to New Mexico to live with her mathematician father. Soon she arrives at a town that, officially, doesn’t exist. It is called Los Alamos, and it is abuzz with activity, as scientists and mathematicians from all over America and Europe work on the biggest secret of all–“the gadget.” None of them–not J. Robert Oppenheimer, the director of the Manhattan Project; not the mathematicians and scientists; and least of all, Dewey–know how much “the gadget” is about to change their lives. This book won the Scott O’Dell Award for Historical Fiction, the New Mexico Book Award, and the Lopez Award for Children’s Literature.

Though some historical figures do appear briefly, Richard Feynmann and Dorothy McKibbin among them, the two point-of-view characters are children. They and their families are fictional. Dewey Kerrigan’s father is a mathematician, a former Harvard professor. Suze Gordon’s parents are both scientists, with her mother Terry, a chemist, having a larger part to play in the story. Given the ages of the two protagonists, I would call this a Middle Grade book, but as an adult, I found it engrossing, reading most of it in one day.

I loved this book’s meticulous period detail. I was not alive in 1943-1945, but for the duration of the story, I felt that I was there (and I was reminded of my own pre-internet childhood). I could almost taste the dust and feel the New Mexico heat. The adults all seem to smoke, all the time, everywhere. The kids walk to the PX to buy a cold coke or a comic book; they build treehouses and explore the junk tossed into the Los Alamos dump. For security reasons, nobody has a phone (and of course there were no cell phones), which adds to the feeling of being disconnected from today’s world, as the inhabitants of Los Alamos were mostly disconnected from their own world.

Dewey is a budding engineer who’s suffered too much loss in her life. Suze is gradually discovering her artistic talents and how to be a friend. The book, I feel, somewhat rides on their relationship, which begins antagonistically, at least on Suze’s part. It’s immensely satisfying when they begin to open up to each other. To these children, that is the plot. I loved that as an adult reader, I could feel the world around them holding its breath for the coming explosion that changed the world.

Though Dewey and Suze know their parents’ work is secret, and related to winning the war, they have no idea of the scope of it; first, they’re children, and no one tells them anything; second, they can’t see the future we live in, and have no idea what is being wrought. It’s impossible for them to understand the scope of what has happened; I wonder if we truly understand the scope, even today.

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My July Reading Log

Fiction:
Demon Fighter Sucks by Katherine Crighton is short fiction at Apex Magazine. It’s speculative fiction about YouTube and grief.

After the Gold: A Twin Cities Ice Book by Erin McRae and Racheline Maltese is a contemporary romance whose protagonists are a pairs figure skating team. They’ve known each other since they were children, but their brief romantic fling ten years ago was followed by a messy loss in a big competition, so they skate with other partners for a time. When the book opens, they’ve reunited and are about to compete in the Olympics. It’s not a spoiler that they win, given the book’s title. Brendan Reid has been in love with Katie Nowacki for a really, really long time; but Katie, who struggles with anxiety, has never really thought about what she’s going to do when she can no longer skate. Plus Katie has always felt Brendan’s well-off family in the city of Minneapolis looks down on her for coming from a Wisconsin farm, an issue Brendan has to learn to understand. I liked that the characters had realistic issues as people, to contrast with their near-symbiotic relationship on the ice.

Catfishing on CatNet by Naomi Kritzer is an utter delight. I had read Kritzer’s story Cat Pictures Please back when it was nominated for a Nebula Award; it didn’t win the Nebula, but did win a Locus and a Hugo. CatNet is a social media site created and run by an Artificial Intelligence; Steph is a teenaged girl whose friends are all online on CatNet, because she and her mother are on the run from her violent father. The story begins with yet another sudden move to a small Midwestern town, but this time Steph makes a new friend in meatspace, artist Rachel. Then the rug is pulled out from under Steph when her father locates her, and it’s up to the AI and Steph’s friends to keep her safe with very little adult assistance. So much Found Family! So many robots! I enjoyed this book all the way through, and felt it really earned its happy ending. Highly recommended.

Star Wars: The Crystal Star by Vonda N. McIntyre is a media tie-in from 1995, which I finally read because of the McIntyre memorial guest of honor panel I will serve on at the 2021 online Readercon. I am not hugely familiar with the vast and complex Star Wars Extended Universe, but I was easily able to follow this story. Set during the New Republic after “Return of the Jedi,” Han and Leia have three children under six: a pair of twins and a younger son, Anakin, all able to manipulate The Force. The novel opens with the children being abducted, while Han and Luke and See Threepio are away on a mission to find more Jedi, and Leia is practicing politics. Leia and Chewbacca and Artoo Deetoo go after the children in Leia’s ship, Alderaan. The older children have their own plotline as they use their Force abilities to help them escape. Eventually, the plots link up, and in the course of the rescue, a threat from the old Empire is defeated. Among the elements of the adventure plot, McIntyre created several alien species and made use of some astonishing astronomy that would be a fabulous CGI creation if it were a movie today.

Enterprise: The First Adventure by Vonda N. McIntyre is a Star Trek tie-in which I read several times after it came out in 1986; however, I don’t think I’d opened the book in the last couple of decades at least. The story begins with the promotion of Captain Christopher Pike and the appointment of a young, recently-promoted Captain James T. Kirk to be captain of the starship Enterprise, whose crew is not expecting a young war hero to be competent. Expecting the “five year mission” of exploration, instead Kirk is assigned to ferry a vaudeville company on a tour of starbases, both to improve morale and to demonstrate a presence to the nearby Klingon empire. Original characters include Lindy, the young woman who manages the company and cares for a genetically engineered winged horse; Stephen, a Vulcan attempting to experience emotions; and the primary antagonist, a Klingon woman from the Rumaiy minority who is not fond of either Starfleet or the Empire. Sulu and Uhura have good roles. As you might imagine, the simple mission turns far more complex, and includes First Contact. This time around, I especially noted the theme of aliens who could speak to humans but nonetheless be so far beyond them, real communication is impossible.

Superluminal by Vonda N. McIntyre is one of my lesser favorites by this favorite author, mainly because I wasn’t terribly interested in the central plot or its conceit. To achieve superluminal (faster than light) travel, Pilots have their natural hearts replaced by mechanical ones, which they can adjust via practiced biocontrol; what they see and experience during the superluminal transit time is unknowable to unmodified humans. Unmodified humans who serve as crew must be unconscious during transit, or they die…until one human crew member does not. There are a lot of intriguing ideas in this book, but as when I first read it, I really only cared about Orca, a human Diver, from a group genetically modified to live underwater and communicate with The Cousins, who are killer whales. The Divers are in the midst of a discussion about further genetic changes to move farther away from land dwellers. Luckily for me, McIntyre also wrote about Divers in her four-book Starfarers series, and they even make a cameo appearance in her adaptation of Star Trek IV: The Voyage Home. However, reading these two books in sequence, I found they had the theme of impossible communication in common. In this iteration, some humans can perceive dimensions that others can’t: “I was trying to explain. But I don’t have any words you can understand.” Also, a blue whale speaks to a human, and he becomes driven by the need to understand her.

The Starfarers series by Vonda N. McIntyre [Starfarers and its three sequels, Transition, Metaphase, and Nautilus] posits a near-future expedition, sort of a college campus in space, intended to explore other solar systems. The idea originally came from McIntyre making up a fake science fiction television show for a convention panel. The crew of Starfarer are hampered by politics on Earth as well as internal politics, but soon there is interstellar travel, leading to encounters with aliens. There are many realistic details concerning the sort of ship that would work best in these circumstances as well as the issues they might encounter. The first book in the series came out in 1989, and the ongoing influence of the Cold War is evident in planetary fears of the “Mideast Sweep.” The computing is also a bit dated; the ship has a sort of AI web called Arachne, which hints at the internet we have today, but also strongly resembles the computers in contemporaneous cyberpunk novels. Starfarers is notable for its explorations of intersectionality. The characters are from a range of races, countries, and backgrounds; three main characters are part of a polyamorous family group; and there’s even some exploration of class issues. It’s not perfect by any means, but I still feel it’s an important marker in the historical development of the genre. Like the other McIntyre books I re-read this month, her Sense of Wonder about the universe comes through clearly, even though in this series that’s a bit cluttered up with a large cast of characters. Their interpersonal dramas can be a bit too real, or perhaps like the tv miniseries Starfarers never was.

You can read more about Vonda McIntyre in A Brief Guide to the Extraordinary Fiction of Vonda N. McIntyre by Meredith Smith, at Tor.Com.

Nonfiction:
Making Comics is by Lynda Barry, author of “Ernie Pook’s Comeek,” which I used to read every week in our free local weekly print newspaper. Remember those? Free weekly newspapers?

Barry also teaches comics, and importantly, her students are not necessarily artists; she points out that a lot of us mostly or entirely stop drawing in childhood, which definitely describes me. Barry talks a lot about drawing in the moment, and she often feels that drawings are “alive” even when the artist is not satisfied with their work. I found her approach very heartening.

This book collects exercises she uses in class. Though I didn’t actually follow along with all the exercises on this reading [many required multiple people], I did do some drawing in a nice notepad shaped like an elephant, using some of her methodology. It was fun. I am pleased with the results, and will keep drawing for a while.

Being Mortal: Medicine and What Matters in the End by Atul Gawande is about aging and death, particularly in the United States, and how doctors aren’t always the best at handling inevitable decline. I wasn’t sure I wanted to read this, but I felt I needed to. And it helped me start making some decisions about what I want my life to be like towards its end.

In their desire to fix things, to solve people’s overwhelming health problems, doctors can recommend treatments that harm a person’s quality of life rather than enhancing it. The most obvious example is courses of chemotherapy for late-stage cancers that debilitate far more than they help; Gawande talks about how doctors are mostly not trained to talk to patients about their death, so they tend to offer more treatments instead, even when they are sure those treatments will likely not extend the patient’s life. Obviously, it can be difficult for the person’s family, or even the patient, to talk about end of life as well. While discussing the inevitable process of aging, Gawande discusses the origins of assisted living, whether in a housing complex or remaining in one’s own home and receiving necessary services there. He also talks about the origins of nursing homes and how monetary concerns and safety regulations often completely overrule quality of life, for instance forcing a person who has a high risk of falling to stay in a wheelchair rather than walk, so the nursing home can avoid liability. And he talks about hospice care, which I knew about from personal experience with my parents. Mostly, what I got from the book was I need to talk about my end-of-life preferences with those who are close to me. It’s always better to have those desires known to someone, just in case. Recommended.

Fanfiction:
got no reason to smile by Lies_Unfurl is, on the surface, about Bucky Barnes’ birthday, but it’s also about both Bucky and Sam Wilson being left behind by Steve Rogers at the end of Avengers: Endgame, and about what makes our lives worth living. It’s sweet, but also poignant.

(hold on) when you get love by AugustaByron is a full-on sweet soulbond story, with poly relationship and a lot of kindness. You could probably enjoy this without canonical knowledge of Check Please! or the relevant characters Kent Parson (a professional hockey player), Larissa “Lardo” Duan (an artist and college student), and “Shitty” Knight (soon to be a law student).

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Virtual Readercon 2021 starts tomorrow!

Readercon 2021 is taking place virtually on August 13–15, 2021. I’m proud to participate in the Sunday Memorial Guest of Honor panel described below.

“The Works and Life of Vonda N. McIntyre”
Sunday, August 15, 12:00 PM
Described by the Guardian as “foremost among a legion of new female science-fiction authors in the early 1970s,” MGOH Vonda N. McIntyre sold her first short story in 1969 and was one of the first successful graduates of the Clarion Science Fiction and Fantasy Writers’ Workshop in 1970, launching a career that would span the next four decades. During that time, she became only the second woman to win a Nebula Award and the third to win the Hugo Award for Best Novel. Before her death in 2019, she wrote 16 novels (five of them Star Trek tie-ins), published a collection of her early short fiction, edited two anthologies, won a second Nebula, and founded the Clarion West Writers Workshop. Join us to celebrate the life, work, and legacy of this speculative fiction icon.
Nicola Griffith, Victoria Janssen, Robert Killheffer, Barbara Krasnoff (moderator)

View or download the full program at the convention website.

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#TBRChallenge – Secrets and Lies: Code Name Verity by Elizabeth Wein

I know, I know, I should have read Code Name Verity by Elizabeth Wein back in 2012 when it came out because I had pre-ordered it, but I never felt quite ready. By exerting a magnificently huge effort, I managed to remain unspoiled for anything but the fact that there was something to be spoiled about.

There are many, many things to be spoiled about, my friends. I am not going to reveal major spoilers in this post. If you need or prefer to know ahead of time what you’re getting into, The Genius of Elizabeth Wein’s “Code Name Verity” [SPOILERS] by Germain Han and Kiss Me, Quick: How Code Name Verity Pulls the Rug Out from Under its Readers by Jacqueline Carey have you covered so far as the major reveals are concerned.

The world does not have nearly enough books about female friendship. I think this one ranks near the top of that category.

The book is set during World War Two, in a fictional French town based on Poitiers. The initial first-person narrator, a young Scottish woman whom we only know by nicknames for quite a while, is being held captive by the Gestapo. She was captured shortly after her arrival in France; she states she’s a wireless operator, and bargains to get her clothing back by providing her interrogators with certain codes for wireless sets she’s told have been captured. She’s being tortured in various ways, and forced to watch others being tortured; the physical torture is mostly referred to in passing rather than shown directly, but the brief mentions are tellingly horrible. She’s given paper and pen to write down information about planes and air bases in England; instead, she’s mostly writing about the life of Maddie, a young English air transport pilot who flew the narrator to France; we eventually learn the narrator and Maddie are friends. She also writes about sexual harassment. The friendship between these two young women is at the heart of the whole novel; it is the truth, the verity, at its center.

I did guess some of what was going on in this narration, but not the full extent of it. It didn’t matter than I had an idea the initial narrator was unreliable; there were still many twists and surprises. The narrator is under huge stress, and reveals specific and horrifying details of her treatment with dark humor. Sometimes she breaks down. Her narration is unrelenting and utterly gripping.

There’s a second section, with a different narrator under different circumstances that meshes tightly with the first section. The second section illuminates the first to a degree I wasn’t expecting, in a seemingly endless series of reveals and parallels, including episodes of sexual harassment. At several points, I was very glad I was reading unspoiled. At the book’s climax, I knew this was a book for the ages, because aside from all those tricks with narrative, and aside from the depth of the characters and their relationships, and the exploration of Truth as a theme, the author took a huge risk, and I think it paid off.

The word verity usually connotes an enduring truth. This book will definitely endure in my mind, for the [spoiler event] of course, but also for so much more.

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[Virtual] Readercon 2021 Schedule

Readercon 2021 is taking place virtually and delayed this year, August 13–15, 2021. I’m proud to participate in the panel described below.

“The Works and Life of Vonda N. McIntyre”
Sunday, August 15, 12:00 PM
Described by the Guardian as “foremost among a legion of new female science-fiction authors in the early 1970s,” Memorial Guest of Honor Vonda N. McIntyre sold her first short story in 1969 and was one of the first successful graduates of the Clarion Science Fiction and Fantasy Writers’ Workshop in 1970, launching a career that would span the next four decades. During that time, she became only the second woman to win a Nebula Award and the third to win the Hugo Award for Best Novel. Before her death in 2019, she wrote 16 novels (five of them Star Trek tie-ins), published a collection of her early short fiction, edited two anthologies, won a second Nebula, and founded the Clarion West Writers Workshop. Join us to celebrate the life, work, and legacy of this speculative fiction icon.
Nicola Griffith, Victoria Janssen, Robert Killheffer, Barbara Krasnoff (moderator)

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My June Reading Log

Fiction:
The Relentless Moon by Mary Robinette Kowal is third in the “Lady Astronaut” series, happening somewhat concurrently with the second book. The plot fills in some details about what happened on Earth and on the Moon while the journey to Mars was happening; the characters journeying to Mars had gaps in their knowledge which this story helps to fill. Aside from that, there’s page-turning suspense as new first person narrator Nicole Wargin tries to uncover a saboteur in a dangerous environment. If you love the sort of plot where something goes wrong, and then something else goes wrong, and then something else goes wrong while they’re still figuring out the first thing? This is your book. CW for a character with anorexia nervosa, and for unexpected death of a family member.

Revenants: Shadows from the Past by L.A. Hall is the newest installment of The Comfortable Courtesan, which as usual I devoured. I adore former pickpocket and burglar Bet Bloggs, now private investigator Leda Hacker, so much. It’s so much fun to check in with familiar characters like Maurice Allard and Belinda, t’other Lady Bexbury (I would read a whole book about either of them). I have begun losing track of some of the new generation of characters, though I can usually figure them out via context, and as the series goes on, I will hopefully know them as well as some of the older characters.

The Order of the Pure Moon Reflected in Water by Zen Cho is a wuxia-inflected novella in which a group of not-bandits encounter a former anchorite, and shenanigans ensue. The main characters are a delight, there’s terrific banter, and I enjoyed the plethora of secondary characters as well. My only complaint is that I wanted more.

The Sugared Game by K.J. Charles is second of the Will Darling Adventures; I waited long enough to read it that the third book is now out. This is historical male/male romance set in 1920s England. Will Darling is a working class former soldier (World War One) who now owns and operates his deceased uncle’s bookshop. Kim Secretan is the disgraced younger son of an aristocratic family who works for a shadowy agency and has a serious lack of self-esteem. Two delightful women are secondary characters: Kim’s ostensible fiancée, the wealthy and seemingly insouciant socialite Phoebe Stephens-Prince, and Will’s milliner/dress designer best friend Maisie Jones, who is Welsh and Black. Phoebe and Maisie have become friends, and are working together to launch a fashion house using Phoebe’s money and connections and Maisie’s designs. Meanwhile, Kim continues to investigate Zodiac, an organized crime group, while wrestling with his feelings for Will. As in the first installment, Will has fallen hard for Kim but struggles with Kim’s secretive nature, which mostly relates to his investigation. Many Things Happen, which I will not spoil because this series is still in progress. I am enjoying Will and Kim, and would swiftly read an entire series about Phoebe and Maisie, romance or otherwise.

#TBRChallenge – Book with One Word Title: Distances by Vandana Singh.

Nonfiction:
Motivated by Juneteenth, I got back to The Cooking Gene: A Journey Through African American Culinary History in the Old South by Michael W. Twitty, a culinary historian whose work explores connections between African food, enslaved people and their foods forcibly brought to the Americas, and the resulting American “Southern” cuisine, as well as the ongoing impact of enslavement and its social effects on today’s African-American population. In this history/memoir, Twitty also explores his own genealogical and genetic heritage, and how that links up with food. I especially appreciated how he traced the changes in available food and nutrition when cotton became the primary monocrop enslaved people cultivated; I had not seen these connections laid out so clearly before. Rice and sugar were deadly crops for the enslaved, but cotton is associated with terrible nutritional deficiencies when, for example, nixtamalized hominy was replaced with corn minus its germ, and a range of wild foods, such as those found on the coasts and by rivers, became less readily available. If you’ve watched the Netflix documentary “High on the Hog,” in which Twitty appears, or read the original book by Jessica Harris, The Cooking Gene is an instructive follow-up.

Fanfiction:
Maybe Tomorrow by scifigrl47 mashes up the musical “Annie” with the Tales of the Bots series – DJ Stark is the orphan. It’s very cute, and does some fun things with Bobbi Morse. You could probably read it without knowing the Bots series.

Finally, I read An Undeniable Impression by Ansud a while back, a massive unfinished Pern/Vorkosiverse crossover. I had subscribed for updates while not expecting any. Well. The author has recently posted several more parts, bringing it up to 28 chapters and over 266,000 words, and though it’s still a Work In Progress, I dove in again and that was pretty much a week’s reading. Given the scope of “An Undeniable Impression,” I am not sure it can ever be truly finished, but frankly, at this point, I do not care. It’s bonkers. There’re so many characters, and so many ideas, and so much going back and forth between whens, and so much Robinton Gone Wild, that ¯\_(ツ)_/¯. Rock on, Ansud, whoever and wherever you are. Rock on.

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Kalikoi: Advance Review Copies PSA

If you’re interested in advance copies of new F/F books, please join the Kalikoi ARC team.

Kalikoi publishes in genres including paranormal, fantasy, historical, and contemporary. This page is updated with each release.

If you join this team, you will get free copies of all Kalikoi books in the hope that you will write honest reviews. ARCs will be sent as ebooks. You don’t have to read every book, just the ones you’re interested in. Reviews must state that you received an ARC of the book for free with no obligation to review. Reviews can be very short, i.e., one paragraph; you can also review books on podcasts, if that’s your preference.

If you’re interested in ARCs, please email kalikoibooks@gmail.com. In addition, subscribing to our mailing list means you get a free short story, “Delivery” by Victoria Janssen, a hot, historical lesbian romance set during World War I.

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#TBRChallenge – Book with One Word Title: Distances by Vandana Singh

The novella Distances by Vandana Singh is Volume 23 in the “Conversation Pieces” series from Aqueduct Press. It won the 2008 Carl Brandon Society Parallax Award and was on the Honor List for the 2009 James Tiptree, Jr. Award, now renamed The Otherwise Award. I’d read and liked other fiction by Singh, and always enjoyed listening to her on panels, so that plus the awards got me to pick up the book.

“Distances, a story of science, art, and deception, is fascinating far-future science fiction, set in a desert city. For Anasuya, mathematics was experiential, a sixth sense that bared before her the harmonies, natural and artificial, that formed the sub-text of the world. So when mathematicians from the planet Tirana, 18 light-years-distant, ask Anasuya’s help in solving a series of equations, she finds the new geometrical space they present her with intriguing. But as she explores…she soon comes to suspect that it represents an actual physical system, and that the equations she is being asked to solve have a significance the Tiranis are concealing.”

It’s pure science fiction, but also boundlessly thematic within its short length. The theme is almost fractal in the way it’s presented. There are examples of physical distance, cultural distance, emotional distance, intellectual distance…and different ways people try and fail, or imperfectly succeed, to cross those distances. To me, this is a melancholy book, and one I’ll be thinking of for a long time.

Anasuya is from the Sagara region, adapted to live in a water/saltmarsh environment; she has gills and green skin caused by adaptive siloforms in her skin and spiroforms in her blood, though her people are not otherwise overly technological. She’s left her home for the City on the other side of the planet, distancing herself from her family and childhood friends for the sake of mathematics, which in this story are space/time equations far beyond what we think of as math. Anasuya is able to experience mathematics in an almost virtual reality way, unlike anyone else. Her mother is dead, a distance no one can cross, even in memory. Living among City strangers who don’t look like her, situated in a hot and dry desert environment, she’s distanced even from the members of her own polyamorous house. Within that pentad, her partner Silaf is distanced from the others by her attachment to a dead former lover.

On a larger scale, the visitors from Tirana are both physically and culturally distant from anyone on the planet Sura where Anasuya lives. At sublight speed, they traveled eighteen years to reach the Temple of Mathematical Arts. The distance is increased because the Tiranans only give Anasuya some of the facts about the work they’re asking her to perform.

As the story progresses, Anasuya becomes distanced, both physically and intellectually, from herself and from her own past; but she discovers a new future for herself. My favorite part of the story is that the Sagarans always end their poems with the phrase, “My poem is incomplete.” There’s so much in Distances to think about, that I am very sure my review is incomplete.

A review at Tangent Online.

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My May Reading Log

Fiction:
Winter’s Orbit by Everina Maxwell mashes up space opera with a Marriage of Convenience, with the added level of this being one partner’s second marriage of convenience after his husband is killed in what appeared to be an accident. I read the original version of this story on AO3, but long enough ago that I wasn’t sure how much had changed or been added for this new version. (Note that its previous iteration was not fanfiction.) The political plot involves their small, out-of-the-way empire renewing its ties with the larger galactic powers; if those ties are not renewed, it’s highly likely they will be invaded and devoured. Smaller mystery plots run throughout, though the main focus is Kiem and Jainan learning to trust and love each other. Kiem is an extrovert and, on the surface, a flake; Jainan is an introvert and fiercely devoted to his duty, which to him includes hiding the less savory aspects of his previous marriage. I felt the characterization was the best part, but I also enjoyed the worldbuilding, particularly details like the habit Kiem’s people have of using earth animal names for much more dangerous alien creatures. Content warning: past domestic abuse. Den of Geek interview with the author..

Red Rose by Mary Balogh was a DNF (Did Not Finish) because the plot was too Old School for my tastes: the hero is a virulent misogynist. Even for a favorite author, that ruined my enjoyment of the story.

The Calculating Stars by Mary Robinette Kowal is first in the Lady Astronaut trilogy, an alternate history in which Dewey wins the presidential election and begins the United States’ space race sooner; but then, in 1952, a devastating meteorite strike wipes out most of the Eastern Seaboard, initiating what will likely become an extinction event, which leads to accelerated international efforts to colonize the Moon and Mars.

The first person narrator, Elma York, is a pilot and math prodigy with two doctorates, whose supportive husband Nathaniel York becomes lead engineer of the space program, while she’s content to work as a computer, finding safety in the predictability of mathematics. Meanwhile, the American public does not necessarily believe in the greenhouse effect or that so much money should be spent on fleeing the planet, or that women should risk their lives by going into space. This means politics and journalism are often as important to the project as science, and as the wife of someone who often serves as the face of the program, Elma is pushed out of her comfort zone. She suffers from extreme anxiety when speaking in front of a group, or confronted by reporters, which adds personal challenges to her efforts against misogyny.

The entire first section vividly portrays the meteorite strike and its immediate aftermath, which is harrowing and gripping, if you’re up for it. CW for loss of family members. Then there’s a time jump, and the story becomes all about the space race and fighting for inclusion, for both women and non-white people. Elma is white and Jewish; she and her husband were taken in after the meteorite disaster by black fighter pilot Eugene Lindholm and his wife Myrtle, who had worked as a computer in the past. Via Myrtle, and also later several others who either work with Elma as computers or are fellow members of a club for women pilots, barriers to inclusion are addressed in several different ways, with Elma herself slowly realizing from these friends how segregation and racism affects everything, and making efforts to address it.

I liked that Elma is in no way perfect when it comes to race issues; for example, in the first section, she doesn’t notice there are no black refugees coming in from the East Coast until Myrtle points it out to her; later in the novel, Elma knows enough to take note when there are no black women in the first group of “lady astronauts” and how the single Asian woman candidate is dismissed because of a previously undiagnosed and probably imaginary heart murmur. I also liked that the black characters are shown realistically taking things into their own hands, for instance dropping flyers on black neighborhoods to let them know where to show up for evacuation, or contacting black-owned newspapers to publicize how highly-qualified the passed-over black candidates are in comparison to the white women chosen.

The Fated Sky is second in the Lady Astronaut series, and first shows the new moon base, then covers the first manned (and womaned!) expedition to Mars, which is suspenseful and sometimes heartrending. Going to Mars has not eliminated racism, and Elma York, the white Jewish pov character, learns when she can help and, perhaps more importantly, when she can’t help and should be quiet and listen. I gulped it down very quickly.

I re-read Watership Down by Richard Adams for an online group discussion. This is a book I read multiple times in middle school. Some parts of the narration had worn grooves in my brain; some things I didn’t remember at all, like the outcome of General Woundwort’s invasion of Watership Down. This time, I noted how few female characters there were, given that this story began as one Adams told to his daughters. The rebellious teenager Nelthilta, a vivid character, doesn’t escape Efrafa; Thethuthinnang is mostly Hyzenthlay’s sidekick; Clover has a fair amount of lines but her major story role is being protected and having babies. Hyzenthlay is, I think, the main female character, for what that’s worth; her speaking role was larger than I remembered pre-escape and smaller post-escape.

I noted, as others also did, how most of the main male rabbits lacked toxic masculinity. Hazel in particular is amazingly collaborative in his leadership style; he uses empathy and observation of the others’ skills to help him decide who can/should to be set to different tasks. I wholeheartedly agree with Hazel on this: “There are too few of us for giving orders and biting people.” He takes advice from Fiver, Holly, Blackavar, and others. Fiver and Pipkin, the smallest male rabbits, are shown to be as brave and clever as the others.

In contrast, General Woundwort is the complete opposite, ruling Efrafa as a tyrant and bully, resulting in a fascist society that harshly punishes dissent and is beginning to eat itself from within. The mendacious Cowslip, though not technically Head Rabbit of his warren, suppresses talk of the farmers’ snares, oppressing dissent and twisting survival instinct; their warren is one of capitalist plenty at the expense of the few who are inevitably killed but not acknowledged for their sacrifice.

#TBRChallenge – Fairytale: The Serial Garden by Joan Aiken.

Fanfiction:
Where the Need is Greatest by Niitza posits that after being unfrozen, and catching up on history, Captain America/Steve Rogers trains as a medical professional and goes to work for Médicins Sans Frontières/Doctors Without Borders. Events of The Winter Soldier turn out differently. It was very satisfying.

in death’s dream kingdom by therestlessbrook is the MCU “Snap” (half of the population is removed from the world) from the perspective of Frank Castle, AKA The Punisher, and reporter Karen Page, Netflix Marvel series versions. I have not yet seen the final season of Daredevil, nor did I see The Punisher series, but that didn’t matter for this story. It’s essentially a post-apocalyptic road trip and homebuilding story, with romance. Some typical Post-Apocalyptic Fiction Badness happens, but they make it through with each others’ help. Karen is re-reading her copy of Watership Down to Frank throughout the story, and those scenes are gold.

Vormarlow’s Honour by Ankaret crosses over Antonia Forest’s Marlow books with Lois McMaster Bujold’s Vorkosigan saga. Grumpy Captain Lord Piotr Vormarlow escorts Ivan Vorpatril to a space station at the back end of nowhere, where he encounters troublesome Cetagandans, someone from his past, and a bar fight. Everything turns out great. I have never read Forest, but I enjoyed the story anyway; some knowledge of Bujold’s work is helpful.

I read a Work In Progress because it doesn’t look like it will ever be finished, according to the author’s note; however, it’s over 232,000 words. An Undeniable Impression by Ansud crosses over Anne McCaffrey’s Pern with Lois McMaster Bujold’s Vorkosigan saga. It looks to me as if the Pern parts go AU after Robinton’s canonical death (I didn’t read that book, and barely remember the last few) by having him not die, instead being saved by an AI, who needs someone to investigate a wormhole that has recently opened in the vicinity. This leads to a group of Pernese and a lot of firelizards going to Beta Colony and encountering Admiral Naismith and the Dendarii Mercenaries. The AI gets a herm sexbot body, which was okay, I guess. It felt a little Heinlein-esque to me, sometimes; something about the prose and Robinton’s narrative gaze, maybe, not anything that I think was intentional. It had a lot of fun ideas, and I was entertained.

Progress by Spooks and thesuninside is the second part of Neighborly, in which teenaged Dean and his brother Sam Winchester from Supernatural live next door to Frank Castle from The Punisher, and end up being taken in by him after their father’s death. It looks like the kids might be staying past Christmas, so Frank has to figure out how to make things a little more legal, while dealing with his own issues. I like the quotidian feel of these stories, and the characterization of two familiar characters as kids.

The Startling Secret Identity of The Batman by Nokomis hilariously posits that a (real life) web series called “Buzzfeed Unsolved” figures out Batman’s true identity, but dismisses it as ridiculous. Then it gets sillier. It’s a lot of fun.

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#TBRChallenge – Fairytale: The Serial Garden by Joan Aiken

Small Beer Press page for The Serial Garden.

The Serial Garden: The Complete Armitage Family Stories by Joan Aiken “is the first complete collection of Joan Aiken’s beloved Armitage stories — and it includes four new, unpublished stories.”

The world of the Armitage Stories has explicit magic, with wizards who write popular nonfiction books and witches who teach school, but it’s always treated as very mundane. I love the matter-of-fact responses of the characters to everything from a unicorn appearing in their garden to being summarily evicted from their home by a wizard school. Sometimes, the end of the story adds an additional dose of weirdness, that can be unsettling in a way that elicits a sense of wonder rather than fear. The voice and tone are everything in this collection, and I respect the skill it took to make everything that happens seem utterly logical and right.

The time scale is not explicitly laid out, with the Armitage children, Harriet and Mark, remaining in what to me seems an eternal school age; Harriet, the elder, is thirteen years old in “Harriet’s Hairloom,” midway through the collection. Having read some E. Nesbit and Edward Eager, and C.S. Lewis’ Narnia books, I definitely felt I was reading in a similar genre.

The setting seems to be mostly 1950s England, possibly even late 1940s. There is no mention of World War Two, or rationing, or anything like that, which keeps it vague. However in “The Ghostly Governess,” the children are looking around in the attic of their vacation rental house, and among the boxed clothes are “large women’s hats with draggled bunches of feathers, and pairs of kid gloves.” Harriet remarks, “People wore things like these in the 1914 war.” The clothes are boxed with a newspaper from January 1914, which we know was about six months before World War One began. And when attempting to calculate the age of their neighbor, an admiral, the year they’re living in is definitely no earlier than 1945, and more probably 1950 or a bit later.

Harriet and Mark also encounter a lot of childhood diseases! In “Tea at Ravensburgh,” Mark is quarantined for whooping cough (pertussis), and in “The Land of Trees and Heroes,” both children are recovering from that disease and sent to stay with their grandmother, who is deaf and can’t hear their incessant coughing at night. Pertussis vaccines were available in the 1930s and widespread by the mid-1940s…but one could easily say they simply hadn’t been vaccinated. In “Harriet’s Birthday Present,” she’s sent home from school and quarantined because everyone has German measles (rubella); that vaccine wasn’t licensed until 1969, if you’re wondering.

I don’t want to write too much about the individual plots, as a lot of the joy is the unexpected twists and details. Suffice it to say each story is a gem, and the collection as a whole is delightful.

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