Author Photo Shoot

Since I’m getting my website redone, I knew I had to have an author photo. I’ve been resisting this for a really long time, since I have chubby chipmunk cheeks and dimples and would much prefer to be dramatic, angular, and perhaps tubercularly pale in the fashion of a Romantic. Also, I tend to have frozen grins.

However, needs must, and I did know a photographer in Philadelphia where I live. Kyle Cassidy has a wide range of work.

We arranged to do the shoot on Friday night. I wanted an outdoor, urban setting because that’s where I live and it would feel weird to do something sylvan. The night part was bonus coolness; we did evening because I had to work during the day, and cloud cover on Friday was such that shooting before dark wouldn’t have been any advantage.

Kyle brought his assistant, Addie, who helped with the lighting and also providing me with some entertainment. We started off at a street corner near my apartment. I leaned on a stone staircase rail and tried to look authorly. Kyle told me the best pictures of people were when they weren’t aware of being photographed, so I had to try and forget he was rapidly snapping pictures while I stared directly into the lens’ red eye. Occasionally he would fire off a “look at me” or a “look into the distance” or “now I’m waiting for that car to go out of shot.”

It helped a lot to know and trust the photographer, but I still felt a bit awkward at times. I didn’t know what to do with my hands, and I didn’t want the cheesy glamour-shot chin on fist even though I sometimes do that naturally. Addie noticed the large ring I was wearing and we tried to get that into a few shots. We tried different facial expressions: “laugh!” “you know a secret!” “Think of kittens…you hate kittens?”

Kyle showed me several of the shots, but eventually I had seen enough; if I kept looking, I was afraid I would freeze up.

Then we trekked to a nearby alley. I was getting cold by this point so switched from my jacket to my wool coat. Per instructions, I’d brought two jackets and a couple of scarves to vary the look. Also my hat, since I planned to be walking home late in the cold. For the alley shots, I wore my coat and the second scarf. I was able to shove my hands into my coat pockets (mainly because I was cold) but I think that helped me feel more relaxed. You can’t see my hands in the photos, but I’m wearing red gloves, nice and warm. I became a bit mesmerized by the camera lens as the camera went click click click.

We probably had enough shots by then, but on our way to our final destination, The Pen and Pencil Club, I spotted a neat bit of ironwork and we paused there for a few more shots. This time I was wearing my hat, which makes me look like a cheery Dutch newsboy, and I didn’t mind; clearly, I was getting used to the process. And having seen some of the results, I’m pretty pleased.

If you’re wondering where the pictures are, I’ll to post some tomorrow, so you can vote for your favorite.

Posted in business of writing, images | 2 Comments

e.e. cummings, somewhere i have never travelled, gladly beyond

somewhere i have never travelled, gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look will easily unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose

or if your wish be to close me, i and
my life will shut very beautifully ,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the color of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands

–e.e. cummings

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Edmund Blunden, "Preparations For Victory"

Preparations For Victory

My soul, dread not the pestilence that hags
The valley; flinch not you, my body young.
At these great shouting smokes and snarling jags
Of fiery iron; as yet may not be flung
The dice that claims you. Manly move among
These ruins, and what you must do, do well;
Look, here are gardens, there mossed boughs are hung
With apples who bright cheeks none might excel,
And there’s a house as yet unshattered by a shell.

“I’ll do my best,” the soul makes sad reply,
“And I will mark the yet unmurdered tree,
The tokens of dear homes that court the eye,
And yet I see them not as I would see.
Hovering between, a ghostly enemy.
Sickens the light, and poisoned, withered, wan,
The least defiled turns desperate to me.”
The body, poor unpitied Caliban,
Parches and sweats and grunts to win the name of Man.

Days or eternities like swelling waves
Surge on, and still we drudge in this dark maze;
The bombs and coils and cans by strings of slaves
Are borne to serve the coming day of days;
Pale sleep in slimy cellars scarce allays
With its brief blank the burden. Look, we lose;
The sky is gone, the lightless, drenching haze
Of rainstorms chills the bone; earth, air are foes,
The black fiend leaps brick-red as life’s last picture goes.

–Edmund Blunden

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Picking Goals When the Trees Are Autumnal

The time always comes when I have to make new writing goals, but I never like it. Right now, since I’m not under contract, I am at looser ends than usual.

My “business” goals are pretty well laid out for right now. I’m getting my author photo done, and my website re-design is in progress, and I’ve already set up a dozen or so guest blogs in conjunction with the release of my next novel, The Duke and the Pirate Queen.

It’s the writing goals I’m pondering. What to write next? What do I want to write? What do I feel enthusiastic about writing? What’s marketable?

I can’t seem to make any decisions. Not firm ones. I wrote a couple of synopses, and they felt flat; the process was like digging through mud with a teaspoon. I suspect I’m a bit burned out, after spending the last four years writing novels while holding down a full-time dayjob.

Along with drafting synopses, I’ve been reading research materials and looking at unfinished projects. I’ve been reading, because reading is one of my essential methods for filling up my brain with materials that will eventually compost into fiction. I’ve been reading a book on woolly mammoths (Mammoths: Giants of the Ice Age) and enjoying it hugely (pun intended).

For the next few weeks, I think my goal is to read more and think about writing less.

Maybe something will shake loose.

Related Posts:
Resting, Or Not-Writing.

Shopping and Recharging.

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Website Makeover

My website’s makeover is in progress. The hard part, for me, was telling the designer what I want. I’m not that great with visual stuff and when I organize things, they tend to spiral on and on and on rather being laid out in tidy grids. Luckily for me, the designer had a questionnaire for me to fill out.

It’s much easier for me to formulate my website ideas around what I like and dislike rather than just imagining what I want it to look like. I now know a lot about what I don’t like.

Things I like: organization, organization, and organization. Open space, so it doesn’t feel cluttered. Black print on white background.

Things I dislike: blinky lights; animation; splash pages; image maps; blinky animated splash pages that lead to image maps. Sea green backgrounds. Also, I am not fond of taglines for authors, but I understand why some people have them.

What about you? What do you absolutely detest on author websites?

Posted in business of writing, promo | 2 Comments

Persuasion 2008 – Short Attention-Span Theater

The 2008 adaptation of Persuasion is good so far as it goes, but it doesn’t go very far.

Though the acting is excellent, and the settings very historical and scenic, it felt like the postcard version of the novel. It’s only ninety minutes long, which explains a lot. The adaptation focuses on the romance between Anne and Frederick and the rest of the characters fade into shallow background, a point emphasized by the sometimes off-kilter closeups and fast tracking shots that make the world outside of Anne slightly unreal. There are a few necessary scenes of Frederick without her, but only when utterly needed. This adaptation is definitely about Anne’s romantic relationship, not a full picture of how Anne was constrained by her particular time and society and family and how she at last found love within those boundaries.

For that reason, the secondary characters mostly seem a bit cartoonish. True, her father in the novel is a bit cartoonish, but not quite this much. I felt a lot of the warmth and reality of Admiral and Mrs. Croft, for example, was lost in this version. The scene of Louisa Musgrove’s accident, in this version, made me snort because it seemed so fake and unlikely; the camera quickly went, again, to Anne and Frederick, who were much more real. All the feeling in that scene came from their faces and posture.

The final revelations were portrayed in a way that was distinctly odd. I call it “Jane Austen cardio workout.” Anne ends up running all over Bath before finding Frederick, with Mrs. Smith briefly running in and then out again with her revelations about Anne’s cousin. I was boggled with this choice and found it amusing rather than tense.

Like the previous movie version (from 1995), this one was determined to have an outdoor kiss between Anne and Frederick. Okay. I can deal with that. It’s a movie. Visuals are needed. The final scene in the 2008 version also had Frederick wearing only a shirt and waistcoat. Outside. For a carriage ride in an open carriage. He looked great, but I kept thinking, if they were being really historical, without a coat wouldn’t he be practically naked? Was this an homage to the famous “wet shirt” scene from the 1996 Pride and Prejudice?

All that said, I enjoyed the production and thought Sally Hawkins was excellent in the lead role, particularly in a scene in which she is trying to weep silently. Rupert Penry-Jones was also quite good; though he had less to do, he did it very well without overdoing it.

If all you know of Persuasion is this adaptation, do yourself a favor and go a little deeper with the novel or with the 1995 adaptation with Amanda Root and Ciarán Hinds, which I still prefer.

Has anyone seen the 1971 mini-series adaptation? What did you think?

Posted in austen, movies | 4 Comments

Kindle-cising

Sometimes I read while I’m exercising. Usually, it’s an article or newsletter I’ve printed out, so I can discard the pages into recycling when I’m done. Occasionally, I read a magazine, particularly thin ones like the SFWA Bulletin, because they’re easy to fold flat.

I’ve noticed that the elliptical trainers at my gym have little ledges that look broad enough to support a Kindle or other e-reader. The treadmills probably do as well, though I don’t usually use those.

Those of you who have e-readers, do you ever use them while exercising? What model do you have?

Do you make the font larger? How do you protect your reader from sweaty hands? Is it difficult to operate while you’re in motion?

Are there any drawbacks I should be aware of?

…nice shorts, Rudolf Valentino.

Also, Erotic Exploits is now available for Kindle. Since I don’t yet have a Kindle, if you happen to download the sample, I would be grateful if you could let me know how the formatting looks. UK Edition is here. [Edited to add, the formatting does have an issue. So I need to take it down and fix it.]

Posted in promo, reading | 6 Comments

Novelists, Inc. Guest Post


I’m a guest poster today at the Novelists, Inc. Blog on “For Love or Money?”

Please drop by and check it out!

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Wilfrid Wilson Gibson, "Between the Lines"

Between the Lines

When consciousness came back, he found he lay
Between the opposing fires, but could not tell
On which hand were his friends; and either way
For him to turn was chancy–bullet and shell
Whistling and shrieking over him, as the glare
Of searchlights scoured the darkness to blind day.
He scrambled to his hands and knees ascare,
Dragging his wounded foot through puddled clay,
And tumbled in a hole a shell had scooped
At random in a turnip-field between
The unseen trenches where the foes lay cooped
Through that unending battle of unseen,
Dead-locked, league-stretching armies; and quite spent
He rolled upon his back within the pit,
And lay secure, thinking of all it meant–
His lying in that little hole, sore hit,
But living, while across the starry sky
Shrapnel and shell went screeching overhead–
Of all it meant that he, Tom Dodd, should lie
Among the Belgian turnips, while his bed …
If it were he, indeed, who’d climbed each night,
Fagged with the day’s work, up the narrow stair,
And slipt his clothes off in the candle-light,
Too tired to fold them neatly in a chair
The way his mother’d taught him–too dog-tired
After the long day’s serving in the shop,
Inquiring what each customer required,
Politely talking weather, fit to drop …

And now for fourteen days and nights, at least,
He hadn’t had his clothes off, and had lain
In muddy trenches, napping like a beast
With one eye open, under sun and rain
And that unceasing hell-fire …

It was strange
How things turned out–the chances! You’d just got
To take your luck in life, you couldn’t change
Your luck.

And so here he was lying shot
Who just six months ago had thought to spend
His days behind a counter. Still, perhaps …
And now, God only knew how he would end!

He’d like to know how many of the chaps
Had won back to the trench alive, when he
Had fallen wounded and been left for dead,
If any!…

This was different, certainly,
From selling knots of tape and reels of thread
And knots of tape and reels of thread and knots
Of tape and reels of thread and knots of tape,
Day in, day out, and answering “Have you got’s”
And “Do you keep’s” till there seemed no escape
From everlasting serving in a shop,
Inquiring what each customer required,
Politely talking weather, fit to drop,
With swollen ankles, tired …

But he was tired
Now. Every bone was aching, and had ached
For fourteen days and nights in that wet trench–
Just duller when he slept than when he waked–
Crouching for shelter from the steady drench
Of shell and shrapnel …

That old trench, it seemed
Almost like home to him. He’d slept and fed
And sung and smoked in it, while shrapnel screamed
And shells went whining harmless overhead–
Harmless, at least, as far as he …

But Dick–
Dick hadn’t found them harmless yesterday,
At breakfast, when he’d said he couldn’t stick
Eating dry bread, and crawled out the back way,
And brought them butter in a lordly dish–
Butter enough for all, and held it high,
Yellow and fresh and clean as you would wish–
When plump upon the plate from out the sky
A shell fell bursting … Where the butter went,
God only knew!…

And Dick … He dared not think
Of what had come to Dick … or what it meant–
The shrieking and the whistling and the stink
He’d lived in fourteen days and nights. ‘T was luck
That he still lived … And queer how little then
He seemed to care that Dick … perhaps ‘t was pluck
That hardened him–a man among the men–
Perhaps … Yet, only think things out a bit,
And he was rabbit-livered, blue with funk!
And he’d liked Dick … and yet when Dick was hit,
He hadn’t turned a hair. The meanest skunk
He should have thought would feel it when his mate
Was blown to smithereens–Dick, proud as punch,
Grinning like sin, and holding up the plate–
But he had gone on munching his dry hunch,
Unwinking, till he swallowed the last crumb.
Perhaps ‘t was just because he dared not let
His mind run upon Dick, who’d been his chum.
He dared not now, though he could not forget.

Dick took his luck. And, life or death, ‘t was luck
From first to last; and you’d just got to trust
Your luck and grin. It wasn’t so much pluck
As knowing that you’d got to, when needs must,
And better to die grinning …

Quiet now
Had fallen on the night. On either hand
The guns were quiet. Cool upon his brow
The quiet darkness brooded, as he scanned
The starry sky. He’d never seen before
So many stars. Although, of course, he’d known
That there were stars, somehow before the war
He’d never realised them–so thick-sown,
Millions and millions. Serving in the shop,
Stars didn’t count for much; and then at nights
Strolling the pavements, dull and fit to drop,
You didn’t see much but the city lights.
He’d never in his life seen so much sky
As he’d seen this last fortnight. It was queer
The things war taught you. He’d a mind to try
To count the stars–they shone so bright and clear.

One, two, three, four … Ah, God, but he was tired …
Five, six, seven, eight …

Yes, it was number eight.
And what was the next thing that she required?
(Too bad of customers to come so late,
At closing time!) Again within the shop
He handled knots of tape and reels of thread,
Politely talking weather, fit to drop …

When once again the whole sky overhead
Flared blind with searchlights, and the shriek of shell
And scream of shrapnel roused him. Drowsily
He stared about him, wondering. Then he fell
Into deep dreamless slumber.

He could see
Two dark eyes peeping at him, ere he knew
He was awake, and it again was day–
An August morning, burning to clear blue.
The frightened rabbit scuttled …

Far away,
A sound of firing … Up there, in the sky
Big dragon-flies hung hovering … Snowballs burst
About them … Flies and snowballs. With a cry
He crouched to watch the airmen pass–the first
That he’d seen under fire. Lord, that was pluck–
Shells bursting all about them–and what nerve!
They took their chance, and trusted to their luck.
At such a dizzy height to dip and swerve,
Dodging the shell-fire …
Hell! but one was hit,
And tumbling like a pigeon, plump …

Thank Heaven,
It righted, and then turned; and after it
The whole flock followed safe–four, five, six, seven,
Yes, they were all there safe. He hoped they’d win
Back to their lines in safety. They deserved,
Even if they were Germans … ‘T was no sin
To wish them luck. Think how that beggar swerved
Just in the nick of time!

He, too, must try
To win back to the lines, though, likely as not,
He’d take the wrong turn: but he couldn’t lie
Forever in that hungry hole and rot,
He’d got to take his luck, to take his chance
Of being sniped by foes or friends. He’d be
With any luck in Germany or France
Or Kingdom-come, next morning …

Drearily
The blazing day burnt over him, shot and shell
Whistling and whining ceaselessly. But light
Faded at last, and as the darkness fell
He rose, and crawled away into the night.

–Wilfrid Wilson Gibson

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Edward Thomas, "Lights Out"

Lights Out

I have come to the borders of sleep,
The unfathomable deep
Forest where all must lose
Their way, however straight,
Or winding, soon or late;
They cannot choose.

Many a road and track
That, since the dawn’s first crack,
Up to the forest brink,
Deceived the travellers,
Suddenly now blurs,
And in they sink.

Here love ends,
Despair, ambition ends,
All pleasure and all trouble,
Although most sweet or bitter,
Here ends in sleep that is sweeter
Than tasks most noble.

There is not any book
Or face of dearest look
That I would not turn from now
To go into the unknown
I must enter and leave alone
I know not how.

The tall forest towers;
Its cloudy foliage lowers
Ahead, shelf above shelf;
Its silence I hear and obey
That I may lose my way
And myself.

–Edward Thomas

Posted in thomas, wwi poetry | 1 Comment