#TBRChallenge – Fairy Tale: Wendy, Darling by A.C. Wise

Wendy, Darling by A.C. Wise is in conversation with Peter Pan, a story so familiar and entrenched in general English-speaking cultural consciousness that I’m counting it as fitting the fairy tale theme. Peter Pan is easily read as extremely creepy, and Wise runs with that as she explores Wendy’s experiences after returning from Neverland, and on her return. The book is speculative fiction on the dark side, with social commentary; it could also be classified as psychological horror.

This post contains spoilers for the book.

The events of Wendy’s past are interspersed with the 1930s, when adult married Wendy, mother of a daughter named Jane, once again encounters Peter Pan–and he takes her daughter with breathlessly terrifying casualness. Then the story flashes back to the years after Wendy’s initial return from Neverland: Wendy still remembers their adventures, and talks about them, but her brothers have forgotten, perhaps willfully. In 1917, after younger brother Michael returns wounded and shell-shocked from World War One, tensions among them reach a breaking point. Elder brother John, safe from war because of his poor eyesight but feeling grimly responsible for their family, commits Wendy to an insane asylum.

Wendy’s flashback experiences in the asylum reminded me of “The Yellow Wallpaper” by Charlotte Perkins Gilman in the way her lived experience is willfully suppressed, ignored, and punished for non-conformity to expected gender roles. However, she does make a friend of another inmate, Mary White Dog, showing the strength that comes from women working together against oppression; when an arranged marriage provides a way out for Wendy, she fetches Mary and employs her in the household. Their close relationship gives strength to both and is important to Jane’s rescue. In the 1930s, the only way to rescue Jane is to go in after her. Meanwhile in Neverland, Jane’s point of view gives a sometimes chilling outsider perspective on Peter, his abusive behavior, and his world’s magical rules. Jane, Wendy, and Mary survive, but once back in our world, have to decide how to move on with their lives.

Though for me this book was a rough ride, it was splendidly executed, and I recommend it particularly if you love retellings or transformative works of any kind.

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Updates on My Kalikoi Novellas

Finding Refuge received a lovely review at Phoebe’s Randoms: “Janssen has laid the ground floor for what could be an exciting series about PTSD, life after war, human and non-human relations, and just personal relationships in general.”

Sapphic Book Club noted Finding Refuge “…portrays the hardest part of recovery, the one where you have to accept to be deserving of good things, to think of a future and even dream of a better one.” Also, “Finding Refuge was a really therapeutic read for me.”

Embracing Refuge: A Place of Refuge, part three, will be released in less than one month! The cover, seen in this post, is by Augusta Scarlett, who also made the previous two covers.

I’m currently working on supplemental materials to include in an eventual omnibus of all three novellas. I’m writing at least two additional short stories as well as preparing an extensive character list and a small glossary.

Cover of Embracing Refuge - a dark-skinned woman with short hair and cyborgian implants on her neck on a green background with planet and spaceship.

Retail links for Finding Refuge (Talia’s point of view) have been updated to include Google Play.
Retail links for Accepting Refuge (Miki’s point of view) have been updated to include Google Play.
Pre-order links for Embracing Refuge, releasing March 7, 2022 are starting to go live. (Faigin’s point of view). If you don’t see your favored ebook retailer, please check again closer to the release date. If I’ve missed a place, please let me know!

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My January Reading Log

Fiction:
The Wisteria Society of Lady Scoundrels by India Holton is a bitingly satirical alternate Victorian England in which women have learned to make their houses fly, and of course have used this ability to become pirates, and also spend a lot of time trying to assassinate each other. It’s also a romance, though the satirical tone is maintained throughout, with the heroine gradually becoming aware of what her feelings mean. Plump Queen Victoria, who talks to a portrait of the deceased Prince Albert, makes an appearance and ends up playing a surprisingly large role in the plot.

Outcrossing by Celia Lake is first in the Mysterious Charm series, romances set in an alternate 1920s England whose magical population live alongside the oblivious non-magical population. This first installment is set in the New Forest, which has ponies! I wanted a lot more ponies than I got. However, I appreciated the cross-class issues and sadly brief portrayal of village magical ritual. The romance was sweet and people actually talked to each other to resolve their problems.

Goblin Fruit by Celia Lake is second in the Mysterious Charm series and features a very clear homage to Dorothy Sayers’ Peter Wimsey and Harriet Vane in Geoffrey, Lord Carillon and Elspeth Penhallow. There’s more magical worldbuilding happening, and brief appearances by nonhuman magical beings, which made me want a lot more of this world.

Magician’s Hoard by Celia Lake is third in the Mysterious Charm series, a fantasy romance set in an alternate 1920s Britain with a secret magical society. Widowed heroine Proserpina, called Pross, runs a bookstore to support her and her daughter, but also does some paid research. Hero Ibis (a nickname; his actual name is Thutmose, and he’s half-Egyptian) ends up assigned to help her because his boss wants him out of the way of Shenanigans. They respect each other’s minds and that is very sexy and sweet; they help each other move forward with their lives.

Wards of the Roses by Celia Lake is fourth in the Mysterious Charm series, a 1920s alternate England with magic. Kate is a middle class Guard (magical police, essentially) who misses the more complex work she did during WWI; Giles is an upper class mathematician who was blinded during World War One (or this world’s version of it). Both are fascinated by puzzle solving. They end up working together to gain entry to a magical house has suddenly reappeared. As in the previous books in this series, the two of them help each other to move forward with their lives, stronger together than apart.

Out of Character by Annabeth Albert was a lightweight m/m contemporary romance, labelled New Adult, between a gamer and a former jock, which I read because of the fandom element. I still seem to be in the mode of being less interested in stories about people in their twenties coming of age, so though the book has a lot to recommend it, I found myself skimming parts, especially angst and sex scenes. But I think if you play, for example, the Magic the Gathering card game, you would enjoy this book a lot.

Spellbound by Allie Therin is also set in an alternate 1920s with magic, this time in New York City. There’s a somewhat complicated backstory about magical objects which leads to non-magical but wealthy and powerful Arthur, nicknamed Ace, encountering psychometric Theodore, who’s assumed the name of Rory for his role as the nephew of his employer, Mrs. Brodigan. In addition, there’s a Chinese man who walks the astral plane, a Black woman bootlegger telekinetic, and some magical enemies. There was a lot going on, perhaps too much, probably because this book was setting up a series. It was fun, but I am not sure I’ll read the rest of the books.

Division Bells by Iona Datt Sharma is a short but lovely male/male romance set in the British government after Brexit. Ari is a career bureaucrat, Jules is a special advisor, or “spad,” sent to the job by his wealthy father to jumpstart a career. Their romance is tangled up with Jules coming into his own and Ari navigating grief from a recent, painful loss. I learned a lot about British parliamentary procedure, and would have been happy to learn more, if taught by this author. Recommended.

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#TBRChallenge – Quickie: Instead of Three Wishes by Megan Whalen Turner

Instead of Three Wishes: Magical Short Stories by Megan Whalen Turner was the slenderest volume on my TBR shelves. I dearly love Turner’s “Queen’s Thief” series, marketed as Young Adult, that begins with The Thief. In my opinion this short story collection, like that series, doesn’t necessarily have to be considered as being for any particular age of reader, though it’s published as Children’s.

The seven stories all have a mythological or fairy tale feel, but none follows a staid, expected path. Please note there are spoilers ahead!

“A Plague of Leprechaun” examines the havoc wrought by tourists and small mishaps on a small New Hampshire town. “Leroy Roachbane” is a take on the fairy tale “Seven at One Blow” that also addresses a lack of diverse books in a local library. “Aunt Charlotte and the NGA Portraits” combines a selkie story with a puzzle and oil paintings, told to a young girl by her elderly great-aunt. It’s one of my favorites for the final line, “What you believe is up to you.” “Instead of Three Wishes” reminded me of the Armitage stories by Joan Aiken in tone and humor, with a cranky elf prince in a contemporary world. “The Nightmare” is a chilling story that resonated with me. It shows bullying bouncing back on the bully, and though he learns from the experience, the only way to escape is to push the retribution along to someone who asks for it: a person who is now bullying him. “The Baker King” is charming, a delightful conclusion to the collection. It reminded me a bit of her novels with its alternate world setting, and I loved the irreverent take on monarchy.

The ghost story “Factory” made me think the most. Content warning: it includes offstage suicide and child death; spoilers for the story in this paragraph. “Factory” is set in a world where capitalism and industry has taken over nature, and no one seems to have any purpose beyond factory jobs, though libraries still exist. Pigeons are called simply “birds” because they are the only birds left (though this world still has chocolate and cinnamon). The protagonist John, an orphan who’s recently started his first job, meets a ghost whose family home, in the midst of a nature preserve, stood where the factory was built. By dying with intention when they could no longer protect the land, the entire family still exists there, while seeing the living as ghosts moving through the land as it once was.

It’s a little unclear that the family chose to die; one of them is a toddler and two are ten years old, so they could not have fully consented, but it doesn’t seem like the mother cold-bloodedly murdered them, either. The ghost John meets, a young girl named Edwina, spends most of her time in an attic room, reading the books in the house when they all died. Edwina doesn’t change physically, but she has continuity of memory throughout being a ghost. John is able to check out library books and read them to her; she writes down the poetry she wants to keep. Then he introduces her to detective novels, which she loves.

John is relatively happy in his job as solo operator of the high crane because he gets to be alone and read books on his breaks, but his dearest wish is to have someone to talk to about the books he reads. In the end, after speaking with Edwina’s mother’s ghost, he checks out as many library books as he can and hides them with chocolates and spices all over the rafters of the factory, then takes cyanide. He and Edwina spend their afterlife–or perhaps it’s a second life?–together, reading books and eating chocolates, having escaped the dreary grind of the factory forever. It’s a story that will stick with me for a long time.

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My December Reading Log

Fiction:
Plus-One by Barbara Hambly is a novelette in her Windrose series; I had been hoarding a couple of it for a while, as it’s from my favorite of her various fantasy series. Joanna and Antryg are attending a martial arts conference in Las Vegas at a hotel which has had a number of mysterious deaths, which Antryg suspects have a magical cause. This turns out to be the case, surprising me not at all. Aside from the fantasy element, the plot is essentially a mystery, even including the moral judgement aspect of mystery stories. I found it satisfying, if brief.

A Promise of Spring by Mary Balogh is one of her Regency romances; this author is known for pushing the envelope of that sub-genre by having sex be a part of the story. While not being particularly explicit, she doesn’t skip or gloss over when the characters have sex, or how they’re having it, and how that changes as their relationship changes. This author wrote a prostitute heroine, and another who was a paid mistress, and a number of marriages of convenience. Grace Howard had a youthful fling with her first love that resulted in a son, who later drowned as a child. The first love refused to marry her and in fact married someone else, for money. Grace ends up keeping house for her youngest brother, a rector, until he dies unexpectedly. Her brother’s best friend, Peregrine, then asks her to marry him. Perry is not sure he’s in love with her, but he admires her a great deal; meanwhile, Grace considers herself dead inside. Slowly, Perry brings her back to life and love again, and helps her to reconnect with her remaining family. Unfortunately for me, there’s also a large chunk of plot devoted to Alphahole First Love, whose rich wife died in childbirth, and who now wants to seduce Grace away from Perry. I found him tiresome, and the amount of inner turmoil devoted to dealing with him excessive. I did, however, like that the resolution of the problem involved Perry allowing Grace to make her own decision, and Grace then mustering up her courage to do so and get closure.

The Ruthless Lady’s Guide to Wizardry by C. M. Waggoner is a delightful secondary world fantasy with bonus cross-class lesbian romance and found family. Dellaria, a fire witch, scrabbles and scrapes for rent money while also trying to take care of her mother, who had her as a teenager and is now an addict. Delly’s whole life changes when she takes a job guarding a rich woman, and meets other women with magic, including Winn, a half-troll who is large, jolly, and very rich. The first chapter felt a little slow to me, but once Delly meets the others, it was off to the races. I loved little worldbuilding touches like the West Lesicourt dialect that Delly, her mother, and her friend Elo speak together, or the way same-gender romance was not an issue but cross-class romance could be problematic. It was a lot of fun. Content warning for an upsetting death midway through, in the course of a murder attempt; it’s upsetting for the characters as well, in a way I found realistic.

The Burning Sky by Sherry Thomas is first in a trilogy. I confess I am currently a bit burnt out on Young Adult as a genre. Though I admired many elements of the worldbuilding, I felt there were too many ideas for the length of the story. It’s secondary world fantasy in which there are realms where magic is common alongside “non-mage” realms; we see nineteenth century Eton College as well as a little of a magical realm. A fair amount of the story takes place inside of a magic book that holds different fairy tale testing grounds and libraries hosting ancestral characters who can answer certain questions. Iolanthe is a powerful elemental mage (I had thoughts of Avatar: the Last Airbender) who ends up hiding out at Eton while disguised as a popular boy who’s excellent at cricket; Titus is ruler of his magical realm, but his realm is under the thumb of Atlantis, its all-powerful leader The Bane, and the terrifying mind-mage The Inquisitor; he’s been sent to Eton to prevent him from getting the usual magical education, but has managed to become very skilled anyway. Titus needs to protect Iolanthe and use her to take down the Bane. I didn’t get a real feel for the boundaries of magic in this world, which seemed very far-ranging, and thus had a hard time believing in the magic, if that makes sense. There’s something to be said for Anything is Possible, but Anything meant I never felt any worry that the characters were going to bump up against their limits and possibly fail. I also didn’t get a true sense of the Bane’s power, only The Inquisitor’s, which is shown vividly, but seems to be overcome too easily. Also, I found the romantic elements between protagonists Iolanthe and Titus uninspiring; I think I would have enjoyed it more if they’d been either more adversarial throughout, or more of a non-romantic team. I felt their characters were not nearly as complex as I’ve come to expect from Thomas’ work, possibly because there was a lot of frantic moving from action scene to action scene, from magical idea to magical idea.

Cotillion by Georgette Heyer was my TBR Challenge book for the month.

Nonfiction:
Roger Zelazny by F. Brett Cox is from the “Modern Masters of Science Fiction” series and gives what I think is an accurate overview of an author who was one of my top favorites for many years. I remember when Zelazny died in 1995; however, I had failed to remember that his age at the time was 58, which, twenty-six years later, seems far, far too young.

This description of Today We Choose Faces cogently describes Zelazny’s style:

The novel’s frantic, one-trapdoor-after-another narrative, with transitions frequently driven by explosive violence and one key sequence represented in eccentric typography, also recalls Alfred Bester, while both the narrative pacing and the underlying tale of libertarian revolt against oppressive social engineering evoke the work of A. E. van Vogt. To these classic genre influences Zelazny added his signature thematic and formal concerns: the twentieth-century man caught in the far future who struggles to negotiate its systems, violence as a means of political resistance; experimentation with narrative structure, playful puns (the names of all the clones are variations on the name of Angelo di Negri, “Black Angel”), literary allusiveness both classic and modern (the narrator quotes William Blake and references Thomas Wolfe, and the story as a whole, in the view of one critic, evokes both Dante and Milton), and the occasional three-hundred-word sentence.

The book closes with a Zelazny interview; I found this statement by him to be extremely interesting: “What I am trying to say is that I operate under a continuing need to experiment, and the nature of the experimenting requires that at least part of the time I write from weakness.” I will take these words to heart.

Yale Needs Women: How the First Group of Girls Rewrote the Rules of an Ivy League Giant by Anne Gardiner Perkins is splendid. It’s intersectional and informative. The author did substantial research as well as interviewing several people; the slow progress of Yale going fully coed is shown through the experiences of the students she interviewed, discussions among the administration, and enough information about what was going on in the rest of the country and at other colleges and universities to put everything into context. The book begins with 1969. I thought she did a particularly excellent job tying these specific events into the early days of “second wave” feminism and showing how feminist aims were sometimes aided by other civil rights movements of the time, and sometimes treated as though they were completely separate. For example, the president of Yale at the time had been forward-looking in recruiting more Black, Jewish, and working class male students, but could not seem to comprehend how admitting women could similarly be a benefit to the university.

Fanfiction:
The Changeling by Annerb is a Hogwarts Alternate Universe in which protagonist Ginny Weasley is sorted into Slytherin and has to learn how to navigate the complex social currents there. I liked it because she’s not in the shadow of other characters, and the mentors she finds and the students she mentors are essentially original characters. The author has also added in a secret society among the Slytherin girls that adds some interesting angles to House culture. Ginny has her own problems while also dealing with the events of books; I really liked the focus on what was happening in the castle, with the students, while Harry, Ron, and Hermione were off-stage hunting horcruxes; the story lays excellent groundwork for a future Ginny/Harry romance that I could actually believe. There’s a lengthy sequel series exploring that relationship.

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IHeartLesfic Reading Challenge

I Heart Lesfic‘s 2022 reading challenge features a themed list of books each week, which seems like a great way to encounter some new-to-me authors; it starts the week of January 10, 2022.

My speculative fiction erotica collection Erotic Exploits is listed for the week of July 4, “Hot and Steamy,” and Finding Refuge is one of the books for “Science Fiction,” the week of November 28.

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2021 Guest Posts

My 2021 Guest Post Round-Up:

Sapphic Book Club gave me an Author Spotlight in December; I wrote about SF Worldbuilding Techniques.

I Heart Lesfic’s Project Kindness hosted a blog post from me on December 3, about growing closer to my work colleagues during the early days of the pandemic.

Queer Sci Fi featured Finding Refuge on November 28th.

The Lesbian Science Fiction Index now includes both Finding Refuge and Accepting Refuge.

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#TBRChallenge 2022

This year, I’ll again be participating in the TBR Challenge hosted by Wendy the Super Librarian. My goal is to post reviews of a themed book on the third Wednesday of every month. Feel free to join me! Tag your social media posts with #TBRChallenge. The monthly themes, and my choices to fit those themes, are listed below. All of the books are from my To Be Read shelves (physical and virtual) as of December, 2021.

January 19 – Quickie
Instead of Three Wishes: Magical Short Stories by Megan Whalen Turner.

February 16 – Fairy Tale
Wendy, Darling by A.C. Wise.

March 16 – Grumpy
Light From Uncommon Stars by Ryka Aoki.

April 20 – Location, Location, Location
A Spectral Hue by Craig Laurance Gidney.

May 18 – Tales of Old
Trouble the Saints by Alaya Dawn Johnson.

June 15 – After the War
The Great Silence: Britain from the Shadow of the First World War to the Dawn of the Jazz Age by Juliet Nicolson.

July 20 – Vintage
Lolly Willowes: Or the Loving Huntsman by Sylvia Townsend Warner.

August 17 – Blue Collar
Perfect Circle by Sean Stewart.

September 21 – Animals
Black Maestro: The Epic Life of an American Legend by Joe Drape.

October 19 – Flirting with Danger
Exile by Lisa Bradley.

November 16 – Lies
The Conductors by Nicole Glover.

December 21 – Festive
Silent Night: The Story of the World War I Christmas Truce by Stanley Weintraub.

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#TBRChallenge – Festive: Cotillion by Georgette Heyer

It’s true! I’ve never read Cotillion by Georgette Heyer! Until now. This book was published in 1953, so I felt free to include spoilers in this post.

I found the novel charming, with typical Heyer character types, plotlines, and shenanigans, except for one aspect, which I’ll detail later on. Oddly, given the title, there was no actual cotillion (formal ball, presenting young women to society), which surprised me. Instead, there are a couple of masquerades and a night at Almack’s, only one of which (masquerade two) is given any significant description.

Hero Freddy Standen is generally referred to in Romance genre parlance as a “beta hero,” to me considerably more palatable than the popular rakish “alphahole,” here represented by Freddy’s cousin Jack Westruther, who is handsome, dashing, a flirt, a gamester, you get the picture. In contrast, Freddy, of a well-off and respected family, is on the surface concerned chiefly with always looking his best in the most fashionable style and performing his social duties with the highest ton. He is exemplary in these social skills, and we learn he is also an exemplary elder brother to his several siblings, guiding and protecting them without being overbearing. And though he claims he does not have the greatest intellect, it’s clear his lack is more that he lacks interest in intellectual pursuits. I particularly enjoyed his interactions with his father, who appears to have underestimated his son until the betrothal, and their few scenes together are lovely.

Heroine Kitty Charing is a fairly typical innocent Heyer heroine. She was adopted as a child by the best friend of her deceased father; her adoptive father also seemingly had an unrequited passion for her deceased mother and never married, instead hoarding his large fortune and suffering from gout and dissatisfaction. Jack is his favored great-nephew and likely heir; he hopes Jack will marry Kitty, and they will then inherit his money. Instead, Kitty arranges a faux betrothal to Freddy that will enable her to at last visit London and its many social delights. The young woman without blood family becomes friends with Freddy’s sister Meg and displays some social skills of her own, though not so many that she doesn’t need Freddy’s help to extract her from difficulties.

Shenanigans ensue, as they do in Heyer novels, and several other romances percolate throughout, aided by Kitty and Freddy in varying degrees. At last, they realize they are in fact in love with each other, and make their betrothal real.

And now to my additional thoughts; one plotline has, in my opinion, aged badly. One of the great-nephews, Lord Dolphinton, is an Irish Earl without much money and a manipulative mother (who is not portrayed directly). Her machinations are both made easier and thwarted by Dolph being slow of mind in a somewhat non-specific way; despite being spied upon by servants and pressured by his mother, he manages to keep hold of his own opinions and desires, which he is stalwart about proclaiming (and repeating) at need to anyone but his mother. He understands social cues and complex ideas, but usually needs instructions repeated several times in order to remember all the details. He’s dreadfully afraid of his mother, who threatens to have a doctor lock him up if he doesn’t obey such commands as “propose marriage to Kitty.” To me, this is an abusive situation and not one conducive to madcap comedy.

Dolph has fallen in love with practical Hannah Plymstock, whose revolutionary Cit brother does not approve of Earls; Dolph’s mother would certainly not approve of Hannah, who has no money, title, or social standing. Hannah is not deeply in love with Dolph, but demonstrates tenderness and understanding for him and his issues; she plans to extract him from beneath his mother’s thumb so they may live together on his Irish horse farm. Horses are Dolph’s greatest love and skill and he much prefers his life there to being forced to mingle in crowded London.

Kitty, and later Freddy, help to arrange for Dolph and Hannah to marry, but I found the final events of this scheme rather horrible. After their escape from London, Dolph is so terrified of his mother’s pursuit that in one long scene, he repeatedly hides in a cupboard or under a table when he hears approaching horses. I winced my way through all that only because I knew it would be a happy ending, and because I planned to write about the book. I was much relieved when all that was over. 

I’m glad I finally read this one; I’m not sure if it’s the very last unread Heyer romance for me, but it completes the major ones.

I’m ready to start putting together my TBR Challenge list for 2022! Thank you to SuperWendy for organizing!

 

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My November Reading Log

Fiction:
Empress of Forever by Max Gladstone is space opera on a grand scale with a seemingly all-powerful Empress, a giant pirate with fur and a tail, space monks, massive fleets of spaceships and the pilots who can merge with them, be-weaponed machine-people, people made entirely of nanomaterials, souls in The Cloud…you get the picture. Scope! Sense of wonder! Homage to Journey to the West! Plus there are Space Lesbians, including the main point of view character, a too-powerful, morally ambiguous tech billionaire from the near future of our world named Vivian Liao. The novel feels very of this moment to me, and comments throughout on our present, as speculative fiction should.

Unhistoric Acts: An Imperfect Social State (Clorinda Cathcart’s Circle Book 15) by L.A. Hall was as delightful as this series always is. We’ve now moved well beyond the original series in time, so much so that babies born in the first series are now marrying and having babies of their own. It’s very satisfying watching the large cast of characters continue with old social connections as well as make new ones, and to see how the progress of history is affecting them and their lives.

Miss Moriarty, I Presume? (The Lady Sherlock Series Book 6) by Sherry Thomas continues the Moriarty plotline, easily guessed from the title, but has some interesting complications worked in, showing the complex machinations of those living in his orbit as well as Charlotte Holmes’ and Mrs. Watson’s efforts to protect themselves and their loved ones. It’s a fairly torturous plot this time, that surprised me a couple of times. I’m ready for the next one in the series!

Subtle Blood: Will Darling Adventures Series, Book 3 by K.J. Charles was a delight, first upping the ante from the previous two books, then nicely tying up the arcs of mystery plot, romance, and secondary character arcs. I continue to enjoy the post-World War One, 1920s setting inordinately and even though this is the end of a trilogy, I am hoping Charles will revisit these characters.

The Assassins of Thasalon by Lois McMaster Bujold is the tenth, I think, in the Penric and Desdemona series; unlike the rest of the series, it’s novel length. As always with Bujold, I enjoyed the characters, and the plot twists and turns. I’m looking forward to the most recent novella.

The Galaxy Game by Karen Lord was my TBR Challenge book for the month.

Nonfiction:
Minor Feelings: An Asian American Reckoning by Cathy Park Hong is truly excellent and I highly recommend it. It’s about Hong’s Asian American experience in both general and particular, told through her life as a poet. I made particular note of how racism affects the writer and their writing, as well as reader experiences of that writing.

Publishers treated the ethnic story as the “single story,” which Chimamanda Ngozi Adichie defines as follows: “Create a single story, show a people as one thing, as only one thing, over and over again, and that is what they become.”

And Much of Lahiri’s fiction complies with the MFA orthodoxy of show, don’t tell, which allows the reader to step into the character’s pain without having to, as Susan Sontag writes, locate their own privilege “on the same map” as the character’s suffering…Because the character’s inner thoughts are evacuated, the reader can get behind the cockpit of the character’s consciousness and cinematically see what the character sees without being disturbed by incessant editorializing….Innocence is, as Bernstein writes, not just an “absence of knowledge” but “an active state of repelling knowledge,” embroiled in the statement, “Well, I don’t see race” where I eclipses the seeing. Innocence is both a privilege and a cognitive handicap, a sheltered unknowingness that, once protracted into adulthood, hardens into entitlement.

Posted in historical fiction, mystery, nonfiction, sf/f | Tagged | 2 Comments