preliminary thoughts on two types of erotic novels

Happy Friday!

I am beginning to have a theory about different types of erotic novels which are meant to appeal to different tastes or moods of their readers. One type privileges the sex scenes over other types of scenes, which may be given short shrift. To me, this type of book seems more easily broken apart into a series of scenes meant to be read one at a time, perhaps one each night. Forward motion is less important than dwelling in each scene as it happens. The reader can get to know the characters, and added familiarity with them adds to the enjoyment of each subsequent scene, but there’s not plot-fueled rush to find out what happens. Examples might be Passion by P.F. Kozak and Kate Douglas’ Wolf Tales series, or Emma Holly’s Velvet Glove.
There’s also a type of erotic novel with a driving plot; it doesn’t have to be a complex or elaborate plot, but there is a problem the characters must solve, with the sex scenes advancing them towards that goal. The goal might be a romantic relationship or sexual discovery or might be something else. The sex is likely to be part of the problem and its solution. Examples might be sEmma Holly’s vampire books or All U Can Eat, or Kate Pearce’s Regency Simply series.
I have to think more on this–it’s still a vague shape in my mind. I’d appreciate comments if you have them.

The picture is of Johhny Weismuller.

Related Posts:
Erotic Journeys and Bodice Rippers.
Defining Erotic Romance, Romance, and Erotica.

Posted in erotica, genre | 9 Comments

Why Werewolves?

This post is a recap of my guestblog for the Full Moon of Werewolves at Lori Devoti’s blog.

My Harlequin Spice December 2009 release, Moonlight Mistress, is an erotic novel set during the early days of World War One. It also happens to feature two werewolf characters, one male and one female.

The werewolves aren’t the main characters; their presence generates plot because an evil scientist tortures them with his experiments. It’s the human characters who rescue them and send them off to what I hope will be another story, their own story.

So why have werewolves at all? It’s not as if World War One doesn’t provide enough plot all on its own. However, I realized pretty quickly that World War One is not the most ideal setting for an erotic romp.

World War One supplies plenty of conflict, but it all revolves around soldiers, refugees, the wounded, and the dead. Despite my deep interest in reading about the war, I didn’t want this book to be grimly realistic. There are plenty of memoirs and other works of nonfiction where those details can be found. I chose to use enough details to give the reader an idea of the time period, but not so many as to give them nightmares.

Adding a werewolf plot meant I could inject a little fantasy, to let the reader rest from the unrelenting horror of war. The werewolf element could open the door for further thoughts of fantasy, thoughts of erotic fantasy. Not only are werewolves fantastical, they can be sexy, too.

It was a tricky balance of realism and fantasy. Too much realism, and the book isn’t fun anymore. Too much fantasy, and the book loses plot tension. I balanced the two elements by giving my werewolves realistic characterization.

One werewolf is a soldier, the other serves as a spy. Their werewolf attributes are more science fictional than fantastic. I didn’t want to travel too far from a “realistic” or “mimetic” approach, so I decided their transformations would not be linked only to the full moon, and that the full moon would not force a change. I also decided that being a werewolf was hereditary, and though interbreeding with humans was possible, the trait rarely passed down in its entirety. I didn’t go into the actual mechanics of transformation, but described it as a physical process rather than a magical one. I wanted the werewolves to seem as if they belonged, as if they, too, were part of the historical setting.

I hope it worked! You can find out in December of 2009.

Related post:

Of Wolves and Men.

Posted in paranormal, werewolves, writing craft | 1 Comment

guest-blogging today over at Lori Devoti’s place

You can find me today at Lori Devoti’s blog, as part of her “Full Moon of Werewolves”:

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Excerpt from A War Nurse’s Diary: The General

The following is an excerpt from A War Nurse’s Diary: Sketches from a Belgian Field Hospital, published 1918 by Macmillan and now in the public domain. This sort of first-person account is sometimes more useful than anything else when researching for fiction.

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This history will not be complete without telling you about my General. I call him mine, because I had the honour of being his special-nurse on day-duty. He was the General of the Premier Belgian Division, therefore a personage of great importance. He was also a great friend of the King Albert, who sent him his own bed and mattress because he found ours hard! One evening he came in on a stretcher, and was placed on a bed in the Officers’ Ward. He was a man of about sixty-five years of age, seriously wounded in the lower part of the back, his hip bones being badly shot away and the flesh laid open down to the spine. All the officers were quickly moved into a hut, grumbling and protesting at being turned out of their own little corner and leaving their own attendants, while the now large empty room was transformed into a pleasant living-room. We sent over to Furnes for the old priest’s best carpet and some upholstered chairs, and arranged gay screens around. Madame Curie fixed up for the General an electric-bell worked from her dynamo, and a telephone communicating with Headquarters by his bedside. Her Majesty sent quantities of lovely flowers, and we made that room like a first-class nursing-home apartment. Not that the dear old General wanted it, he was a regular Spartan, a born soldier, and used to the simplest mode of living. So long as his orders were obeyed promptly and to the letter and his bell answered on the moment, all went well; he asked nothing more. To me he showed an old-world courtesy, never allowing me to do anything he considered infradig, but insisting on my calling the orderly. His morning dressing was a solemn ceremony, needing about an hour’s preparation. The Major, Lieutenants and British surgeons were all summoned to be present at the function, while the Major performed it.

There were other ceremonies which took place in the General’s room. General Joffre arrived one day and decorated him with the Legion of Honour. After Joffre had pinned the medal on his breast and kissed him on both cheeks he came over and talked to me for a few minutes about the General’s progress. Another day King Albert arrived and gave him a medal, one only given to high officers, —the Order of the Cross. A certain great man, a member of the British Royal Family, was also deputed to be the bearer of the Victoria Cross from our King. Many great statesmen of Belgium and famous warriors of the Allies visited my General at one time or another.

It was autumn now. Sometimes in the afternoon we wandered across the fields, picking blackberries which I made into pies or stewed for my illustrious patient. I spent a good part of my time trying to concoct little dainties for him, and bothering the chauffeur, who bought our stores each day in Dunkerque, to search the shops for some new delicacy. In those rambles we strolled along the banks of little brooks where forget-me-nots fringed the edges, passed through farmyards where nuns in their quaint costumes sat on three-legged stools milking cows, and soldiers leaned over the gates laughing and chatting. By-and-by the sun sank, a ball of fire, while mist rose like a veil from the low flat country. In the glow of the glorious sunset airplanes chased each other overhead, little puffs of smoke dotted the clear blue sky, whilst the bark of guns and the reports of explosions overhead all played a weird part in the rural evening scene. Birds chirped in the hedges where we gathered blackberries, while on the horizon the roar of artillery formed the bass of the orchestra. The General progressed rapidly. In a month he was able to dispense with my services. Soon the morning came when I entered his room to bid him farewell. Handing me an immense bouquet, he kissed me on both cheeks in approved French fashion. Then we climbed the car and were off to Calais, en route for England, waving regretful good-byes to white-capped groups of nurses and our dear Belgian friends.

#

More from her diary.

Related Post: Synergy in Writing and Research.

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"The Good Old Naughty Days," silent erotica

Several years ago, I saw “The Good Old Naughty Days,” a collection of silent French pornographic films, mostly from the 1920s.

I was foiled in my hope of seeing a period brassiere–the women didn’t wear any, presumably because they were too much trouble to take off; ditto corsets, in the couple of pre-1920s films. Oh, well. I did learn that men’s shirt tails then were a lot longer than I had realized. One only sees them tucked in, if you’re looking at drawings and photographs in costume books. In more than one film, a guy had to yank his shirt tail out of the way so the action would be more visible.

This sort of film is better without attempts at dialogue. My friend and I joked the intertitles would probably say “Oh! Oh! Oh!” but in fact most of them either told you things like “and now the abbot shows up” or were funny, like the “Musketeer” one that had each act as a separate food course (“seafood,” for example).

Incidentally, my limited French proved adequate to read intertitles in blue films. Go me!

Only two of the films showed men entirely naked, which I found interesting. I thought of possibilities: 1) these films were intended for men, who didn’t want to see naked men; 2) these men didn’t undress all the way at home, either; 3) those shirt tails were a fetish of the past (seems less likely, but who knows?). I was a little disturbed by one young guy (wearing a very fake old man wig and moustache) who was so skinny you could see his ribs clearly, every one of them–this distracted me into wondering if he was really poor, or had just jumped out of the trenches, or something. He was probably just skinny. That particular guy was hung like a horse, my friend pointed out, and this was true. Maybe he just burned a lot of calories in his work…he seemed to be having a good time.

In general, the actors had ordinary bodies. I couldn’t tell if the women shaved their legs–most kept their stockings on–but I could see that most of them didn’t shave under their arms, and the women might have trimmed their pubic hair but none of them shaved it. As I said, for most of the men one didn’t get a good view of areas surrounding the genitalia.

There was one (very funny) cartoon of a Priapic little guy called Eveready whose penis would detach and reattach to humorous effect. It included man with donkey and accidental male-male anal penetration. One film with nuns also had a little white doggie who, when encouraged, licked the genitals of both a woman and a man (I and the audience couldn’t stop laughing at that one). Things haven’t changed much. Nuns, nurses, provocative partial clothing, awkward positions to display for the camera, money shots. People don’t roll their eyes any more to display extreme lust, as one Theda Bara-lookalike attempted, however.

The short that most amused me was, essentially, “Madame Butterfly” fanfiction, which gave the opera a happy ending through lesbian geishas, a male/male encounter of hero with faithful servant that included both oral sex and anal penetration, and voyeurism (faithful servant masturbates to the threesome of hero and two geishas at the end).

The film I liked most was one the documentarians noted looked as if it had been filmed and framed by a professional. It was a male-female-female threesome, notable for the film quality (seemingly higher definition) and lighting. I liked the way bars of light from the windows fell over the people, despite the fact that they were so piled up it was difficult to see what they were up to. Very arty. And it was all very enlightening about the past.

Posted in erotica, research, silent film | 2 Comments

I love you, Arthur Plotnik

The Elements of Editing: A Modern Guide for Editors and Journalists, by Arthur Plotnik

“What kind of person makes a good editor? When hiring new staff, I look for such useful attributes as genius, charisma, adaptability, and disdain for high wages.” [p. 1]

“…self-serving, retentive, fastidious, fetishistic, and even some aesthetic and ethical types of compulsiveness have no place in mass communications under deadlines…” [p. 2]

“A polite name for hounding people is “nudging,” and systematic nudging is “following up”…virtually nothing happens when it is supposed to happen without well-timed reminders.” [p. 5]

“Is editing like processing fat into soap or packaging toilet tissue? Yes and no. Some editorial products do call to mind these commodities.” [p. 11]

Posted in business of writing, quotes | 3 Comments

Siegfried Sassoon, "Prelude: The Troops"

Prelude: The Troops

Dim, gradual thinning of the shapeless gloom
Shudders to drizzling daybreak that reveals
Disconsolate men who stamp their sodden boots
And turn dulled, sunken faces to the sky
Haggard and hopeless. They, who have beaten down
The stale despair of night, must now renew
Their desolation in the truce of dawn,
Murdering the livid hours that grope for peace.

Yet these, who cling to life with stubborn hands,
Can grin through storms of death and find a gap
In the clawed, cruel tangles of his defence.
They march from safety, and the bird-sung joy
Of grass-green thickets, to the land where all
Is ruin, and nothing blossoms but the sky
That hastens over them where they endure
Sad, smoking, flat horizons, reeking woods,
And foundered trench-lines volleying doom for doom.
O my brave brown companions, when your souls
Flock silently away, and the eyeless dead
Shame the wild beast of battle on the ridge,
Death will stand grieving in that field of war
Since your unvanquished hardihood is spent.
And through some mooned Valhalla there will pass
Battalions and battalions, scarred from hell;
The unreturning army that was youth;
The legions who have suffered and are dust.

–Siegfried Sassoon, Counter-Attack and Other Poems, 1918

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Elves

Why do people love elves? Or hate elves?

Does it all come down to Tolkien in the end? Did Orlando Bloom in the Lord of the Rings movies give elves a boost? Where did you first learn to love or hate elves?

If you like elves, what kind of elves do you like best? Elves among their own kind? Urban elves interacting with humans? Solo elves in trouble or on quests? Elves as part of a team? Nice elves? Evil elves? Only elves who ride wolves? (Why, yes, I was completely a fan of Wendy Pini’s Elfquest!)

For you, what makes an elf an elf?

Happy Friday!

Posted in genre, reading, sf/f | 6 Comments

Researching Pirates


The novel I’m currently writing has pirates! I am very excited by this, as pirates are a classic element in romance novels.

Here’s what I’ve been reading so far, as research. Links are to Amazon.com.

I started out with this one, a long time ago: The Complete Idiot’s Guide to Pirates.

This collection of essays takes a much more academic approach. Bandits at Sea: A Pirates Reader.

I can’t recommend this book enough, if you’re interested in historical pirates in Asia: Pirate of the Far East: 811-1639.

This is perhaps the most valuable book I’ve found so far, overall: Pirates!: Brigands, Buccaneers, and Privateers in Fact, Fiction, and Legend.

This seemed to be the most detailed of the books on women and piracy: Seafaring Women: Adventures of Pirate Queens, Female Stowaways, and Sailors’ Wives.

This will probably be my next purchase: Pirates, Prostitutes and Pullers: Explorations in the Ethno- and Social History of Southeast Asia.

I don’t have this one yet, but it is completely tempting even though it’s not relevant to my book: Jewish Pirates of the Caribbean: How a Generation of Swashbuckling Jews Carved Out an Empire in the New World in Their Quest for Treasure, Religious Freedom–and Revenge.

Please let me know if you have any recommendations!

Posted in pirates, research, the duke | 4 Comments

My Favorite Romance Tropes, and Not-So-Favorite

I will always pick up books with plots based on these ideas:

*Nice, ordinary heroes (think Carla Kelly, or the so-called “beta hero”)

*PTSD, Napoleonic Wars-style; angstful spies from the same period

*Marriages of convenience

*Virginal males (not that you see this one often)

*Cross-class romances

*Secretly intellectual heroes/heroines (bonus points if society sees them as dilettantes)

*Equestrians, musicians, and the well-traveled

The author has to work extra hard to make me accept these plotlines:

*Virgin widows

*”It was all planned by our parents for us to fall in love! And we never knew!”

*Young heroines with no life experience

*Destined Love and/or reincarnation and/or Genetic Mating or scent-marking or whatever that makes the relationship instantly gel

*Misunderstandings that could be solved with one conversation

*Historicals in which all behavior is completely modern (though I can sometimes handle modern-sounding dialogue, depending on my mood and the book)

*Women who long to be Mastered by a Man, and not for occasional erotic thrills

*Men who Know What’s Best for their women and don’t learn better

*Long separations between hero and heroine, especially if reason is stupid

What about you?

Posted in genre, reading, romance novels | 4 Comments