CapClave 2011 Schedule

You can find me in Maryland this weekend, with the extinct birds.

I’m off to CapClave, a science fiction convention sponsored by the Washington Science Fiction Society. Program Participants.

I’m only doing a couple of panels this year, and spending the rest of the time catching up with friends and possibly watching a little Dr. Who.

Friday, 6:00 pm, “First Sentence, First Paragraph: What Does It Take To Grab You?”
Great first sentences, to work, have to be sneaky or elegant, or so it has been said. But great first sentences are rare. So what qualities does a novel or story have to have to make you keep reading beyond that first sentence or first paragraph?

Saturday, 11:00 am, “10 Most Important SF Novels”
The panelists bring their list of the 10 most important SF novels … ever. Important in this case is defined as having an impact on the literature, the culture, genre discussion, etc.. They will compare the lists and discuss why they chose what they did. Bring your own list.

2:00 pm, Kaffeeklatsch

Drop by to see me if you’re there!

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Creating Panel Topics

Fall and winter science fiction conventions are putting together their programming right now, so my head is full of panel topics.

Panels at sf cons generally feature four or five panelists, usually some combination of writers and editors, though depending on the convention and on the panel topic, panelists might also be reviewers, knowledgeable fans, scientists, artists…anyone who might have something interesting to say. The panel topics are chosen beforehand; they often have humorous or provocative titles, and a brief description of the topic will be provided as well. Sometimes the topics are deliberately vague, to allow for a wide range of discussion; sometimes they are very specific.

When suggesting panel topics, first discard obvious, general topics such as “year’s best new fantasy” or “how to look for an agent.” Those are probably already on the schedule, and probably remain there from year to year. Many conventions have at least some panel descriptions online, so even if you’ve never attended that particular con, you can have a look at what’s been done before. You’ll get ideas for what they’re looking for, and might be inspired by a new twist on an old topic.

It’s also wise to look at the convention itself first; for instance, Readercon in the past has favored complex panel topics along these lines:
The Willing Suspension of Dissed Beliefs (2006)
There are some novels that can seduce us with their worldviews despite our intellectual opposition to the deep authorial philosophies that inform them. One can argue that the secular humanist reading Gene Wolfe or the free-market conservative reading China Miéville becomes, for the duration of the novel, a Catholic or socialist in at least some small recess of their brain. What exactly is going on here between text and reader?

It also helps to work from your own knowledge and interests. If you think it’s cool, it’s likely others will, too. WisCon is a specifically feminist science fiction convention, which solicits panel ideas and participation from its entire membership. As you might imagine, there are many panels related to gender, feminism, activism, etc. Here’s a topic that I proposed one year:

My Big Fat Paranormal Wedding
Instant, unbreakable soul bonds; choosing immortality to be with your lover; arranged marriages to save the world. All these plot tropes in paranormal romance damage or negate the element of choice in relationships. Are these tropes a plot convenience, or symbolic of something deeper in our society’s views on marriage?

I combined my knowledge of paranormal romance with my interests in the craft of writing and in discussing romance and feminism. Those three aspects combined to make the topic complex enough to generate discussion. I also identified some basic elements I’d like to address, which gave panelists something concrete to work with. Finally, there was the catchy title.

My last tip for coming up with topics is making notes during panels. In the course of a discussion, dozens of fascinating ideas and glanced at, discarded, alluded to. Some of those could make great panels for the next year.

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Sounds of the Past Linkgasm

Listen up!

U.S. National Jukebox at the Library of Congress, “which makes historical sound recordings available to the public free of charge. The Jukebox includes recordings from the extraordinary collections of the Library of Congress Packard Campus for Audio Visual Conservation and other contributing libraries and archives.”

References describing ambient London sounds throughout history.

Historical Sound Bites in WAV format.

Historic U.S. Naval Sound and Video from the 1940s and 1950s available for RealAudio and QuickTime.

And, if you missed it on Friday, I posted on Laura Kinsale’s Top Three Damaged Heroes: Jervaulx, S.T., and Sheridan Drake at Heroes and Heartbreakers.

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“The Trenches,” Frederic Manning

The Trenches

Endless lanes sunken in the clay,
Bays, and traverses, fringed with wasted herbage,
Seed-pods of blue scabious, and some lingering blooms;
And the sky, seen as from a well,
Brilliant with frosty stars.
We stumble, cursing, on the slippery duck-boards.
Goaded like the damned by some invisible wrath,
A will stronger than weariness, stronger than animal fear,
Implacable and monotonous.

Here a shaft, slanting, and below
A dusty and flickering light from one feeble candle
And prone figures sleeping uneasily,
Murmuring,
And men who cannot sleep,
With faces impassive as masks,
Bright, feverish eyes, and drawn lips,
Sad, pitiless, terrible faces,
Each an incarnate curse.

Here in a bay, a helmeted sentry
Silent and motionless, watching while two sleep,
And he sees before him
With indifferent eyes the blasted and torn land
Peopled with stiff prone forms, stupidly rigid,
As tho’ they had not been men.

Dead are the lips where love laughed or sang,
The hands of youth eager to lay hold of life,
Eyes that have laughed to eyes,
And these were begotten,
O Love, and lived lightly, and burnt
With the lust of a man’s first strength: ere they were rent,
Almost at unawares, savagely; and strewn
In bloody fragments, to be the carrion
Of rats and crows.

And the sentry moves not, searching
Night for menace with weary eyes.

–Frederic Manning

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More Retro-Erotica Book Covers




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Girl Fever Table of Contents

Editor Sacchi Green has posted the table of contents and some comments on her upcoming anthology, Girl Fever.

On my story: “Victoria Janssen’s “The Airplane Story” crams us into the metal-walled bondage of an airliner restroom.”

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Some Recent Research Reading – Late Victorian & Edwardian

Over the last few months, I’ve focused my research reading a little more onto the late Victorian and Edwardian periods in English history.

First, I highly recommend King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa by Adam Hochschild; it’s gripping from end to end, as well as informative about events often overlooked or skimmed over by historians, not only the atrocities that were perpetrated in the Congo, but the worldwide efforts to protest and prevent those atrocities, and how all these events fit into a historical context.

Inside the Victorian Home: A Portrait of Domestic Life in Victorian England by Judith Flanders was a treasure – it gave me a lot of nitty gritty details about households and how people managed their everyday life, from indoor plumbing to dealing with coal heat. It was an overview of several decades, so if I choose to focus on a specific period, I’ll need to do additional research; but thanks to this book, I’ll know where to look. It was a smooth, easy read as well, with a number of useful illustrations.

Though intriguing, Impossible Purities: Blackness, Femininity, and Victorian Culture by Jennifer DeVere Brody was less useful for my purpose than I had hoped; it was a theoretical book. However, it gave me a lot to think about, and some additional references; this is the sort of book that often turns out to influence the themes of my writing, and helps me put the other material I’ve been reading into a context.

London 1900: The Imperial Metropolis by Jonathan Schneer, while also theory-based, still provides interesting detail about life in London around the turn of the century; I expect to get a lot of use out of the notes and bibliography.

The Perfect Summer: England 1911, Just Before the Storm by Juliet Nicolson is rich with detail, mostly about the upper classes in England during that period, interspersed with brief accounts of the class turmoil happening at the same time. My only complaint was that sometimes the author seemed a little coy, for instance referring to Virginia Stephen repeatedly without noting that, eventually, she became Virginia Woolf. A reader who didn’t know her maiden name might have been unable to make useful connections. The book made a great companion read to Uncommon Arrangements: Seven Portraits of Married Life in London Literary Circles 1910-1939 by Katie Roiphe, as a number of the same people appear in both books. I’m looking forward to Nicolson’s second book, The Great Silence: Britain from the Shadow of the First World War to the Dawn of the Jazz Age.

I’ve also been sporadically working through a couple of reference works: Victorian and Edwardian Fashion: A Photographic Survey by Alison Gernsheim and Victorian Babylon: People, Streets and Images in Nineteenth-Century London by Lynda Nead.

Suggestions are welcome!

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“Guns of Verdun,” Patrick R. Chalmers

Guns of Verdun

Guns of Verdun point to Metz
From the plated parapets;
Guns of Metz grin back again
O’er the fields of fair Lorraine.

Guns of Metz are long and grey,
Growling through a summer day;
Guns of Verdun, grey and long,
Boom an echo of their song.

Guns of Metz to Verdun roar,
“Sisters, you shall foot the score;”
Guns of Verdun say to Metz,
“Fear not, for we pay our debts.”

Guns of Metz they grumble, “When?”
Guns of Verdun answer then,
“Sisters, when to guard Lorraine
Gunners lay you East again!”

–Patrick R. Chalmers

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Bulletproof Kinks

In the course of thinking about a new writing project, I’m also reflecting on what I love to read – specifically, those items that, if they appear in a book, will automatically seize my interest as a dog is interested in food. (Whether I actually like the book depends on other factors.)

Among fanfiction writers and readers, these items are referred to as “bulletproof kinks.”

I…seem to have a lot of them.

–Soldiers experiencing postwar angst. World War One is king of all my bulletproof kinks, to the extent that I have shelves and shelves of books about the period and check out all fiction that I can find with that war as a setting.

–The Marriage of Convenience

–Telepaths/precognitives/clairvoyants. Angstful ones in particular, who later find others of their kind and are happier. (Marjorie Liu, I’m looking at you!)

–Adventure stories with crossdressing

–Musicians, and visual artists, and actors, especially when the book addresses how they approach their art. Chefs and seamstresses count, too.

–Superheroes with secret identities, who then run into trouble because either they can’t reveal themselves or because they’ve been found out.

–Strangers in Strange Lands.

–Books/Series with groups of friends who manage to work together against the odds.

Not quite bulletproof kinks:

–Male prostitutes – I collect romances with male prostitute heroes, including those I didn’t love, for research purposes.

–Female soldiers, spies, women who combat standard gender roles in other ways, ditto.

How about you?

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Sale! To Girl Fever!

Quite some time after I originally wrote it, I’ve sold “The Airplane Story” to editor Sacchi Green for her anthology Girl Fever: 69 Stories of Sudden Sex for Lesbians, forthcoming from Cleis Press. My very first sale (and quite a few later ones) was to Cleis, so that makes it an extra-happy occasion. I’ll post the publication date when I have it.

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