Life in the Freezer

I really love David Attenborough. He’s so interested in everything, and he communicates his interest through a television screen. Which is a writing lesson–putting yourself and your interests into what you’re saying or writing gives those words more energy.

I recently watched the documentary he did on Antarctica, Life in the Freezer. It wasn’t specifically for research; I was just interested! Also, I shocked myself by how little I really knew about Antarctica and the animals that live there. Though this series isn’t new–it’s from 1993–I totally recommend it, for the photography if nothing else. Vast sweeps of snow and ice and icy ocean, gorgeous underwater seal ballet, vast fields of penguins. One caveat: several penguins poignantly meet their deaths, so if you’re a penguin fan, be warned.

You may be wondering if this has anything to do with writing. In my case, it does. See, when I get the urge to watch things, it’s usually because I’m refilling my brain with tasty bites of penguin information that will later, I hope, emerge in my fiction.

For one thing, a lot of what I learned about harsh environments is applicable to creating science fiction worlds; in fact the NASA Tumbleweed Rovers were tested in Antarctica.

I was also impressed by the population of Weddell seals which can survive year-round on the ice cap by keeping breathing holes open in the ice; they can submerge during blizzards with only their nostrils exposed, and when they hunt, they can remain underwater for as long as eighty minutes. The footage of a human diver in their realm was incredible–I could only imagine the vast silence, broken only by seal calls. I couldn’t help but imagine an alien species.

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Chris Boucher quote

One of my favorite quotes ever:

“There are no good guys. There are no bad guys. There are only better guys, and worse guys.”
Chris Boucher

I post it at the start of this year because one of my goals is to learn to write better villains!

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Happy New Year!


My goals for the year:

Read. Write. Sing. Enjoy life. Be myself.

How about you?

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The Year in Sales – 2010

Aside from The Duke and The Pirate Queen being out this month, I sold some short stories this year.

In January, “The Token” appeared in the print edition of Alleys & Doorways: Stories of Queer Urban Fantasy, edited by Meredith Schwartz.

In July, my flash fiction “The Princess”–only one hundred words long!–was in Alison Tyler’s anthology for Spice, Alison’s Wonderland.

In October, a reprint of “The Magnificent Threesome,” a fun Western story, appeared in Linda Alvarez’ anthology The Mammoth Book of Threesomes and Moresomes.

In 2010, I also sold two stories that will appear in print in spring 2011. “Vanilla” sold to Dream Lover: Paranormal Tales of Erotic Romance, edited by Kristina Wright. “Crimean Fairy Tale” was written for The Mammoth Book of Hot Romance, edited by Maxim Jakubowski.

Finally, I tried an experiment in self-publishing a small reprint collection, Erotic Exploits, for Kindle, with cover by Jaxadora Design. I collected the lesbian speculative fiction I wrote for various anthologies, some of it from early in my writing career, some more recent. Up to this point, “Free Falling” and “Place, Park, Scene, Dark” were no longer available elsewhere. “Free Falling” has a threesome in zero gee, among other lighthearted science fictional play, and I’m still proud of the zero gee details! “Place, Park, Scene, Dark” is a story about a werewolf, except she doesn’t turn into a werewolf during the story…that’s sort of the point of it, so it’s a little different from what you might expect. The collection is a mixture of science fiction and fantasy stories, four and three to be exact; there’s also a range of character ages and races. I made it available on Smashwords as well.

Tomorrow begins a new year. Forward momentum!

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Best 3 Books I Read in 2010

Ask me tomorrow and I might change my mind, but at the moment, these are my three favorite books that I read in 2010. I chose each one for a different reason.

1. A Madness of Angels: Or The Resurrection of Matthew Swift by Kate Griffin. This is a fantasy novel, and urban fantasy in the truest sense because the magic is drawn from the city. It reminds me of the comic Hellblazer in some ways, but it’s more wondrous, deeper and richer, and in the end much more hopeful. Griffin, who writes YA under another name, has a prose style that dragged me in from the first page and kept me deeply ensconced in the world she created for 640 pages. I read this book very slowly, which for me is unusual, because I felt it was worth savoring. And I’m ready to read the sequel.

2. Cryoburn by Lois McMaster Bujold is the latest in a long series, and I don’t recommend you read it until you’ve read all the other books in the Vorkosigan saga first. (Go do that now; I’ll wait!) But if you are familiar with that series; if you’ve read those books over and over, lived with the characters, discussed them with friends, waited with pained desperation for the next one to come out? Then this book will rip out your heart.

3. Mammoths: Giants of the Ice Age is the most fun research book I’ve read in quite a while, possibly because I didn’t have to read it, and partly because it is just awesome.

It is so awesome I cannot tell you. It’s pretty up-to-date (I had a revised edition) and made me want to hunt all over the internet for more information on some of the newer finds it mentions so casually. I’ve always been fascinated by mammoths. I mean, for mammoths we have actual freeze-dried corpses with preserved blood cells. How cool is that?

What are your favorite reads of the year?

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Satisfying Endings

This post was originally written for Shelley Munro’s blog.

Though I read a lot, I was never good at articulating what made a satisfying ending for a novel. Over years of writing, I got better at endings, mostly thanks to fellow-workshoppers Ann Tonsor Zeddies and Holly Black and the trenchant comments they made on my first novel.

The main thing I learned from them was that if certain things don’t happen at the end of a novel, the reader won’t be happy (both have a gift for identifying what those things are). It’s not that those expected things are the same from book to book. It’s that you, the author, arouse expectations, and the reader wants those expectations satisfied; in fact, they want to be better than satisfied. They want you to come up with a solution that is better than they imagined.

Remember, you can always go backwards and insert expectations as you revise!

I liken this method of creating endings to Lois McMaster Bujold’s method of plotting, which seems to involve putting her lead character into the worst situation possible for them, continuing to make it worse, yet somehow pulling out success for them at the end, even if the success is tinged with failures…and somehow making those failures even more intriguing than total success would have been.

I don’t think I’m even close to Bujold’s level of plotting yet, but I did experiment a bit with The Duke and the Pirate Queen by moving back and forth between two plotlines, one primary and one secondary. To do that, I made sure that neither plotline dropped out of sight for too long, and I would mention each one briefly within the other so the reader could keep them both in mind. I used questions and cliffhangers to move from one plotline to the other. And both plotlines had to come together at the end. Events of the secondary plotline made the primary plotline possible, so they came together with (I hope) great satisfaction for the reader.

If you read the book, let me know how I did!

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The Lotus Eaters

This post was originally written for Stephanie Draven’s blog.

One section of The Duke and the Pirate Queen would not exist if not for revisions.

When writing the synopsis for the novel I knew I had to visit an island, and if possible my protagonists needed to be taken captive by islanders. Since this was an erotic novel, the islanders would force them to compete in a sort of sexual display contest. It wasn’t until I’d had a little break from the manuscript, though, that I realized I’d completely missed an opportunity.

Luckily, around then I received the manuscript back with a request for some minor revisions. I checked in with my editor, told her my idea, and received permission to revamp the island scene by making it an homage to The Odyssey.

Here’s a brief excerpt from Odyssey IX, from a translation I found online:

“…on the tenth day we reached the land of the Lotus-eaters, who live on a food that comes from a kind of flower. … the Lotus-Eaters gave [the crew] to eat of the lotus, which was so delicious that those who ate of it left off caring about home, and did not even want to go back and say what had happened to them, but were for staying and munching lotus with the Lotus-eaters without thinking further of their return; nevertheless, though they wept bitterly I forced them back to the ships and made them fast under the benches.”

Some historians suggest the plant meant was Ziziphus lotus, which is related to the jujube, though I suspect there’s also an element of fantasy in the description.

The idea of islanders who subsist mainly on drugging flora fit in well with an erotic novel. I could thus easily force the protagonists into the otherwise unlikely situation of a sex competition, which led to new revelations about their characters. The drugged islanders added not only an element of humor but also of dystopic fear, resulting in a chapter that was much more gripping than before the revision.

I knew my liberal arts education was good for something.

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Philcon 2010 reports


Jared Axelrod really enjoyed the steampunk panel in which we both participated at Philcon 2010.
Brian Siano blogs about his experience at the steampunk event Dorian’s Parlor, the following week.

Barbara Barnett on the pros and cons of her experience at Philcon 2010.

Among the Skiffoids, panel reports by Michael Flynn.

Lawrence Schoen on Day One.

Alyce Wilson’s Reports and Photos.

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Boxing Day, World War One


What? Boxing Day means something different?

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A World War One Christmas Card

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