Edmund Blunden, "Report on Experience"


Report on Experience

I have been young, and now am not too old;
And I have seen the righteous forsaken,
His health, his honour and his quality taken.
This is not what we were formerly told.

I have seen a green country, useful to the race,
Knocked silly with guns and mines, its villages vanished,
Even the last rat and the last kestrel banished —
God bless us all, this was peculiar grace.

I knew Seraphina; Nature gave her hue,
Glance, sympathy, note, like one from Eden.
I saw her smile warp, heard her lyric deaden;
She turned to harlotry; — this I took to be new.

Say what you will, our God sees how they run.
These disillusionments are His curious proving
That He loves humanity and will go on loving;
Over there are faith, life, virtue in the sun.

–Edmund Blunden

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Moonlight Mistress Excerpt – Arrivals

Moonlight Mistress is out December 2009 from Harlequin Spice. In this scene, Lucilla is briefly and unexpectedly reunited with her lover.

#

After Hailey was safe and cared for, Lucilla walked down the muddy path back to her quarters in one of the slapdash rear huts. She was dizzy from lack of sleep and reliving, in a near trance, the moments when Ashby had shifted from one form to the other. If only she could tell Pascal. For a few wild moments, she considered ways of sending him a letter–through the French command, perhaps, or to his relatives in Le Havre–before laughing at herself. He would not be pleased to hear from her, she was sure. He no doubt had quite a few pretty mademoiselles trying to catch his eye.

No, that was unfair; there was work to be done, and she felt sure the French army had not overlooked his usefulness. It made her feel a bit better to think of him occupied with engineering problems. She could even consider him with nostalgia.
He would love knowing that werewolves truly existed. She could encode that information in a letter, perhaps; it would not be like sending a letter simply because she wanted to do so. He would wish to discuss her discovery with her, and they could–no. She really had nothing to do with all this. She was neither an officer in the army or a person with any scientific standing that an army would recognize.

…Oh, she would give anything right now for a cup of tea, heavily dosed with Irish whiskey.

When she pushed open the door to her hut and saw the light on, Pascal standing there beside her bed, at first she thought she was dreaming. In one stride, he held her by the arms. A moment later, his mouth swept down upon hers. His mustache tickled her nose. That felt real. He drew back, looked down at her as if to confirm his welcome, then kissed her again before lifting her off the dirt floor and holding her tightly against him.

Lucilla stroked her hands up and down his back. Was he thinner than he’d been? She’d never before seen him in his uniform. The pale blue didn’t really suit him, nor did the loose cut of his jacket. Of course, her own uniform added at least ten years to her, and included a silly hat and cape besides, so she supposed she couldn’t criticize.

“Lucilla,” he said. He kissed her cheek and set her on her feet. “I thought I would have to search you out.”

“How did you–“

He shrugged. “I am a spy. Not in the field,” he added, hastily. “I persuaded them that would be unwise. I have been working with data that others provide.”

“But, here–

“I missed you,” he said, with devastating simplicity. He cupped her cheek in his palm. “I had hoped you might miss me, as well.”
Exhaustion and shock shattered over Lucilla’s head like a shell exploding. Before she could burst into tears, she buried her face against Pascal’s chest. She wrapped her arms around his waist and held on. “Yes,” she said, muffled against his uniform.

#

c. Victoria Janssen 2009

Pre-order on Amazon.com.

More excerpts.

More Snippet Saturday:
Vivian Arend
Ashley Ladd
Leah Braemel
Taige Crenshaw
Shelley Munro
TJ Michaels
Juliana Stone
Eliza Gayle
McKenna Jeffries
Jody Wallace
Lauren Dane
Juliana Stone
Kelly Maher
Shelli Stevens

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Nifty Women Who Fought in World War One

Along the lines of “Nifty Stuff That Ought to be in Romance Novels,” there are some famous women in World War One that would be fabulous sources for heroines.

I highly recommend Into the Breach: American Women Overseas in World War I if you’d like a good overview of the many non-combat roles women played in Europe during World War One. The book focuses on Americans, but I still think it’s a good starting point for general research, as it’s very readable and has an excellent bibliography.

Beginning in May of 1917, the Russian army had a battalion exclusively made up of women, commanded by Maria Bochkareva. About three hundred of the women were in combat; Bochkareva was wounded in the June Offensive.

Here’s another great book that focuses on military women: The First, the Few, the Forgotten: Navy and Marine Corps Women in World War I.

There’s a good Wikipedia page on Flora Sandes, a British woman who served with the Serbian army after becoming separated from her Red Cross ambulance unit, and was wounded by a grenade.

Hello Girls operated switchboards, often near the Front or under other dangerous conditions. Here’s more. They were finally granted the status of veterans in 1978, though not retroactively, meaning they did not receive benefits for the period when they were denied. Here’s another Hello Girl page.

Read more about women at the front.

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My Philcon 2009 Schedule

I’ll be at Philcon this weekend. My schedule is below.

Fri 7:00 PM in Plaza I
FANTASY BASED ON NON-EUROPEAN SOURCES
Victoria Janssen (mod), Stephanie Burke, James L. Cambias, Christine Norris, Tom Doyle

You don’t have to go “all medieval on me” to write fantasy. What are the best examples of fantasy not based on European backgrounds to date?

Fri 8:00 PM in Plaza VII
THE BOOKS WE COME BACK TO
Victoria Janssen (mod), Michael J. Walsh, KT Pinto, Caroline Cox, Lawrence Kramer

There are some books we read over and over again. What qualities do these books have that make them worth visiting again?

Fri 11:59 PM in Plaza IV
EYE OF ARGON READING
Oz Fontecchio (mod), Keith R.A. DeCandido, Lawrence M. Schoen, Phil Kahn, Hildy Silverman, Victoria Janssen

Reputedly, the worst story in the genre’s history. Just try and read it without laughing.

Sat 11:00 AM in Plaza II
BROAD UNIVERSE RAPID FIRE READING
Christine Norris (mod), Catherine Asaro, Dina Leacock, E. F. Watkins, Gail Z. Martin, Victoria Janssen

All the Broad Universe authors in attendance give a short reading, creating a kind of “snack sampler” for the audience.

Sat 12:00 PM in Executive Suite 623
VICTORIA JANSSEN READING

Sat 2:00 PM in Crystal Ballroom Two
ARE WE HEADED FOR THE POST-LITERATE WORLD?
Bud Sparhawk (mod), Catherine Asaro, Victoria Janssen, Rebecca Maines, Tom Purdom]

How has easy access to technology changed the way that we read, write and think? How is this reflected in the more recent novels of the field?

Sat 4:00 PM in Plaza II
MAKING IT WITH VAMPIRES, SHAPESHIFTERS AND OTHER CREATURES
Victoria Janssen (mod), Desirina Boskovich, L.A. Banks, Genevieve Iseult Eldredge, Nina Ely, Stephanie Burke

What is the psychological appeal?

Sat 8:00 PM in Plaza I
INSERT TAB B INTO SLOT A
Victoria Janssen (mod), Lawrence M. Schoen, Michael Swanwick, Stephanie Burke, Lee Gilliland

The treatment of sex in Science Fiction.

Sun 1:00 PM in Grand Ballroom A
WHERE WILL THE ROMANCE/SCIENCE FICTION/FANTASY CONNECTION GO?
Victoria Janssen (mod), Catherine Asaro, Robert Jeschonek, L.A. Banks, Oz Drummond

Is the crossover between Science Fiction/Fantasy and the Romance genre cresting or still on the rise? Where is it going? Is it affecting the whole field?

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Edwardian/Belle Epoque Research Links

The Edwardian period in England officially lasted from 1901-1910 but is often extended through the end of World War One in 1918; another term, more applicable to the rest of the Europe, is La Belle Epoque, which stretches slightly longer. A great place to start reading about the period is the blog Edwardian Promenade. Be sure to check out the links.

Simple factual research is all well and good, but for story purposes, I think the little details are more important: what people wore, what they ate, what they did for fun.

Internet Archive on Great Britain, 1901-1910.
London Times Archive.
New York Times Archive, 1851-1980.

Victorian and Edwardian Photographs. This site has a huge range of photographic portraits that, to me, inspire a great many character ideas.

The Museum of Childhood has a section on Edwardian Lives from childhood on.

An enlightening article on womens’ fashion 1900-1909. Check out fashions in clothing here, here, and here. A useful fashion links page.

This new site looks increadibly useful: East London Theatre Archive, which I found via Great War Fiction.

An overview of kitchens and cooking and some recipes. More recipes can be found here, divided by genre.

Neat information from World’s Fairs, 1901-1910 at the National Fairground Archive, that I’ve always thought would make an original background for a novel.

Finally, though the design is cluttered, this site gives lyrics and/or sheet music and listenable links to a number of period music-hall tunes. For classical music of the period (and others), some available for download, visit the music library at the Isabella Stewart Gardner Museum.

And for fun as well as research, Suffrage on Stage. “Woman suffrage is the reform against nature. Look at these ladies sitting on the platform. Observe their physical inability, their mental disability, their spiritual instability and general debility! Could they walk up to the ballot box, mark a ballot, and drop it in? Obviously not. Let us grant for the sake of argument that they could mark a ballot. But could they drop it in? Ah, no. All nature is against it. The laws of man cry out against it. The voice of God cries out against it–and so do I.”
–Marie Jenney Howe, “An Anti-Suffrage Monologue”

Related posts:

Basic Historical Research Online.

Historical Detail in Fiction.

Synergy in Writing and Research.

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Cherry-Picking Time

An editor to whom I’d previously sold reprints contacted me last week about possibly contributing to a new anthology.

Immediately, this made my heart sing. It sang even more when I found out I could write any subgenre of “hot romance” that I chose. Whee! Ideas ideas ideas! I’ve been missing writing short fiction, and the freedom it offers to experiment.

As I often do, I went promptly to my friends on LiveJournal, where my account allows me to post polls. I created a poll offering every story element that appealed: cross-dressing, circuses, space opera, the Crimean War, time travel, World War II, dystopias, cuisine, superheroes. After cross-dressing, the top choice was the Crimean War.

I adore writing things set in World War One, but I’ve also had a desire to set something during the Crimean War, mainly because I know little about it. I mean, there’s Florence Nightingale and there’s the Battle of Balaclava and the Charge of the Light Brigade. Half a league, half a league, / Half a league onward, / All in the valley of Death / Rode the six hundred. I want to go a little deeper than that.

Writing a story is a great excuse to learn more. I have a couple of books already, and until now they’ve been languishing unread. I ordered two more almost immediately. I’m already pondering where in the war to set my story – Balaclava seems an obvious choice.

But then there’s the second element. Time travel was also a top choice. I’ve never done time travel. One of my favorite science fiction novels is Doomsday Book by Connie Willis, and though I don’t aspire to anything so complex, I love the way she integrated time travel and scholarly study; Kage Baker’s In the Garden of Iden has time-traveling agents as well, whose motives are more economic. Regardless of what I choose, time travel and a major event like the Battle of Balaclava would make perfect sense. And those two ideas are already percolating rapidly in my brain.

Whee!

Related posts:

Synergy in Writing and Research.

The Research Book Dilemma.

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My Top 16 Romance Novels

I’m exactly one month late posting my sixteen favorite romance novels, but, well…here they are anyway, in random order. And it was really hard and made me very sad, but I did it for you.

I limited myself to books published as romance, not science fiction or fantasy or mystery that included a romance in the story. I allowed one book per author. One of my requirements was that I’d read the book more than once and plan to read it again in future; the re-read requirement meant most of the newer books I’ve loved, by new authors or by old favorite authors, didn’t make the list.

My List:

1. Judy Cuevas, Dance
2. Suzanne Brockmann, Frisco’s Kid
3. Carla Kelly, Summer Campaign
4. Jennifer Crusie, Anyone But You
5. Liz Carlyle, No True Gentleman
6. Loretta Chase, Lord of Scoundrels
7. Laura Kinsale, The Shadow and the Star
8. Janet Mullany, Dedication
9. Marjorie Liu, Shadow Touch
10. Nita Abrams, The Exiles
11. Connie Brockway, As You Desire
12. Mary Jo Putney, River of Fire
13. Tracy Grant, Daughter of the Game
14. Jo Beverley, Christmas Angel
15. Mary Balogh, The Notorious Rake
16. Anna Campbell, Untouched

Amazon links for your convenience:
Dance
Frisco’s Kid
Summer Campaign
Anyone But You
No True Gentleman
Lord of Scoundrels
The Shadow and the Star
Dedication
Shadow Touch
The Exiles
As You Desire
River of Fire
Daughter of the Game
Christmas Angel
The Notorious Rake
Untouched

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Siegfried Sassoon, "Repression of War Experience"

Repression of War Experience

Now light the candles; one; two; there’s a moth;
What silly beggars they are to blunder in
And scorch their wings with glory, liquid flame–
No, no, not that,–it’s bad to think of war,
When thoughts you’ve gagged all day come back to scare you;
And it’s been proved that soldiers don’t go mad
Unless they lose control of ugly thoughts
That drive them out to jabber among the trees.

Now light your pipe; look, what a steady hand.
Draw a deep breath; stop thinking; count fifteen,
And you’re as right as rain…
Why won’t it rain?…
I wish there’d be a thunder-storm to-night,
With bucketsful of water to sluice the dark,
And make the roses hang their dripping heads.
Books; what a jolly company they are,
Standing so quiet and patient on their shelves,
Dressed in dim brown, and black, and white, and green,
And every kind of colour. Which will you read?
Come on; O do read something; they’re so wise.
I tell you all the wisdom of the world
Is waiting for you on those shelves; and yet
You sit and gnaw your nails, and let your pipe out,
And listen to the silence: on the ceiling
There’s one big, dizzy moth that bumps and flutters;
And in the breathless air outside the house
The garden waits for something that delays.
There must be crowds of ghosts among the trees,–
Not people killed in battle,–they’re in France,–
But horrible shapes in shrouds–old men who died
Slow, natural deaths,–old men with ugly souls,
Who wore their bodies out with nasty sins.

. . . .

You’re quiet and peaceful, summering safe at home;
You’d never think there was a bloody war on!…
O yes, you would … why, you can hear the guns.
Hark! Thud, thud, thud,–quite soft … they never cease–
Those whispering guns–O Christ, I want to go out
And screech at them to stop–I’m going crazy;
I’m going stark, staring mad because of the guns.

–Siegfried Sassoon

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Notes from "The Repression of War Experience" by W.H.R. Rivers, M.D.

Notes from “The Repression of War Experience” by W.H.R. Rivers, M.D. Published in The Lancet, Feb. 2, 1918

NB: This document is reproduced from and held at the The Napier University War Poets site.

“I hope to show that many of the most trying and distressing symptoms from which the subjects of war neurosis suffer are not the necessary result of the strains and shocks to which they have been exposed in warfare, but are due to the attempt to banish from the mind distressing memories of warfare or painful affective states which have come into being as the result of their war experience.”

“…if patients were left to themselves most would naturally strive to forget distressing memories and thoughts. They are, however, very far from being left to themselves, the natural tendency to repress being in my experience almost universally fostered by their relatives and friends, as well as by their medical advisors. Even when patients have themselves realised the impossibility of forgetting their war experiences and have recognized the hopeless and enervating character of the treatment by repression, they are often induced to attempt the task in obedience to medical orders. The advice which has usually been given to my patients in other hospitals is that they should endeavor to banish all thoughts of war from their minds. In some cases all conversation between patients or with visitors about the war is strictly forbidden, and the patients are instructed to lead their thoughts to other topics, to beautiful scenery and other pleasant aspects of experience.

“To a certain extent this policy is perfectly sound. Nothing annoys a nervous patient more than the continual inquiries of his relatives and friends about his experiences of the front, not only because it awakens painful memories, but also because of the obvious futility of most of the questions and the hopelessness of bringing the realities home to his hearers. Moreover, the assemblage together in a hospital of a number of men with little in common except their war experiences naturally leads their conversation far too frequently to this topic, and even among those whose memories are not especially distressing it tends to enhance the state for which the term “fed up” seems to be the universal designation. It is, however, one thing that those who are suffering from the shocks and strains of warfare should dwell continually on their war experience or be subjected to importunate inquiries; it is quite another to attempt to banish such experience from their minds altogether. The cases I am about to record illustrate the evil influence of this latter course of action and the good effects which follow its cessation.”

“a young officer…he was nervous and suffered from disturbed sleep and loss of appetite…he reported that it always took him long to get to sleep at night and that when he succeeded he had vivid dreams of warfare. He could not sleep without a light in his room because in the dark his attention was attracted by every sound. He had been advised by everyone he had consulted, whether medical or lay, that he ought to banish all unpleasant and disturbing thoughts from his mind. He had been occupying himself for every hour of the day in order to follow this advice and had succeeded in restraining his memories and anxieties during the day, but as soon as he went to bed they would crowd upon him and race through his mind hour after hour, so every night he dreaded to go to bed.

“…I asked him to tell me candidly his own opinion concerning the possibility of keeping these obtrusive visitors from his mind. He said at once that it was obvious to him that memories such as those he had brought with him from the war could never be forgotten. Nevertheless, since he had been told by everyone that it was his duty to forget them he had done his utmost in this direction…I agreed with him that such memories could not be expected to disappear from the mind and advised him no longer to try to banish them…

“We talked about his war experiences and his anxieties, and following this he had the best night he had had for five months. During the following week he had a good deal of difficulty in sleeping, but his sleeplessness no longer had the painful and distressing quality which had been previously given to it by the intrusion of painful thoughts of warfare. In so far as unpleasant thoughts came to him, these were concerned with domestic anxieties rather than with the memories of war, and even these no longer gave rise to the dread which had previously troubled him.”

“It is not always, however, that the line of treatment adopted in these cases is so successful. Sometimes the experience which a patient is striving to forget is so utterly horrible or disgusting, so wholly free from any redeeming feature which can be used as a means of readjusting the attention, that it is difficult or impossible to find an aspect which will make its contemplation endurable. … [in this case] His only period of relief had occurred when he had gone into the country far from all that could remind him of the war, and this experience, combined with the utterly horrible nature of his memory and images, not only made it difficult for him to discontinue the repression, but also made me hesitate to advise this measure with any confidence. The dream became less frequent and less terrible, but it still recurred, and it was thought best that he should leave the Army and seek the conditions which had previously given him relief.”

“Another form of catharsis which may have been operative in some of the cases I have described. It often happens in cases of war neurosis, as in neurosis in general, that the sufferers do not repress their painful thoughts, but brood over them constantly until their experience assumes vastly exaggerated and often distorted importance and significance. In such cases the greatest relief is afforded by the mere communication of these troubles to another.”

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Real People as Fiction – Linkgasm #3

Timmi Duchamp on representing history in fiction, particularly using real historical personages in fiction. Here’s Part Two.

Are novelists entitled to use real-world characters? by Guy Gavriel Kay, an essay for The Guardian that’s linked from the above post.

This also brings to mind Real Person Fiction, which is not at all a new practice – for example, the Brontë juvenalia includes historical figures and variations thereof.

How about Reverse Historical Fiction? (via Creating Van Gogh) “[Shumaker]’s story is an epistolary one in which a literature professor describes the troubled history of a (deceased) colleague’s doctoral dissertation, one that the colleague was forced to drop. The long and short of it is that while a graduate student, this man discovered that Huckleberry Finn was no fictitious character but a real person who wrote down his life story and gave it to Samuel Clemens, merely hoping for assistance in getting the memoir published.”

And these sound interesting as well: The Secret Diaries of Charlotte Bronte and The Lost Memoirs of Jane Austen by Syrie James.

I haven’t read either of those books yet, so here’s a review of The Secret Diaries of Charlotte Bronte at the BronteBlog. Review of The Lost Memoirs of Jane Austen at Bookstack.

Here’s another interesting post: Redefining Historical Fiction, Amazon-style at Reading the Past.

Then there’re cartoon characters of a real person that take on a life of their own, in this post from Henry Jenkins, back in April 2008: My Life as a Cartoon Character.

Sometimes, the details of reality just won’t work, no matter how hard you try. 2D Goggles: The Style Edition.

And on a completely different note, How Being a Theater Geek Improved My Writing by Barbara Barnett.

Linkgasm 1.

Linkgasm 2.

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