Victoria Janssen

The Fathers

Snug at the club two fathers sat,
Gross, goggle-eyed, and full of chat.
One of them said: ‘My eldest lad
Writes cheery letters from Bagdad.
But Arthur’s getting all the fun
At Arras with his nine-inch gun.’

‘Yes,’ wheezed the other, ‘that’s the luck!
My boy’s quite broken-hearted, stuck
In England training all this year.
Still, if there’s truth in what we hear,
The Huns intend to ask for more
Before they bolt across the Rhine.’
I watched them toddle through the door–
These impotent old friends of mine.

–Siegfried Sassoon, Counter-Attack and Other Poems, 1918

Wirers

‘Pass it along, the wiring party’s going out’–
And yawning sentries mumble, ‘Wirers going out.’
Unravelling; twisting; hammering stakes with muffled thud,
They toil with stealthy haste and anger in their blood.

The Boche sends up a flare. Black forms stand rigid there,
Stock-still like posts; then darkness, and the clumsy ghosts
Stride hither and thither, whispering, tripped by clutching snare
Of snags and tangles.
Ghastly dawn with vaporous coasts
Gleams desolate along the sky, night’s misery ended.

Young Hughes was badly hit; I heard him carried away,
Moaning at every lurch; no doubt he’ll die to-day.
But we can say the front-line wire’s been safely mended.

–Siegfried Sassoon, Counter-Attack and Other Poems, 1918

Break of Day

There seemed a smell of autumn in the air
At the bleak end of night; he shivered there
In a dank, musty dug-out where he lay,
Legs wrapped in sand-bags,–lumps of chalk and clay
Spattering his face. Dry-mouthed, he thought, ‘To-day
We start the damned attack; and, Lord knows why,
Zero’s at nine; how bloody if I’m done in
Under the freedom of that morning sky!’
And then he coughed and dozed, cursing the din.

Was it the ghost of autumn in that smell
Of underground, or God’s blank heart grown kind,
That sent a happy dream to him in hell?–
Where men are crushed like clods, and crawl to find
Some crater for their wretchedness; who lie
In outcast immolation, doomed to die
Far from clean things or any hope of cheer,
Cowed anger in their eyes, till darkness brims
And roars into their heads, and they can hear
Old childish talk, and tags of foolish hymns.

He sniffs the chilly air; (his dreaming starts),
He’s riding in a dusty Sussex lane
In quiet September; slowly night departs;
And he’s a living soul, absolved from pain.
Beyond the brambled fences where he goes
Are glimmering fields with harvest piled in sheaves,
And tree-tops dark against the stars grown pale;
Then, clear and shrill, a distant farm-cock crows;
And there’s a wall of mist along the vale
Where willows shake their watery-sounding leaves,
He gazes on it all, and scarce believes
That earth is telling its old peaceful tale;
He thanks the blessed world that he was born…
Then, far away, a lonely note of the horn.

They’re drawing the Big Wood! Unlatch the gate,
And set Golumpus going on the grass;
He knows the corner where it’s best to wait
And hear the crashing woodland chorus pass;
The corner where old foxes make their track
To the Long Spinney; that’s the place to be.
The bracken shakes below an ivied tree,
And then a cub looks out; and ‘Tally-o-back!’
He bawls, and swings his thong with volleying crack,–
All the clean thrill of autumn in his blood,
And hunting surging through him like a flood
In joyous welcome from the untroubled past;
While the war drifts away, forgotten at last.

Now a red, sleepy sun above the rim
Of twilight stares along the quiet weald,
And the kind, simple country shines revealed
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light,
Then stretches down his head to crop the green.
All things that he has loved are in his sight;
The places where his happiness has been
Are in his eyes, his heart, and they are good.

…
Hark! there’s the horn: they’re drawing the Big Wood.

–Siegfried Sassoon, Counter-Attack and Other Poems, 1918